It Grows Again - Tom Demac & Will Samson

A remix i did on Karuan's "Never Too Late"

Karuan - Never Too Late (Alex Dimou remix)

The Golden Filter- Kill Me- John Talabot Killed In Room 616 Refix

Here is a special Edit by Schmutz for Free!

Get their New "Peelers EP" now!
http://www.junodownload.com/products/schmutz-peelers-ep/2667259-02/

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Schmutz | Vaccine | Free Download

I always wanted to do my own version of Hope to God and here it is!

Check out the video!    https://youtu.be/MuucB7CJJ48

Illumination – Hope To God

In the mid-1990s, two restless explorers of sound—Nicholas Sillitoe and Per Martinsen—came together as Illumination, a project that blurred the boundaries between studio precision and live improvisation. Their language was electronica, but one spoken with lo-fi grit, hi-fi clarity, and a deep trust in the energy of machines and the spontaneity of performance.

Released in 1995 on their +47 label, Hope To God arrived first as a 12″ single with raw, driving versions from Martinsen and a collaborative Istigkeit mix. Soon after, it re-emerged in the UK as a double 12″ and CD-EP, now expanded with atmospheric re-interpretations from kindred spirits, most notably Biosphere’s glacial remix.

The track became a touchstone in the Norwegian underground: hypnotic, searching, carried by layers of analog warmth and vocal fragments that felt half-remembered, half-divine. It embodied Illumination’s ethos—music that could be both a club weapon and a private prayer.

Decades on, Hope To God still resonates as more than a track: it is a moment in time, a reminder of a scene inventing itself, and a plea whispered through circuits that the future might yet hold light.

Hope to God

Released by: Nuano
Release date: 9/23/2025
Album: Galactic Imperium

Federation

Early support by Ewan Pearson, Jamie Jones, Tim Green, Laurent Garnier, SIS, Ashworth, Tiga, Dusky, Ardalan, Friendly Fires, Baikal, Acid Pauli, Edu Imbernon, Till Von Sein, Kiki, Iron Curtis, Karotte, Larse, Worthy, Severino/Horse Meat Disco.

Martin Waslewski is on a roll at the moment. With his groovy tracks, punchy bass and flowery summer ballads he has attracted tons of DJs in the last 12 months.
We are happy he is back with a new 2 track release on Exploited Ghetto. 

Artist: Martin Waslewski
Release: Callous
Label: Exploited Ghetto
LC: 48629
Cat: EXP17
Exploited Ghetto Music Publishing

Releasedate Beatport: 10.10.16
Releasedate I-Tunes: 24.10.16

First Feedback:
Ewan Pearson: Callous is jolly good indeed.
Dusky: Callous is cool.
Jamie Jones: Sounds cool.
Tim Green: Like Callous a lot.
Laurent Garnier: Callous for me.
SIS: Bomb.
Ashworth: Nice! Slick production. Nice melodies. Bet this will kill it on the dancefloor.
Whitesquare: Love It.
Tiga: DL
Friendly Fires: Fiercy stuff. Love it.
Baikal: Callous is cool.
Ardalan: Lovely release:)
Edu Imbernon: This is great.
Iron Curtis: Callous is simple but effective.
Till Von Sein: Great EP. Love the deep limb.
Acid Pauli: :)
Karotte: Callous is my pick here.
Larse: This is brilliant. Love it. Callous is my jam.
Worthy: Callous is really dope.
Severino/Horse Meat Disco: Pretty cool vibe.
Den Ishu: Great tune.

Callous

Limba

Limba | Exploited Ghetto

Alessandro Diga, a young talented dutch artist, delivers 3 solid techno tracks for the fifth release on the BergWacht record label. “Phaedra” starts with a great bassline and goes into a warm melodic techno track with a lot of emotions, dreamy synths and it goes along with a clear hihat. The track is able to be dreamy and not cheesy at the same time. “Sonora” is grounded on a rolling bassline and clear hi-hats as well, it goes over in nice effects with outstanding breaks, but it finds back to the starting rhythms. “Dahlia” the hidden B-2 track transmits a deep journey with melancholic feelings.

RELEASE INFO BW 005:

Alessandro Diga - Dahlia EP

ARTISTS: Alessandro Diga
TITLE: Dahlia EP
LABEL: BergWacht Records
CAT. NO.: BW 005
FORMAT: 12” Vinyl / Download / Streaming
RELEASE DATE Vinyl: 30.09.2016
RELEASE DATE Digital: 18.11.2016
DISTRIBUTION (12”): Vinyl Distribution
DIGITAL DISTRIBUTION: Kontor

A1: Phaedra
B1: Sonora
B2: Dahlia

Written and produced by Martijn van Dijk
Mastered by Emanuel Geller, Artwork by Maximilian Keck

Promos, label & media contact: denis@bergwacht-cologne.de
Soundcloud: Join us at soundcloud.com/BergWacht/ @bergwacht

Buy at Beatport

Alessandro Diga - Dahlia

Davis & May - Ultimo Violetta

The pampa, filled with enigmatic lines and geoglyphs known as Nazca, gives name to this record label.

Nazca Records was created to collect the music and art that Viracochas (beings of other worlds), shared with the ancient Nazca people, known for their love for music, dance and nature.

These recordings represent the music that was once played in another time and that will be played again in the future…They are the memories of the future.

Each vinyl and recording tells a story of the memories from each ceremony that took place in the Pampa Colorada, from music that was played, and of the figures and lines that the Nazcas used to show their gratitude to the Viracochas.

Maybe you’re wondering how its possible or how we were able to capture those recordings in Nazca Records to then press to vinyl.

It has been discovered that if an intelligent or exotic species wanted to connect to others, they would use radio signals as they can travel any distance and require very little energy to send.

The logical wave frequency to communicate would be 1420 Megahertz, which is the frequency irradiated by the neutral hydrogen, when its atoms interact between each other.

Based on this info and knowing that hydrogen is the most abundant element in space, and after a lot of tries, in the end we were finally able to make the first contact with the Viracochas!

What is a culto cargo? This word defines an ethnological phenomenon that happens when a technologically primitive society enters in contact with a technologically advanced society.

This translates into a show of gratitude and admiration of one civilization for the other; in the case of Nazca, the culto cargo for the Viracochas, as a sign of gratitude, was represented by the lines, while the one of the Viracochas for the Nazca was shown through their music and art.

The culto cargo used by the Nazca to thank these Viracochas’ music and art was the line called The Tree.

It Grows Again - Tom Demac & Will Samson

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