Waddling around at work like a duck. BRUH 🔥🔥🔥

The full Smigonaut 'New Escape' EP comes out on April 16th. Pre-Save here: https://distrokid.com/hyperfollow/smigonaut/new-escape

Connect with @smigonaut
Twitter: https://twitter.com/smigonaut
Facebook: https://www.facebook.com/smigonaut
Instagram: https://www.instagram.com/smigonaut/
Bandcamp: https://smigonaut.bandcamp.com/

Fidget Cube

PRE-SAVE

Smigonaut - Fidget Cube (feat. Chris Karns)[Electric Hawk Premiere]

Dazed (Thank You For 6K)

Artwork by Peek

www.peekcreative.studio
instagram.com/peekcreates

Mastered by Jade Cicada
Swarmaudio.net

Sake Juice Box

Seriously Ballin'

“OH WHOA, WAIT WHAT WTF?”
This one’s different.
This one’s stands out.
This one’s weird.
This one’s “NOT Sirdsapes” with all his electro-techno-breakbeat-ish EDM shit!
Oh yeah? Really?
Oh, you don't say?
Well, you know what? To be an artist, the real one, is to be in a constant chaotic flow-like state (and pain … much pain, of course) - endless experimenting, making a lot (like, A LOT!) of mistakes every day to learn and improve yourself, dealing with all these damned emotional ups’n’downs of self-doubt and self-criticism, then somehow finding the strength to push yourself through it, to continue to discover, create and experience NON-STOP, 24/7, 365.
And for me, it was (it is and it will be) like this for 13 years now.
To be honest, even if I try I won't remember myself NOT being a die-hard artist.
So maybe NOW the question "Why this album?" is answered - because this album is special to me!
This album is (LITERALLY!) 13 years of me slowly losing my mind from being in this fucked-up chaotic flow-like state I mentioned before!
BUT! You know what's the craziest part?
After all these years, I finally can be 100% sure that everything/anything I do isn't just for nothing.
Because I feel like I can finally share all this crazy shit I’ve been creating all these years with you.
Because all and each one of you made me feel that way.
And none of you can’t even imagine how much that means to me and how much I fucking love all and each one of you.
So please don’t make me regret any of this.
And thanks for 2000 followers - that’s just unbelievable ... but also simply amazing.

- Love, Sirdsapes

17. Wonder Why (2213)

burn the duster

Title track off of the upcoming Decoherence EP

Download the track and pre-order the EP on Bandcamp or stream on Soundcloud. Full release on 8/27.
https://faceplantmusic.bandcamp.com/album/decoherence

Produced by Donald Jason Shepherd (Face Plant)
Mastered by Adam Ovoid (Ovoid)
Artwork by Jeremy Legge

Decoherence

Purchase the EP here:
thisismalakai.bandcamp.com/album/odd-views

With sharper edges, elevated sound design and a new posse of collaborators, MALAKAI comes correct on his fourth EP, Odd Views. It’s been more than two years since the New York City-based producer first released with The Rust, but in some ways it feels like a lifetime ago.

On these four tracks it’s plain to hear that MALAKAI’s sound design and songwriting have improved and his intent has sharpened. The sonic material itself isn’t revolutionary, but the subtle ways he moves and shapes the sounds gives attitude to the songs. Strong as ever is MALAKAI’s ability to communicate a feeling with melody, harmony, and note choice. Only now, the feelings are different. He’s deviated ever so slightly from his usual earthy, acoustic, mystical motifs. The void that remains is filled with something grittier, more urban, more direct.

His friends have changed, too, It’s reflected in the posture of this EP, which features Thought Process, pheel., and cuts from Bogtrotter. These producers, who are heavily influenced by hip-hop, deliver great bounce and buoyancy on their features. It’s still MALAKAI’s signature sound - grazing along, moving forward with swing and without haste. Not quite glitch hop, not quite dub, not quite hip-hop, but a home brew with all these ingredients. The edges are again sharper, the movements more crisp. There’s less to think about and more to groove on.
credits
released October 29, 2019

Artwork by A.L. Grime
Mastering by Malakai Linden

All composition, production and instrumentation by Malakai Linden unless otherwise noted.

Track 02 co-produced by @Thought_Process_Music.
Scratching on track 03 by @Bogtrotter.
Track 04 co-produced by @pheel518

Odd Views

Iota

MALAKAI x Thought Process - Iota

Album available:
https://dannygrooves.bandcamp.com/album/rigmarole

Rigmarole

Gongchoked

So this year for Christmas I struck a pretty rad deal with my Dad - get me this little Yamaha synth (the CS Reface) I had been eyeing up at the music store, and in return I would write him a song specifically for his morning running playlist using only the synth for anything aside from the drums. My Dad is the kinda guy who would rather have a personal/creative gift and has always been a huge supporter of creativity and art in the family. His only note to me was that 'Back in Black' by AC/DC was his favorite song to run to because it was the right tempo. So naturally I sampled the drums from Back In Black, grabbed some adlib samples from his favorite movie 'Caddy Shack' and sampled the shit out of this little synth that looks like it might as well be your first casio keyboard in kindergarten, but actually makes some of the wildest sounds I've stumbled upon as of recently.

So everything you hear in this tune aside from the drums is derived from that one synthesizer. Thanks to my Dad for always keeping me inspired & motivated to create.

Music For dads To Run To

MUSIC FOR DADS TO RUN TO

Music For Dads To Run To

The first single off my upcoming EP, 'New Escape', out on 4/16/2021

Composed, Produced, and Mixed by Smigonaut
Mastered by Sandy Finlayson
Artwork by Ashton Jones and Will Wofford

Pre-order EP here

Council Of One

Bookings and Mgmt: sean@therustmusic.net
1/2 of @deeznauts;
@therust; @v_a_l_e;  

Smigonaut’s brand of bass music stands - or rather swings - out from the pack. Striking a balance between the experimental and the accessible, Smigonaut aka Josh Kipersztok produces low-down, left-field neuro bass, but couches it in familiar jazzy frameworks. Originally hailing from Seattle, Washington, Josh learned to play instruments early in life. His great familiarity with note relationships adds dimension to his music that few producers on the electronic airwaves can mirror. Today he’s a mainstay on lineups at major music festivals and curated club nights throughout the Northeastern US. He’s released with prolific labels like Street Ritual, Night Owl Collective, and VALE, and collaborated with kindred spirits like Jade Cicada and DeeZ.

Council Of One

Smigonaut

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