Infectious, blossoming, and charming. Amazing song

This is now my favorite band, I just bought a pink Banana tshirt!!

Taken from their debut album "Weird Sister."
Out now on Slumberland Records (US) & Fortuna Pop! (UK)

LP/CD: http://smarturl.it/jgws-album
Digital: http://smarturl.it/jgws-itunes

Thrilling Cardiff-based noisepop five-piece Joanna Gruesome will be releasing their terrific debut album via Fortuna POP! (Europe) and Slumberland (USA) in September. Brimming with irresistible pop melodies and spiked with dissonant fuzzy jangle, their songs are shot through with loud discordant feedback and super-fast, hardcore punk drumbeats. This album sees their first foray away from recording in a living room to a proper studio under the guidance of producer MJ of the much lauded Hookworms.

Kicking it against sexism and homophobia, nothing is off-limits, drawing inspiration from DIY scenes such as Riot Grrrl/noisepop/C86 /K Records as well as post hardcore like Drive Like Jehu/Converge and the art rock of The Velvet Underground and My Bloody Valentine, Joanna Gruesome offer a staggeringly diverse album, unexpectedly quiet and surprisingly loud.

Joanna Gruesome comprise Alanna on vocals, Owen on guitar, Max on bass, George on guitar and Dave on drums. They all met in an anger management counseling group. During the course they were told that writing, making music, dancing or painting could relieve tension and help reduce feelings of anger. One initiative involved a project where they were assigned a group to compose and perform a song in front of other members. Initially they found each other infuriating but gradually acknowledged their musical chemistry and decided to continue with the band outside the therapy group.

Most of the album was written during a month long stay in a seedy west Brighton hotel (now closed down) called The Hell House. The residents were pretty strange, kept attempting occult rituals/using Ouija boards etc and many of the songs were written to distract from the weirdness. Heart-wrenching and exhilarating in equal measure, these are not cheerful songs.

Awash with nods to mental illness and the dark recesses of the mind, the record is littered with references to the devil or zombies and allusions to comic books. “Secret Surprise”, in which mental illness takes a physical form and is fought using razor blades. Or "Anti-Parent Cowboy Killers," which is about stealing a scooter and driving it into the ocean when you should be in school LEARNING. Or "Sugarcrush," about spending a summer burning knitwear.

They have built-up a phenomenal live reputation, blending obnoxiously loud guitars and the occasional band uniform, with a high energy performance dispersed with quieter reflection, boy/girl vocals and teenage angst.

“Abrasion, anger, attitude. One guitarist is in the audience, but this isn’t too much of a stretch. There are slower parts where the musicians take a second to breath. There are noisier bits where the musicians take a second to reflect. There are thumpy bits where the musicians take a second to dance and enjoy themselves. Everyone’s smiling. Everyone’s hugging themselves. What a glorious mess of a noise to be a part of. What a glorious sense of community.” Everett True, Collapse Board
 
"A brilliant band from Cardiff who love their fuzzy melodies and songs dripped in scuzzy reverb." Huw Stephens, Radio One.

Joanna Gruesome - Sugarcrush

The new single from Lorelle Meets The Obsolete, released on April 7, 2014 and taken from the Mexican psych duo's third album 'Chambers'

Lorelle Meets The Obsolete 'Sealed Scene'

Valorians

g h o s t p u s s y

Bachelor Kisses

Fall

The Pink Elephants Psychic Mirrors 2017
Peter McNestry: guitar,synth,drums
Art Pegis: vocals,guitar, effects

Surrender (Shut Your Eyes)

Taken from the untitled 2017 album "cyclorama/"
Vinyl & Cd avalaible at :
www.cyclorama.bandcamp.com

MONARCH

In mid-2017, Hellens released a single titled 'Blue Sun'. This is an inaugural single that released after the launch of EP a year ago. The musical character presented on this single stays on the concept that already depicted in the previous EP portfolio. However, of course there are some updates both in terms of sound and tone progression resulted from an approximately one month record production process. Hellens remained consistent using a metaphorically-themed lyrical style combined with a gloomy atmosphere as their main soul. This single tries to convey a cliché that often happens in everyday life more intimately. There are various fragments that will try to guide the listener looking for an abstraction that refers to a single climax point that is difficult to decrypt.

Blue Sun

GB 171 - DISCO JUNK / COLLECTIVE HARDCORE - 7" split

" 100% frantic ramshackle punk in the Billy Twyford's 
Collective Hardcore side of this new sick forthcoming 7" 
 splitted with the Disco Junk"    - Tremendo Garaje - 

" The group’s latest effort is a raw and sharp track called 
‘I’m No Good With Numbers But I Know Which Tram I’m On’, 
which features on a brand-new split single with Billy’s other band 
Collective Hardcore (told you he was prolific). 
The track is raw but potent, boasting shades of other untidy 
anti-social groups e.g. Thought Criminals "   - Weirdo Wasteland - 

Limited 250 copies

1 cover art 200 copies black and white 
2 cover art 50 copies negative

Disco Junk - I'm No Good With Numbers But I Know What Tram I'm On

Taken from their debut album "Weird Sister."
Out now on Slumberland Records (US) & Fortuna Pop! (UK)

LP/CD: http://smarturl.it/jgws-album
Digital: http://smarturl.it/jgws-itunes

Thrilling Cardiff-based noisepop five-piece Joanna Gruesome will be releasing their terrific debut album via Fortuna POP! (Europe) and Slumberland (USA) in September. Brimming with irresistible pop melodies and spiked with dissonant fuzzy jangle, their songs are shot through with loud discordant feedback and super-fast, hardcore punk drumbeats. This album sees their first foray away from recording in a living room to a proper studio under the guidance of producer MJ of the much lauded Hookworms.

Kicking it against sexism and homophobia, nothing is off-limits, drawing inspiration from DIY scenes such as Riot Grrrl/noisepop/C86 /K Records as well as post hardcore like Drive Like Jehu/Converge and the art rock of The Velvet Underground and My Bloody Valentine, Joanna Gruesome offer a staggeringly diverse album, unexpectedly quiet and surprisingly loud.

Joanna Gruesome comprise Alanna on vocals, Owen on guitar, Max on bass, George on guitar and Dave on drums. They all met in an anger management counseling group. During the course they were told that writing, making music, dancing or painting could relieve tension and help reduce feelings of anger. One initiative involved a project where they were assigned a group to compose and perform a song in front of other members. Initially they found each other infuriating but gradually acknowledged their musical chemistry and decided to continue with the band outside the therapy group.

Most of the album was written during a month long stay in a seedy west Brighton hotel (now closed down) called The Hell House. The residents were pretty strange, kept attempting occult rituals/using Ouija boards etc and many of the songs were written to distract from the weirdness. Heart-wrenching and exhilarating in equal measure, these are not cheerful songs.

Awash with nods to mental illness and the dark recesses of the mind, the record is littered with references to the devil or zombies and allusions to comic books. “Secret Surprise”, in which mental illness takes a physical form and is fought using razor blades. Or "Anti-Parent Cowboy Killers," which is about stealing a scooter and driving it into the ocean when you should be in school LEARNING. Or "Sugarcrush," about spending a summer burning knitwear.

They have built-up a phenomenal live reputation, blending obnoxiously loud guitars and the occasional band uniform, with a high energy performance dispersed with quieter reflection, boy/girl vocals and teenage angst.

“Abrasion, anger, attitude. One guitarist is in the audience, but this isn’t too much of a stretch. There are slower parts where the musicians take a second to breath. There are noisier bits where the musicians take a second to reflect. There are thumpy bits where the musicians take a second to dance and enjoy themselves. Everyone’s smiling. Everyone’s hugging themselves. What a glorious mess of a noise to be a part of. What a glorious sense of community.” Everett True, Collapse Board
 
"A brilliant band from Cardiff who love their fuzzy melodies and songs dripped in scuzzy reverb." Huw Stephens, Radio One.

Joanna Gruesome - Secret Surprise

Slumberland began operations in 1989, inspired by such musical happenings as C-86, early Creation, Sarah, Postcard, and the UK post-punk indie label scene. Since then we've covered a lot of territory, from punk to lofi noise to shoegaze and of course pop, releasing records from bands like The Aislers Set, Boyracer, Stereolab, Rocketship, Lorelei, The Ropers, The Saturday People and Black Tambourine.

By the mid 2000s we were starting to see a resurgence of interest in guitar pop and the start of the ongoing vinyl revival: the perfect environment for Slumberland! We launched into our latest phase of activity with as string of classic releases from The Pains of Being Pure At Heart, Crystal Stilts, Frankie Rose, Veronica Falls, Allo Darlin', Joanna Gruesome and so many more.

2018 is our twenty-ninth year we are still going strong, ploughing our own furrow and bringing you unique, genre-defining (and genre-defying!) releases from bands like Smokescreens, Tony Molina, Papercuts, Business of Dreams, Peel Dream Magazine, D.A. Stern, The Spook School, Frankie Rose, Young Guv, Terry Malts and many, many more. As always, we operate entirely outside of the echo chamber of trends, fashion and phoney hipness. Slumberland bands are independent in the best way possible -- making music devoid of bullshit and true to their own voices, regardless of current popular taste.

Joanna Gruesome - Sugarcrush

Slumberland Records

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