Name: Kelly Lee Owens - Spaces by Smalltown Supersound
Duration: 3 min 43 s
Description: From the upcoming Extended Version of Kelly Lee Owens self titled debut album, out Nov 24th on Smalltown Supersound

One of my favorite songs ever made, its helped me through so much. Adore this track!

from the "Leopard On My Right" CS (NNF305) 
Not Not Fun / 2014

PULL THE TRIGGER:
https://filthyhuns.bandcamp.com/album/leopard-on-my-right
https://midheaven.com/item/leopard-on-my-right-by-filthy-huns-mc

Filthy Huns "Fake Ass Muthas"

Fender Mustang Bass (P/J)  
Jane T-type (SD Antiquities)
HX Stomp, 2i2, Logic
Studio A (pit)

All Sorted Then, Are We?  - 4 29 24, 17.59

Key Sparrow (CCU Confusion Dub)

taken from «Im Sinne der Zeit»
released 2014 on TROUBLE IN MIND
http://troubleinmindrecs.com

Les Grecks

taken from the 1981 album 'Running Out Of Time' to be re-issued on URU/Lucky Number on March 18th, 2016.

Pre-order:
smarturl.it/rexy
www.roughtrade.com/albums/100400
http://www.piccadillyrecords.com/prod/REXY-RunningOutOfTimeBonusDiscEdition-LuckyNumber-107723.html

www.luckynumbermusic.com
www.uru.world

Rexy - Running Out Of Time

From Sean Nicholas Savage's "Flamingo"
Arbutus Records (2011)

Other Life

Chin Chin

Sean Nicholas Savage - Chin Chin

© ISOLAA Records 2017
ISRC  FR 0ML 17 00020
Music & Lyrics by Rémi Parson
Mixed by Jef Dominguez at 2000rockerz Studio

La Surprise available the 27th of January.

Follow Rémi Parson
Facebook - https://www.facebook.com/remiparsonuk/
Soundcloud - https://soundcloud.com/r-mi-parson
Instagram – https://twitter.com/remi_parson?lang=fr


Follow ISOLAA Records
Facebook - https://www.facebook.com/weareisolaa/
Soundcloud - https://soundcloud.com/weareisolaa
Instagram - https://www.instagram.com/weareisolaa/
Twitter - https://twitter.com/weareIsolaa?lang=fr

Lyrics :
ans des codex cornés
Des impressions tronquées
Perspectives tracées au hasard
Pour mieux fourguer mes bobards
J’ai pas perdu le nord
Chahuté par les remords

J’ai flanché…

J’ai pas foncé tout droit
Comme quand on sait où on va

Oh tu le dis souvent, 
Tout est si décevant
Astres fades et piètres radeaux
Le trajet n’est pas beau
Difficile d’une bavure
De faire une aventure
J’ai pas foncé tout droit
Comme quand on sait où on va

La surprise

Télécharger le titre

Rémi Parson - Du Pétrole

I Was In Love Until I Met You

From the upcoming Extended Version of Kelly Lee Owens self titled debut album, out Nov 24th on Smalltown Supersound

Kelly Lee Owens - Spaces

Exploded View's 'Summer Came Early' EP isout November 10 on Sacred Bones Records.
12" EP Preorder: https://www.sacredbonesrecords.com/products/sbr180-exploded-view-summer-came-early-ep
Digital Preorder: https://explodedview.bandcamp.com/album/summer-came-early-ep

http://explodedviewband.tumblr.com/
https://explodedview.bandcamp.com/
https://www.facebook.com/explodedviewband/
https://twitter.com/explodedviewbnd

Summer Came Early

'Destroyer' is taken from The Green Child's self-titled debut album out January 12th through Upset The Rhythm.

Available to pre-order here now:
http://upsettherhythm.bigcartel.com/

Artist:  The Green Child
Title: The Green Child

Label: Upset The Rhythm
Catalogue Number:  UTR102
Release Date:  Friday 12 January

Track listing:
01. Traveler
02. Her Majesty II
03. Bertha
04. New Years Eve
05. 46 Timelines
06. Walking Distance
07. Marie Elene
08. Destroyer

The Green Child is the long distance musical collaboration of Mikey Young and Raven Mahon, who met in 2013 when their bands, Total Control and Grass Widow played a show in Oakland, California. They started writing songs together in Australia in 2014 and the project has been on a slow burn since. Their self-titled debut album is the culmination of few years of putting ideas together internationally and periodically recording in Mikey's home studio. Some of the lyrical content and the band's name was inspired by Herbert Read's 1935 utopian, communist, sci-fi novel called The Green Child. 

With such a choice name, it’s no surprise that The Green Child draw their sound from an illusory past as much as they stalk into pastures new. Broadly retro-futuristic in scope, verdant acres of lushly evocative synthesizers and blippy drum machines underpin most of their upbeat yet decidedly uncanny songs. Raven’s calmly scenic and measured vocal flits like a will-o’-the-wisp throughout the tracks, proffering a guiding hand as she walks us through the often eerie, electronic concoctions. 

‘Traveler’ opens the album all redolent, beat-minded and labyrinthine. Twisting melody lines swirl and envelop like a sandstorm, whilst Raven coolly projects on a “solitary man” lost to “green oblivion”. Similarly, ‘Her Majesty II’ glistens with its playful yet plaintive vocal and iridescent arpeggios, whilst ‘Bertha’ slows things down with tumbling chimes and stately use of space.

The Green Child are adept at atmosphere, their songs are refined from gently unfolding ideas that never fail to realise and build to their potential. Tracks like ‘Walking Distance’ (featuring Al Montfort on saxophone) and ‘New Years Eve’ are exercises in evolved composition with ideas budding off and blossoming into truly resonant dimensions. The band’s cover of ‘Marie Elene’ (by Keith Pearson) and closing track ‘Destroyer’ are further crowning achievements, both pieces subtly handled with poise and ample melancholic grandeur. The Green Child fix their sights on the heights they want to reach within their songs and much like the project itself don’t want to rush to the finish line. When it becomes more about the unfurling journey, why not take the time to enjoy the trip and burn slower?

‘The Green Child’ is due for release on January 12th through Upset The Rhythm on 180g black vinyl, accompanied by some spirited sleeve design by James Vinciguerra.

Kelly Lee Owens - Spaces

Smalltown Supersound

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