nice work man, I would love to collaborate! check out my profile..

I loved your Ovens tunes, and this stuff is rad too. I got the Melters release of the album when it first came out and I'm still jammin out to it

Tee-Vee Repairman - Patterns 7”

Calculated

heavens to betsy - nothing can stop me

Taken from the album "Dissed And Dismissed," out now on Slumberland Records.

Constantly juggling hardcore and pop projects, veteran Bay Area musician Tony Molina has won over fans in both camps. Since 2002, Molina has played in several bands including Dystrophy, Ovens, Lifetime Problems, Caged Animal, Violent Change and his current solo work. In all of this projects, Molina values lyrical simplicity, structural concision, and the emotional impact of gnarly guitar riffs.

Most recently he released the "Six Tracks EP" through Matador Records’ Singles Going Home Alone series. Featuring five brief power-pop originals on the A-side and a stellar cover of Metallica’s “Orion” on the flip, it contains a bona-fide pop hit in “Breakin’ Up,” a tuff tune that recalls the best of Dinosaur Jr and Teenage Fanclub and sounds for all the world like a great lost 70s radio hit. Pure magic.

Two other recent releases — the wistful riff rock of his first solo album, "Dissed and Dismissed," and his hardcore band Caged Animal’s barbaric debut EP — illustrate the striking dichotomy that has run throughout Molina’s discography over the last eleven years. As music critic Sam Lefebvre wrote, “On Dissed and Dismissed, Molina intensifies the slacker clichés and self-deprecation of 90s indie rock into absurdist hyperbole. He expresses vulnerability and melodrama through bizarre truisms while referencing his forebears: Thin Lizzy leads, Radiohead lyrics, Replacements sneer. Molina appropriates unapologetically (openly paying tribute to Guided By Voices with a sterling cover of their “Wondering Boy Poet”), but distills the past into bursts of reverence less than a minute long.”

"Dissed and Dismissed" was released earlier this year on San Francisco’s Melters label. The album struck a chord with savvy listeners. gathered some great reviews and rapidly sold-out of its initial pressing. Slumberland Records is proud to bring you a reissue of this fine album on March 25, 2014 on red vinyl LP, cassette and as a digital download. Dig its indelible tunes and shredding leads while we wait for the new Tony Molina full-length, to be released on Slumberland later in 2014.

Tony Molina - Nowhere To Go

Ferris Wheel on Fire

Oh Sister (1995)

The Smashing Pumpkins Try Try Try Alt

Unwinder

click on that (smash the plastic death)

I Am You

Recorded : Studio Teras Belakang
Music : Secret Meadow
Lyrics : Ricardo Taufano
Mixed : Yehezkiel Tambun
Mastered : Pandji Dharma (Palm House Studio)
Violin : Ayu Anantasari
Backing Vocal : Pandu Fathoni, Gigih Suprayogo (The Adams)
Artwork : Jaro Petang

I Am You (Single)

I Am You

Akuma No Uta

Furi

All tracks composed and performed by The Physics House Band
Produced by Dave Lynch and The Physics House Band
Recorded at Bat Box Studio with Dave Lynch and Brighton Acoustic Studio with Joe Pickering
Mixed by Dave Lynch
Mastered by Tom Woodhead at Hippocratic Mastering

Adam Hutchison: Bass Guitar, Electric Guitar, Piano, Keyboards, Synthesizers, Bass Synthesizer, Sound Manipulation
Sam Organ: Electric Guitar, Piano, Keyboards, Synthesizers, Organ, Harmonium, Drum Machine, Slide Guitar, Sound Manipulation
Dave Morgan: Drums

Titan

Satan Made A Mansion by Coma Cinema off the album Posthumous Release.

Released June 11th, 2013 on 12" Vinyl and CD by Fork & Spoon Records.

Available on CD at:

https://www.forkandspoonrecords.net/shop//product/?prodID=725

Posthumous Release

Coma Cinema - Satan Made A Mansion

Slumberland began operations in 1989 as a collective effort consisting of members of DC area bands Velocity Girl, Big Jesus Trash Can/Whorl, Black Tambourine and Powderburns. We were inspired by such musical happenings as C86, early Creation, Postcard, K, Bus Stop, lower East Side noise, and also the renegade art aesthetics & methods of people like Cage, Burroughs and Duchamp. The explosion of punk had left behind a thriving network of 'zines, labels and distributors and we felt that there was room for our noise-loving, pop-obsessed aesthetic. While there were loads of US indie labels releasing a steady stream of 7"s, there wasn't much pop going on. Notable exceptions included Bus Stop, K and Picture Book, and we hoped to join that group and help chisel out some space for melodies amongst the noise.

Early releases from Velocity Girl, Whorl and Black Tambourine struck a note, and we found like-minded popsters getting in touch from all over the world. As we expanded the label roster and our own horizons, the goal was always to share great songs and interesting sounds from a range of styles. Our first burst of activity through the 1990s and early 2000s brought seminal records by legendary bands like Stereolab, Rocketship, The Ropers, Lorelei, The Aislers Set, Hood and Boyracer.

By the mid 2000s we were seeing a resurgence of interest in guitar pop and the start of the ongoing vinyl revival: the perfect environment for Slumberland! We launched into our latest phase of activity with as string of classic releases from The Pains of Being Pure At Heart, Crystal Stilts, Frankie Rose, Veronica Falls, Allo Darlin', Joanna Gruesome and so many more.

2025 is our thirty-sixth (!) year we are still at it, ploughing our own furrow and bringing you unique, genre-defining (and genre-defying!) releases from bands like The Laughing Chimes, Humdrum, The Cords, Autocamper, Jeanines, The Umbrellas, Neutrals, Artsick, Kids On A Crime Spree, Papercuts, Lightheaded, Tony Jay, Chime School, Lunchbox and many, many more. Indie fashions come and go but we're still thrilled by great songs and the new ways that pop can be rejuvenated to fit the times.

Tony Molina - Nowhere To Go

Slumberland Records

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