I'm laying in bed in the pith dark and its midnight on the west coast. Turned this up all the way and rocked the fuck out. That should tell you everything...

Very Siouxsish ...Kaleidoscope era, and also it sounds like Christian Death..and it's not bad at all ;)

It seems odd that the four-piece Wax Idols reside in Oakland, California. Especially considering the fact that the band’s sophomore LP "Discipline & Desire," out March 26th on Slumberland Records, embodies a dark, full, twisted sound: something that feels more appropriate to the foggy, damp British climate than that of sunny California. But that's Wax Idols -- zigging where other might zag, and always going their own way.

Compared to Wax Idols' debut LP "No Future" (a raw, hook-heavy punk effort written and recorded primarily by Fortune in 2010/2011 and released on Chicago's Hozac Records), "Discipline & Desire" is more a group effort as the band -- Jen Mundy (rhythm guitar/vocals), Amy Rosenoff (bass) and Keven Tecon (drums) -- contributed to the recording and writing process. Fortune dedicated herself to this record for over a year and the band were right there with her, playing with pattern, melody and stretching themselves beyond the comfort of unassuming hooks and into a darker, new wave territory. "Discipline & Desire" was produced and engineered by Monte Vallier (of Half Church and Swell) and co-produced by Fortune. Mark Burgess (of the British outfit The Chameleons) worked alongside Wax Idols & Vallier as an extra pair of ears and even played bass on the album closer "Stay In." Together they've crafted an album that's sleek and focused without being slick, and dark and intense without being at all humorless.

"Discipline & Desire" builds on Fortune’s debut full length effort in almost every way, rounding out as a far more complete record. The melodies are stronger, the vocals echoed and haunting, and the playing is at an unflagging level of intensity. First single “Sound of a Void” is a storming, full-throated late night anthem, while “Dethrone” and "When It Happens" shimmer and throb, perfect examples of Wax Idols' unique take on pop. Slower numbers like "Scent Of Love" and "Elegua" mesmerize and entrance, and the feedback-laced "AD RE:IAN" is nothing short of a masterpiece, punctuated by bursts of special guest Kristin Dylan Edrich's noise viola. Album closer "Stay In" wraps the up the album perfectly -- a mid-tempo melodic gem with a killer bassline and an uncanny balance of melody and atmosphere.

This is an inventive, brilliant record which solidifies the fact that Fortune is one of the best songwriters hiding in the shadows of the other California, where the sun doesn't always shine. But, judging by this fantastic album, she and her Wax Idols won’t be hiding for long.


UK Press:
Joe Parry
Division Media
joe@divisionpromotions.com
0208-962-8282



US Press:
Anton Hochheim
Force Field PR
anton@forcefieldpr.com
323-344-1602

Wax Idols - Sound of a Void

Slumberland began operations in 1989 as a collective effort consisting of members of DC area bands Velocity Girl, Big Jesus Trash Can/Whorl, Black Tambourine and Powderburns. We were inspired by such musical happenings as C86, early Creation, Postcard, K, Bus Stop, lower East Side noise, and also the renegade art aesthetics & methods of people like Cage, Burroughs and Duchamp. The explosion of punk had left behind a thriving network of 'zines, labels and distributors and we felt that there was room for our noise-loving, pop-obsessed aesthetic. While there were loads of US indie labels releasing a steady stream of 7"s, there wasn't much pop going on. Notable exceptions included Bus Stop, K and Picture Book, and we hoped to join that group and help chisel out some space for melodies amongst the noise.

Early releases from Velocity Girl, Whorl and Black Tambourine struck a note, and we found like-minded popsters getting in touch from all over the world. As we expanded the label roster and our own horizons, the goal was always to share great songs and interesting sounds from a range of styles. Our first burst of activity through the 1990s and early 2000s brought seminal records by legendary bands like Stereolab, Rocketship, The Ropers, Lorelei, The Aislers Set, Hood and Boyracer.

By the mid 2000s we were seeing a resurgence of interest in guitar pop and the start of the ongoing vinyl revival: the perfect environment for Slumberland! We launched into our latest phase of activity with as string of classic releases from The Pains of Being Pure At Heart, Crystal Stilts, Frankie Rose, Veronica Falls, Allo Darlin', Joanna Gruesome and so many more.

2025 is our thirty-sixth (!) year we are still at it, ploughing our own furrow and bringing you unique, genre-defining (and genre-defying!) releases from bands like The Laughing Chimes, Humdrum, The Cords, Autocamper, Jeanines, The Umbrellas, Neutrals, Artsick, Kids On A Crime Spree, Papercuts, Lightheaded, Tony Jay, Chime School, Lunchbox and many, many more. Indie fashions come and go but we're still thrilled by great songs and the new ways that pop can be rejuvenated to fit the times.

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