does anybody know where i can find lyrics for the track “anorak” i’m flipping out bc i LOVE the song but i can’t figure out what bro’s saying😭

excellent track!  Playlisted to Slideways https://soundcloud.com/john-ofsemlerway/sets/slowmagic   .   Thank you four quality...

3AM Doomscroll

Birds In The Ground

Birds

Punch

Parts of Me

Parts of Me (feat. Beatrix Sky)

Decorating Time in the Sun

photography by: jessica gibbs
artwork by: melanie sarria
recorded by: airhockey
mixed & mastered by: sebastian hidalgo

little friday

Beacon

Palms

Reflections

Patsy's Twin

COLOR PALETTE - ANYWHERE AT ALL

Clever Laddy

Clever Laddy Pt. 1

come see us on tour: www.yndling.news/tour

Lyrics: 
suddenly, what’s left of me
a skeleton of what could be 
you gave me a lesson
there’s no need to keep pressing
your presence on to everyone 
they’ll hardly notice that you’re gone 
keep up your fences
shut of your senses 

let go, stay close 
what else could you need?
what else could you need?
let go, stay close 
let go, stay close 
what else could you need?
what else could you need?

see it all now that you’re gone
most of the time I was wrong
used to think I was so strong
most of the time, I was wrong

i’ve run out of sympathy 
for everyone but you and me 
they all seem so scripted 
can they tell I have drifted? 
my spine I’ve left somewhere behind
it’s done me good to kick it out
it’s weird when you care less
people think you are fearless

let go, stay close 
what else could you need?
what else could you need?
let go, stay close 
let go, stay close 
what else could you need?
what else could you need?

see it all now that you’re gone
most of the time I was wrong
used to think I was so strong
like with everything else, I was wrong
see it all now that you’re gone
most of the time I was wrong
used to think I was so strong
like with everything else, I was wrong

Fences

When I See the Sun

Summer Dresses (SOS Demo)

Broken Girl

August 10

Peel Dream Magazine is the nom de plume of New York City-based musician Joe Stevens. A nod to BBC Radio 1 legend John Peel, arbiter of all things underground, Peel Dream Magazine is highly evocative of a certain strain of independent music. Stevens harkens back to the early 1990s, when The Velvet Underground resurged as an inspiration to a new set of bands wielding synthesizers, off-set guitars, and a political bent. The Peel Dream experience is defined by a gentle, fuzzy psychedelia —it’s a hypnotic bit of mod-ish lo-fi pop, recalling the best of early Stereolab, Lilys, and other shaggy haired kids with vintage fuzz pedals, slim trousers, and good record collections.

Written and recorded over a four-week period in the fall of 2017, Peel Dream Magazine’s debut album "Modern Meta Physic" fixates on the New Age universe of the Catskills region of New York. Stevens deals in esoteric bohemian fare — Far East philosophy, Native American tradition, mid-century modern cool — as he appraises the world according to privileged urban expats who increasingly call the upstate paradise home.

Leading off the album, "Qi Velocity" is a metronomic take on French pop that yields to a lush chorus reminiscent of Belle and Sebastian. “Deetjen's," named after the much-loved bed & breakfast in Big Sur, would fit snugly on Unrest's best Teen Beat material. "Due to Advances in Modern Tourism" displays a soft take on Neu!, while the organ that enters could be a sly wink to Steve Reich's "Four Organs.”

There is an economy to these tracks — everything is distilled down to it’s essential elements, no gestures are wasted, no superfluous ornamentation taking up space. While Stevens is more than happy to show his influences on his sleeve — mind you, they're great influences — it's clear Peel Dream Magazine isn't just a “sound." The guy can write songs. Where he goes next is anybody's guess.

Modern Meta Physic

Peel Dream Magazine - Shenandoah

Slumberland began operations in 1989 as a collective effort consisting of members of DC area bands Velocity Girl, Big Jesus Trash Can/Whorl, Black Tambourine and Powderburns. We were inspired by such musical happenings as C86, early Creation, Postcard, K, Bus Stop, lower East Side noise, and also the renegade art aesthetics & methods of people like Cage, Burroughs and Duchamp. The explosion of punk had left behind a thriving network of 'zines, labels and distributors and we felt that there was room for our noise-loving, pop-obsessed aesthetic. While there were loads of US indie labels releasing a steady stream of 7"s, there wasn't much pop going on. Notable exceptions included Bus Stop, K and Picture Book, and we hoped to join that group and help chisel out some space for melodies amongst the noise.

Early releases from Velocity Girl, Whorl and Black Tambourine struck a note, and we found like-minded popsters getting in touch from all over the world. As we expanded the label roster and our own horizons, the goal was always to share great songs and interesting sounds from a range of styles. Our first burst of activity through the 1990s and early 2000s brought seminal records by legendary bands like Stereolab, Rocketship, The Ropers, Lorelei, The Aislers Set, Hood and Boyracer.

By the mid 2000s we were seeing a resurgence of interest in guitar pop and the start of the ongoing vinyl revival: the perfect environment for Slumberland! We launched into our latest phase of activity with as string of classic releases from The Pains of Being Pure At Heart, Crystal Stilts, Frankie Rose, Veronica Falls, Allo Darlin', Joanna Gruesome and so many more.

2025 is our thirty-sixth (!) year we are still at it, ploughing our own furrow and bringing you unique, genre-defining (and genre-defying!) releases from bands like The Laughing Chimes, Humdrum, The Cords, Autocamper, Jeanines, The Umbrellas, Neutrals, Artsick, Kids On A Crime Spree, Papercuts, Lightheaded, Tony Jay, Chime School, Lunchbox and many, many more. Indie fashions come and go but we're still thrilled by great songs and the new ways that pop can be rejuvenated to fit the times.

Peel Dream Magazine - Shenandoah

Slumberland Records

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