A Lifetime In 1 Minute And 46 Seconds

Gelfling Dawn

Believing himself to be the last of his kind
The genocide and cyanide he leaves them behind
From up on high the gods do not reply he doesn't want to die
Got to see through Aughra's eye
The natural ways of the peaceful ten
They nurture prophecy in the form of Jen
His place to fulfil, the wisdom distilled
Heal the crystal, the goodness instil
He's growing in skill, He's not fated, he's willed.

For the stones had no tongue, yet they longed to speak
And the forest had no eyes, yet they yearned to see.

Because he knows that inside there's nowhere to hide
Might as he try it's all just the same
Seems the Wise Ones think that he should
If they only knew if he could he would
In the neighbourhood of your bad and good
If you don't know now you know. 

For the stones had no tongue, yet they longed to speak
And the forest had no eyes, yet they yearned to see.

The Crystal rejects the corrupted ones
It'll burn their souls like a million suns
Cover your eyes and cover your tracks
Check under your pillow and behind your back
It's gonna pack a whack, take you to the rack
Better change your tack and hit the road Jack

You're more than residents
You're resplendent in the colours that you don
To me you'll always be the sentinels of the forest in the lounge
Plateaus you found your feet on
Are torn onto my sourdough toast
As we make the most of

When I look it in the eye
It comes as no great surprise
That the ones who remained alive
Are the ones who remained inside
My Forest of Basil

You've chosen to fold in your wings
Though your antennae give you away
You're dreaming in chlorophyll realms 
This Basil Forest torus will have you stay
Incomprehensible Indivisible
You'll never know how much you mean
Life feeds on life feeds on life feeds on

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Little House

Had some fun on the keys composing this track, replete with 90s-esque tones.

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Makara has a Tara.

My first one-take recording of sitar. It is a little jagged around the edges but that's how it sounds good to me at the moment. Not too crafted and poised. It is Makara's Tara, as it is.

Makara's Tara

Snowfields

This is played on the shamisen, a Japanese string instrument. This style is considered very masculine, fast and hard. It took a fair bit of practice to get this one down. I recorded this with my sensei shamisen worth around US$10 000すご〜!

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