Previewtrack from the new 'die Nachtstunde' album: "Flüstern macht gemeinsam." (2014), follower of 'Klangwandler' (2011). 
 
Die Nachtstunde is the more electronic moniker of Herbstlaub. 
www.federleicht.be

die Nachtstunde - 05 Flüstern macht gemeinsam. (FDL#03, summer 2014)

Track taken from El idioma de las luciérnagas LP (Pathway007)
"The Language of Fireflies"

Federico Durand - El espejo de mil años

Alboran Trio - Balkan Air

Pre-order the 12"/DL here: www.erasedtapes.com/store/index/ERATP082

'Transition', the collaborative release of Immix Ensemble and Vessel focuses on the theme of technology. Musical instruments are a somewhat technological anomaly in that they are rarely updated after their conception, often only receiving minor tweaks over the course of hundreds of years. As such, each instrument provides us with a snapshot of the cutting edge technologies of a particular time and place – in this sense, the instrumentation used by Immix provides us with snapshots of technologies that can be traced back as far as 1500BC. 

Taking these snapshots as a starting point, each movement in 'Transition' features one or two instruments, and, thematically, explores a significant invention or discovery that took place at around the same time as the invention and development of these instruments. Collaborating with Vessel updates this technological chronology by including the tools of the digital age.

Immix is lead by Australian-born composer and sax player Daniel Thorne. The now Liverpool-based artist has a genuine passion for exploring and creating music in a diverse range of forms; composed and improvised, acoustic and electronic, and the various shades in-between. Founded in 2014, the idea behind Immix has been to galvanise the innovative musical voices from across the country.

With the addition of Vessel, the moniker of Bristolian electronic composer Sebastian Gainsborough, Immix found a valuable first partner in exploring forward-thinking composition that slips between the cracks of traditional and contemporary styles. A stalwart of the UK experimental electronica community, Vessel's solo work has received critical acclaim for it’s post-industrial, visceral tone, using a sonic palette derived from the creation of home-made instruments, aiding in the creation of his signature nonreplicable sound.

As the first in this series, March 18, 2016 will see the release of 'Transition' on 12" vinyl and download, followed by a string of live performances by the collaborators. Future episodes will bring further collaborations by Daniel Thorne’s ensemble with other forward-thinking artists and ensure Immix continues to evolve and expand.

TRACK LISTING:  	

A1. What Hath God Wrought?
A2. De Revolutionibus
B1. Scope
B2. Battle Cry

ABOUT THE ARTWORK:  

The artwork was created by Liverpool-based visual artist Sam Wiehl and includes images taken from the Immix Ensemble & Vessel live AV show.

WEBSITES: 

www.immixensemble.co.uk · www.twitter.com/immix_ens · www.erasedtapes.com

Immix Ensemble & Vessel - Scope

From the latest Ulrich Schnauss & Jonas Munk collaboration, entitled "Passage", out now on Azure Vista Records!

Get it from: www.azurevistarecords.bandcamp.com

Passage

Ulrich Schnauss & Jonas Munk: "Anywhere But Here"

Matt Dunkley - Cycle 1

Not Home may seem an unusual choice of single from Anne Garner’s upcoming album Lost Play but there’s precious little that is conventional about this singer-songwriter. Fans of her strange, seductive melancholy will be beguiled once again by the song’s signature union of disembodied sadness and reassuring intimacy. Warm waves of electric guitar and synthesiser cradle glitchy, restless percussives, the soaring silvered pedal steel of Jack Hayter (Hefner, Dollboy) and a lyrical message both beautiful and hard to hear.

Not Home and Porya Hatami's remix are available across all major platforms and in lossless 24bit audio exclusively from Slowcraft Records.

Written by Anne Garner
Produced by James Murray with Anne Garner
Artwork by Bobbie Russon
Mastered by Dean Honer
_____

annegarner.com
poryahatami.com
jackhayter.com
bobbierusson.com

slowcraft.info

https://slowcraft.bandcamp.com/album/not-home

Not Home

11th May 2018

~ IIKKI 011 ~

music : Seabuckthorn
photography : Sophie Gabrielle
album/book : Through A Vulnerable Occur
duration : 38.55 mn
date : March 2020

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All music by Andy Cartwright : Guitars, Saz, Charango, Effects. 
Gareth Davis : Clarinet on 'Through A Vulnerable Occur' and 'Place Memory'. 

Recorded & mixed in Veynes, France between summer 2019 – Winter 2020. 

Mastered by James Plotkin
Artwork by Sophie Gabrielle
Design by sprflxgrfzm

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edition : 
vinyl : limited to 300 copies hand numbered 
cd : limited to 200 cd (glass mastered) hand numbered
book : limited to 300 copies hand numbered + hand stamped

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pre-order : March 02th, 2020 / official release : March 30th, 2020

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Links :
https://seabuckthorn.bandcamp.com/
https://www.sophiegabriellephoto.com/
https://www.iikki-books.com/
https://iikki.bandcamp.com/music
https://www.facebook.com/iikki.books/
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℗ & © 2 0 2 0 - I I K K I - I I K K I 0 1 1

Seabuckthorn - And Bickers Into Colour

Fabio Orsi/Glowing Echoes

Glowing Echoes Part 1 (24:26)
Glowing Echoes Part 2 (17:36)

Fabio Orsi/Glowing Echoes/Glowing Echoes Part 2 (Sample)

Kronos Quartet 'Long Time Passing: Kronos Quartet and Friends Celebrate Pete Seeger' available October 9, 2020 on CD, 2xLP, and digital. Pre-order starting 7/29/2020.

On 'Long Time Passing,' the trailblazing Kronos Quartet celebrates the music of Pete Seeger and rejoices in the spirit, inspiration, and fearlessness inherent in his life’s work. Along with guests Sam Amidon, Maria Arnal, Brian Carpenter, Meklit, Lee Knight, and Aoife O’Donovan, the group examines Seeger’s celebration of beauty and the pleasure of singing together. Through the power of these eternally relevant cries for unity and moral integrity, the album articulates the responsibility we have as citizens and members of a greater community to question war and injustice, and to develop the courage to raise our voices together both in word and song.

Kronos Quartet - Where Have All The Flowers Gone? - S. Amidon, B. Carpenter, L. Knight, A. O'Donovan

We are pleased to announce a new sneak peek into the anticipated fourth album from Mammal Hands. ‘Captured Spirits’, released 11th September via Manchester tastemaker record label, Gondwana Records.
 
Consisting of saxophonist Jordan Smart, pianist Nick Smart and drummer and tabla player Jesse Barrett, the trio have forged a growing reputation for their hypnotic fusion of jazz and electronica and have received glowing recommendations from the likes of The Guardian and Gilles Peterson. Drawing on their love of electronic, contemporary classical, world, folk and jazz music, Mammal Hands take in influences including Pharoah Sanders, Gétachèw Mekurya, Terry Riley, Steve Reich and Sirishkumar Manji.
 
Forming in Norwich in 2012, brothers Nick and Jordan along with Jesse, developed their distinctive and polished sound with their meteoric live shows and release of three critically acclaimed albums: ‘Animalia’ (2014), ‘Floa’ (2016) and ‘Shadow Work (2017). Landmark live performances have included shows at The Roundhouse London, the main stage at Field Day Festival, La Cigale Paris, Montreal Jazz Festival, Hamburg Elb Jazz, Athens Technopolis and Unit Tokyo.
 
Teaming up once again with trusted producer George Atkins (Wiley, The Courteeners) at 80 Hertz Studios in Manchester, ‘Captured Spirits’ explores themes including existence and displacement. “The name has multiple readings but was first inspired by something Jordan was reading about past experiences of ancestors being caught and coded into our DNA and having an effect on who you are today. This ties in with themes that we have touched on before relative to identity and the collective unconscious (‘Shadow Work’). It also toys with the idea of feeling contained/trapped and the need to break out of something and also the idea of people being spirits that are "captured" in a body”, says Nick.
 
Opening with the melodic rhythmic patterns of ‘Ithaca’, the tempo picks up with the mesmerising ‘Chaser’, as heavy percussion and Nick’s frenetic keys draw the listener deep into Mammal Hand’s distinctive soundsphere. North Indian influences dictate the meditative ‘Versus Shapes’ with Jesse’s transcendental tabla playing taking centre stage while the dark and moody ‘Spiral Stair’ relies on a multitude of colliding and intersecting shapes and sounds.
 
All three members of the band contribute equally to the writing process: one that favours the creation of a powerful group dynamic over individual solos. “I think with this record, there was a strong and renewed sense of collective enjoyment and appreciation for the process and each other's contributions. After a long period of touring and a slow build up to the actual recording sessions we were able to mull over ideas for long periods, build on lessons from the past and pull our playing connection to an even deeper place. Realising each other's visions for the whole and clearly understanding how they intersect”, says Jesse.

Exclusive Premiere: Mammal Hands "Ithaca" (Forthcoming on Gondwana Records)

Smithsonian Folkways Recordings is the nonprofit record label of the Smithsonian Institution, the national museum of the United States. We are part of the Smithsonian Center for Folklife and Cultural Heritage, located in Washington, D.C. 

We are dedicated to supporting cultural diversity and increased understanding among peoples through the documentation, preservation, and dissemination of sound. We believe that musical and cultural diversity contributes to the vitality and quality of life throughout the world. Through the dissemination of audio recordings and educational materials we seek to strengthen people's engagement with their own cultural heritage and to enhance their awareness and appreciation of the cultural heritage of others.

The Smithsonian may archive materials posted on this website pursuant to its document retention policies. By posting content, you are giving the Smithsonian and those authorized by the Smithsonian permission to use or modify it for any educational, promotional, or other standard museum purpose, in media of all kinds whether now known or later developed. For more on the Smithsonian's terms of use and privacy policies visit: http://www.si.edu/termsofuse 

Kronos Quartet - Where Have All The Flowers Gone? - S. Amidon, B. Carpenter, L. Knight, A. O'Donovan

Smithsonian Folkways

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