There are a myriad of structural and aesthetic similarities between printed imagery and recorded music. Many printers are also musicians and if not players themselves, many artists draw influence from the recorded music of others. Notable Kent State University alumni, Mark Mothersbaugh along with members of the punk group DEVO provide perhaps the most exemplary fusion of image and aural practice. 

Additionally, Northeast Ohio has a long history as an incubator of music, political activism and DIY ethics which this portfolio seeks to reflect. As makers of multiples we seek to consider the notion of self-publication, private press recordings, and editioned prints as parts of an ecology of ideas and practice. This portfolio showcases MAPC community members who create Tracked Prints and Layered Sounds. 

This portfolio presents the visual and audible work of artists both as printed editions and an edition of collaborative lathe-cut vinyl records (as well as streaming audio). Like handmade prints, a lathe-cut record is made by physically cutting audio files into the vinyl in real time. Each record captures an impression of the audio, and like a print, each record is made one at a time. This portfolio considers the intersections of commercial and fine art, personal and political, individual and collective.
For presentation at the MAPC Remote Symposium, each artist created an edition of prints and an audio file, all viewable at http://trackedprints.com.

Participants:
Nick Satinover and Ry McCullough as small_bars
Felicia Cannon in collaboration with Ryan Paluczak
J. Chalet Comellas-Baker
Terry James Conrad
Katie Garth
Chauncey Hay
Robert Howsare
Andrew Kozlowski
Nick Mendoza
Carrie Scanga in collaboration with Ron Harrity
Edward Steffanni
Greg Stone
Jon Vogt
Daisy Wiley

Jon Vogt - _Haploid

Greg Stone - I Am Not Okay With This

There are a myriad of structural and aesthetic similarities between printed imagery and recorded music. Many printers are also musicians and if not players themselves, many artists draw influence from the recorded music of others. Notable Kent State University alumni, Mark Mothersbaugh along with members of the punk group DEVO provide perhaps the most exemplary fusion of image and aural practice. 

Additionally, Northeast Ohio has a long history as an incubator of music, political activism and DIY ethics which this portfolio seeks to reflect. As makers of multiples we seek to consider the notion of self-publication, private press recordings, and editioned prints as parts of an ecology of ideas and practice. This portfolio showcases MAPC community members who create Tracked Prints and Layered Sounds. 

This portfolio presents the visual and audible work of artists both as printed editions and an edition of collaborative lathe-cut vinyl records (as well as streaming audio). Like handmade prints, a lathe-cut record is made by physically cutting audio files into the vinyl in real time. Each record captures an impression of the audio, and like a print, each record is made one at a time. This portfolio considers the intersections of commercial and fine art, personal and political, individual and collective.
For presentation at the MAPC Remote Symposium, each artist created an edition of prints and an audio file, all viewable at http://trackedprints.com.

Participants:
Nick Satinover and Ry McCullough as small_bars
Felicia Cannon in collaboration with Ryan Paluczak
J. Chalet Comellas-Baker
Terry James Conrad
Katie Garth
Chauncey Hay
Robert Howsare
Andrew Kozlowski
Nick Mendoza
Carrie Scanga in collaboration with Ron Harrity
Mike Sonnichsen 
Edward Steffanni
Greg Stone
Jon Vogt
Daisy Wiley

Mike Sonnichsen -  The Dance of the Shaky Graver

Nick Mendoza - INSIST - Today - We - Change

Andrew Kozlowski - Trojan Horse

Robert Howsare - Beyond The Hills

Chauncey Hay - About Your Dental Stuff

Cannon+Paluczak - I have too much in my pockets, I wish they were empty

Chalet Comellas-Baker in collaboration with musician Mark Baker - NO MUSIC CITY, USA

small_bars - Prototype Wingform