Indie

'Melophobia' out now. ORDER HERE:  http://smarturl.it/Melophobia?iqid=sc

Melophobia

Come A Little Closer

Wouldn't mind a day, where I'm Insane...
Wouldn't mind a day, out of my brain...

Insane

Single download released by Shelflife on 10th December 2014, taken from the debut album available February 2015.

THE FIREWORKS - On and On

Sisters of the Moon b/w Fire and Brimstone

Sisters of the Moon

Night Surfer

Ballad of the Last Payphone

Bashville on the Sugar

Jetplane

Gunslinger

One Shot

Attention,
Give me attention
I want this in my mind
Attention,
Give me attention
I want this in my mind
Slowly,
Talk to me slowly
I want you in my mind
Slowly,
Talk to me slowly
I want you in my mind

Coming so close like I've never been before
Holding me tight and I feel like I'll implode
Do I want you? Or am I just a selfish bitch
I don't need anyone, not even myself

You're a fucked-up dictator
You do things against my nature
Philosophical atrocity
Sexual monstrosity
You're educated and delicate
And I am such a dread
Yet you still fucked me on my bed
Cause you so badly needed that

My eyes were empty
Motionless
But you'd still say I'm the worst

Disrespectful, give no affection
And always misbehaving
Call my mother once again
And ask her 'bout the weather then

You're a fucking hypocrite
Praising all the knowledge

Philosophers, lectures and books you've read
And you're still thinking with your dick

released April 4, 2025
Authors:
• Agnieszka Trawczyńska
• Aleksander Kaczmarek
• Simon Velázquez
Producer:
• Aleksander Kaczmarek 
Mixing Engineer:
• Aleksander Kaczmarek
Mastering Engineer:
• Krzysztof Kessler

attention

A Season In Hell

Pink Sky

Order LP/CD: http://www.slumberlandrecords.com/catalog/show/308
Order DL: http://smarturl.it/latpitunes

Terry Malts’ third album is a long time coming, 3 years to be precise. But the time was spent well. Between stints of touring and local shows, Bassist/vocalist Phil Benson and guitarist/vocalist Corey Cunningham wrote and re-wrote songs over the course of a year in Los Angeles where Cunningham had moved since the release of their last album, 2013’s "Nobody Realizes This Is Nowhere."

The idea was to broaden the Terry Malts concept and create a kaleidoscopic pop album that has a mixture of moods, each song turning to a different sound inspired by the records the band have loved over the years. The driving punk (Buzzcocks, The Undertones) that has been a cornerstone of the group’s sound sits snugly with songs steeped in indie-pop and power-pop (The Chills, Dwight Twilley).

Once the band was ready to record they enlisted Monte Vallier (Soft Moon, Weekend, Swell) to co-produce at his Ruminator Audio studio in San Francisco. It is the group’s first album recorded in a studio. 2012’s "Killing Time" & "Nobody Realizes This Is Nowhere" were both recorded in various practice spaces by guitarist Corey Cunningham and the group was intent on shaking the lo-fi tag.

The freedom of the studio allowed the band to expand on their sound with the addition of 12-string electric guitars, piano, organ, and sound effects. From driving opener “Used To Be” through jangling ballad “Gentle Eyes” to first single “Seen Everything” and haunting closer “When The Nighttime Comes,” Terry Malts have put the augmented sonic palette in the service of some of their strongest tunes yet. The resulting album, "Lost At The Party," is a lovingly-crafted love letter to pop music in all it’s forms.

Lost At The Party

Buy LP/CD

Terry Malts - Used To Be

Legata a un granello di sabbia

All That It's Missing (Mind Control)

Slumberland began operations in 1989 as a collective effort consisting of members of DC area bands Velocity Girl, Big Jesus Trash Can/Whorl, Black Tambourine and Powderburns. We were inspired by such musical happenings as C86, early Creation, Postcard, K, Bus Stop, lower East Side noise, and also the renegade art aesthetics & methods of people like Cage, Burroughs and Duchamp. The explosion of punk had left behind a thriving network of 'zines, labels and distributors and we felt that there was room for our noise-loving, pop-obsessed aesthetic. While there were loads of US indie labels releasing a steady stream of 7"s, there wasn't much pop going on. Notable exceptions included Bus Stop, K and Picture Book, and we hoped to join that group and help chisel out some space for melodies amongst the noise.

Early releases from Velocity Girl, Whorl and Black Tambourine struck a note, and we found like-minded popsters getting in touch from all over the world. As we expanded the label roster and our own horizons, the goal was always to share great songs and interesting sounds from a range of styles. Our first burst of activity through the 1990s and early 2000s brought seminal records by legendary bands like Stereolab, Rocketship, The Ropers, Lorelei, The Aislers Set, Hood and Boyracer.

By the mid 2000s we were seeing a resurgence of interest in guitar pop and the start of the ongoing vinyl revival: the perfect environment for Slumberland! We launched into our latest phase of activity with as string of classic releases from The Pains of Being Pure At Heart, Crystal Stilts, Frankie Rose, Veronica Falls, Allo Darlin', Joanna Gruesome and so many more.

2025 is our thirty-sixth (!) year we are still at it, ploughing our own furrow and bringing you unique, genre-defining (and genre-defying!) releases from bands like The Laughing Chimes, Humdrum, The Cords, Autocamper, Jeanines, The Umbrellas, Neutrals, Artsick, Kids On A Crime Spree, Papercuts, Lightheaded, Tony Jay, Chime School, Lunchbox and many, many more. Indie fashions come and go but we're still thrilled by great songs and the new ways that pop can be rejuvenated to fit the times.

Terry Malts - Used To Be

Slumberland Records

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