On their spellbinding sophomore album, "Whispers in the Speech Machine," the young Ohio siblings from The Laughing Chimes fully embrace their Southern Gothic influences, cannily balancing the light of their infectious pop with the shadow of their rust belt environs. While attending an afterschool music program at their local opera house, Evan and his brother Quinn began recording The Laughing Chimes' debut album "In This Town," released in 2020. A string of well-received digital singles and a cassette EP for Slumberland followed, dazzling savvy pop fans with their Paisley Underground-inflected jangle that owes as much to the Flying Nun sound as it does to 80s Athens, GA.

The eight assured songs of "Whispers in the Speech Machine" prove The Laughing Chimes deserve the attention and accolades, while their approaches to songwriting and sonic aesthetics continue to evolve. "Southeast Ohio is the foothills of Appalachia, so it has this indescribable mood and atmosphere to it," guitarist/vocalist Evan Seurkamp told The Big Takeover. "Sometimes there's a haunting weight of decay you want to escape, but at the same time there is some sort of strange romanticism surrounding ghost towns. We've tried to channel those moods to add more regional flavor into our sound."

Whispers In The Speech Machine

The Laughing Chimes - High Beams

Lunchbox's legendary lost album "Evolver" is lost no more! Sparklingly remastered for the album’s twentieth (and a few!) anniversary and available on CD, cassette and (for the first time) vinyl, this psychedelic masterpiece fills a crucial hole in the band's discography. Recorded in the couple's 1990s Oakland basement between stays in Berlin, tour dates in London, and dreamy sojourns up the rugged Mendocino coastline, "Evolver" fuses jangle and jungle, ambient and dub into a striking pop statement.

Marrying refined songcraft to the serendipitous magic hidden in half-broken reel-to-reel tape decks and vintage synthesizers, the "Evolver" plants its pop flag on the terrain of magic and mystery. Dreamy jangle pop gems emerge seamlessly out of a sea of loops, drones, and dubbed-out horn fanfares, cascades of tape echo feedback and whispers from outer space providing a trance-inducing backdrop to the pop sensibility for which Lunchbox is well-known. Hook-filled and hypnotic, "Evolver" is a sublime slice of post-pop psychedelia that you won't want to miss.

For this special and long-overdue reissue we've raided the bands vaults for three previously unreleased tunes that add extra dimensions to the album's uniquely trippy flow. And for the vinyl heads we're pressing this as a double LP for maximum fidelity and playability, including a *vinyl-only* fourth side of beats, loops, interludes and puzzling aural ephemera, all taken directly from the original master tapes. Super cool!

Lunchbox - Letter From Overend

Sightseer

Carrying on the long tradition of sentimental jangle pop songwriters, Lightheaded distill decades of lovelorn tunes into sounds for modern softies. They have the sunshine sparkle of The Left Banke and Margo Guryan, the C86 charm of Dolly Mixture and Would-Be-Goods, and the cinematic swell of Belle & Sebastian and Camera Obscura.

"Thinking, Dreaming, Scheming!" is their most collaborative and earnest release to date, and marks their first collaborative release with Slumberland and the UK's Skep Wax label. From Laurel Canyon folky jangle to elegant chamber pop to lovesick girl-group ballads, Lightheaded's tunes nod to the ‘60s without feeling antiquated and this new EP is their most perfectly bittersweet and fully-realized recording yet.

Thinking, Dreaming, Scheming!

pre-order

Lightheaded - Same Drop

"Tricky Questions" is the first new music from Allo Darlin' since 2014's "We Come From The Same Place" and it shows the Anglo-Australian indiepop quartet in fine form indeed. It's a jaunty bit of country-inflected folk that centers songwriter Elizabeth Morris Innset's warm vocals and highlights some nifty organ from drummer Mike Collins. The vibe is at once contemplative and joyous, reflecting a band that has lived a lot since they last made music together and has some great new stories to tell.

Allo Darlin' - Tricky Questions

Attention,
Give me attention
I want this in my mind
Attention,
Give me attention
I want this in my mind
Slowly,
Talk to me slowly
I want you in my mind
Slowly,
Talk to me slowly
I want you in my mind

Coming so close like I've never been before
Holding me tight and I feel like I'll implode
Do I want you? Or am I just a selfish bitch
I don't need anyone, not even myself

You're a fucked-up dictator
You do things against my nature
Philosophical atrocity
Sexual monstrosity
You're educated and delicate
And I am such a dread
Yet you still fucked me on my bed
Cause you so badly needed that

My eyes were empty
Motionless
But you'd still say I'm the worst

Disrespectful, give no affection
And always misbehaving
Call my mother once again
And ask her 'bout the weather then

You're a fucking hypocrite
Praising all the knowledge

Philosophers, lectures and books you've read
And you're still thinking with your dick

released April 4, 2025
Authors:
• Agnieszka Trawczyńska
• Aleksander Kaczmarek
• Simon Velázquez
Producer:
• Aleksander Kaczmarek 
Mixing Engineer:
• Aleksander Kaczmarek
Mastering Engineer:
• Krzysztof Kessler

attention

Bugland

Rice Crispies

come see us on tour: www.yndling.news/tour

Lyrics: 
suddenly, what’s left of me
a skeleton of what could be 
you gave me a lesson
there’s no need to keep pressing
your presence on to everyone 
they’ll hardly notice that you’re gone 
keep up your fences
shut of your senses 

let go, stay close 
what else could you need?
what else could you need?
let go, stay close 
let go, stay close 
what else could you need?
what else could you need?

see it all now that you’re gone
most of the time I was wrong
used to think I was so strong
most of the time, I was wrong

i’ve run out of sympathy 
for everyone but you and me 
they all seem so scripted 
can they tell I have drifted? 
my spine I’ve left somewhere behind
it’s done me good to kick it out
it’s weird when you care less
people think you are fearless

let go, stay close 
what else could you need?
what else could you need?
let go, stay close 
let go, stay close 
what else could you need?
what else could you need?

see it all now that you’re gone
most of the time I was wrong
used to think I was so strong
like with everything else, I was wrong
see it all now that you’re gone
most of the time I was wrong
used to think I was so strong
like with everything else, I was wrong

Fences

COLOR PALETTE - NIGHTS ALONE

That Kind Of Girl

Recorded at Sixtyten Studios
Produced by Steven Warstler
Mastered by Zach Shipps

Vocals, Guitar, and Bass by Tim Korenich
Drums and Percussion by Nelson Overton
Saxophone by Dean Tartaglia
Upright Bass by John Holkeboer
Backing vocals by Alexandria Granados

Music and lyrics by Tim Korenich
except "How We've Grown" by Adam Rich

What'll It Take

From the PARKED IN HELL cassette, Young Man's Fancy out March 18th, 2016.

Recorded and mixed by Jack Shirley at The Atomic Garden 2008.

www.terrymalts.com/parkedinhell

Magic Bullets // Able Bodies

The Brotherhood of Lizards // On Planets Where I Was Young (Bonus Track)

Order LP/CD: http://www.slumberlandrecords.com/catalog/show/308
Order DL: http://smarturl.it/latpitunes

Terry Malts’ third album is a long time coming, 3 years to be precise. But the time was spent well. Between stints of touring and local shows, Bassist/vocalist Phil Benson and guitarist/vocalist Corey Cunningham wrote and re-wrote songs over the course of a year in Los Angeles where Cunningham had moved since the release of their last album, 2013’s "Nobody Realizes This Is Nowhere."

The idea was to broaden the Terry Malts concept and create a kaleidoscopic pop album that has a mixture of moods, each song turning to a different sound inspired by the records the band have loved over the years. The driving punk (Buzzcocks, The Undertones) that has been a cornerstone of the group’s sound sits snugly with songs steeped in indie-pop and power-pop (The Chills, Dwight Twilley).

Once the band was ready to record they enlisted Monte Vallier (Soft Moon, Weekend, Swell) to co-produce at his Ruminator Audio studio in San Francisco. It is the group’s first album recorded in a studio. 2012’s "Killing Time" & "Nobody Realizes This Is Nowhere" were both recorded in various practice spaces by guitarist Corey Cunningham and the group was intent on shaking the lo-fi tag.

The freedom of the studio allowed the band to expand on their sound with the addition of 12-string electric guitars, piano, organ, and sound effects. From driving opener “Used To Be” through jangling ballad “Gentle Eyes” to first single “Seen Everything” and haunting closer “When The Nighttime Comes,” Terry Malts have put the augmented sonic palette in the service of some of their strongest tunes yet. The resulting album, "Lost At The Party," is a lovingly-crafted love letter to pop music in all it’s forms.

Lost At The Party

Terry Malts - Seen Everything

Order LP/CD: http://www.slumberlandrecords.com/catalog/show/307
Order iTunes: http://smarturl.it/wordlessitunes

"Wordless Wonder" is the long awaited full length from Real Numbers.  It follows up a pair of 12" EPs on Three Dimensional Records, a single on Florida's Dying, and recent appearances on cassettes from Forged Artifacts and No Problem.  Tenderly crafted by Matt Castore at his St. Paul, MN studio A Harder Commune from late 2015 to early 2016, it is presented here on Slumberland Records for your enjoyment.

Wordless Wonder

Buy LP/CD

Real Numbers - New Boy

Slumberland began operations in 1989 as a collective effort consisting of members of DC area bands Velocity Girl, Big Jesus Trash Can/Whorl, Black Tambourine and Powderburns. We were inspired by such musical happenings as C86, early Creation, Postcard, K, Bus Stop, lower East Side noise, and also the renegade art aesthetics & methods of people like Cage, Burroughs and Duchamp. The explosion of punk had left behind a thriving network of 'zines, labels and distributors and we felt that there was room for our noise-loving, pop-obsessed aesthetic. While there were loads of US indie labels releasing a steady stream of 7"s, there wasn't much pop going on. Notable exceptions included Bus Stop, K and Picture Book, and we hoped to join that group and help chisel out some space for melodies amongst the noise.

Early releases from Velocity Girl, Whorl and Black Tambourine struck a note, and we found like-minded popsters getting in touch from all over the world. As we expanded the label roster and our own horizons, the goal was always to share great songs and interesting sounds from a range of styles. Our first burst of activity through the 1990s and early 2000s brought seminal records by legendary bands like Stereolab, Rocketship, The Ropers, Lorelei, The Aislers Set, Hood and Boyracer.

By the mid 2000s we were seeing a resurgence of interest in guitar pop and the start of the ongoing vinyl revival: the perfect environment for Slumberland! We launched into our latest phase of activity with as string of classic releases from The Pains of Being Pure At Heart, Crystal Stilts, Frankie Rose, Veronica Falls, Allo Darlin', Joanna Gruesome and so many more.

2025 is our thirty-sixth (!) year we are still at it, ploughing our own furrow and bringing you unique, genre-defining (and genre-defying!) releases from bands like The Laughing Chimes, Humdrum, The Cords, Autocamper, Jeanines, The Umbrellas, Neutrals, Artsick, Kids On A Crime Spree, Papercuts, Lightheaded, Tony Jay, Chime School, Lunchbox and many, many more. Indie fashions come and go but we're still thrilled by great songs and the new ways that pop can be rejuvenated to fit the times.

Real Numbers - New Boy

Slumberland Records

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