Can't Get Enough - Dance Approved (Radio Edit)

MAD OR NAH FREESTYLE

FOREST FLOOR

Mia ZABELKA (AT) - violin and voice
Paul G. SMITH (IR) - piano
Stale Liavik SOLBERG (NO) - drums
 
Free improvisation from three highly individual musicians with backgrounds spanning a wide variety of musical experiences, the trio’s music both captures and enthralls with its immediacy and a shared, almost telepathic intimacy. Every performance is a unique event, specific to time and place, relying on a shared trust between the musicians, a common knowledge and respect of each other’s music and a desire to share the surprise and delight of the moment. From a stylistic canvas that moves between the smallest sounds to grand gesture the energy is palpable. This attention to all aspects of sound production being treated as possible musical material adds to the multidimensionality of the music and is used to clarify and elucidate and never to over simplify or over complicate. Aiming to be as clear and truthful to the musical imperative as it unfolds, the trio FOREST FLOOR presents the audience a direct and profound involvement in the music they create.

FOREST FLOOR Live @ Wien Modern 2023

Edge of Intervention

“Mia Zabelka does not regard science and technology as invasive threats to the human race, but instead perceives an agency that can help us find our way to new modes of expression. Further, she is not given to dreaming about fantastic travels into outer space, but is an artist very much connected to the modern world, and attuned to the environment.”
Ed Pinsent/ The Wire Magazine (UK)

PHOTO_TONE

Mia Zabelka - violin, e-violin, voice, electronic devices, alien objects, noise, visuals

PHOTO_TONE is about the magic of a sonic journey into the world of subatomic interactions. Mia Zabelka explores the translation of chemical and structural processes into sounds and makes them perceptible in the audio field. Her sonic visions transport the listener into a fascinating technological world in which processes of modulation, elimination and the oscillation of elementary particles tell their own mysterious stories.
Beyond melodies, harmonies and rhythm, the aim is to make automatic processes audible. With her sound experiments, Mia Zabelka explores noise, movement, automation, division, symbiosis, dissonance and resonance. Mia Zabelka works with the interdisciplinarity between music and science. The term “scientific music” best describes her work. Scientific music is the code of the future because it allows us to envision more advanced life forms.

MAD OR NAH FREESTYLE

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