My remix for the 'Mojo Rydim' Remix Contest by Taiwan Mc - Biga Ranx / Chinese Man Records. I hope you enjoy - Ragga Glitch hop !!! 

FREE DOWNLOAD :  https://www.mediafire.com/?yqgpng98nj397ov

I finished 2nd in this contest! Thank you very much :)

Dimaa :
https://www.facebook.com/pages/Dimaa-Electro-swing-project/230621210334791?ref=hl

Taiwan Mc :
www.facebook.com/TaiwanMcChineseManRecords

Biga* Ranx :
www.facebook.com/bigaranxofficial

Taiwan Mc feat Biga Ranx - Mojo rydim [Dimaa Remix]

A robot awakes from a long sleep. In the darkness, his eyes open and contemplate a savage, thick and lush nature. The android goes in search to browse the space around him. It seems there’s no sign of life, animal or human… He quickly figures out that he’s surrounded by rusty devices, damaged metal and large dusty gearwheels. Wandering the remnants from another time, our hero, is now a true little machinist. He tampers, tinks and fishes around the mecanisms surrounding him in order to inject a new energy, a second life. Gradually, everything is gearing up, lights blink, cogs work again. It’s relaunching, it’s working well again. An amusement park re-emerges now from oblivion and comes gradually back to reality. The carousels’ shade is dancing in the starry sky, the humanoid is browsing the park’s aisles and contemplates what’s once was a place where shouts and bursts of laughter were clashing. Very slowly, but undoubtedly, the robot wards off. He casts a last gaze at this so familiar and unusual place that evokes memories, like a retrieved imaginary world. Soothed, he vanishes away, in the shade, leaving the park operating, witness of a retrieved liberty.
Tour de Manège is proud to introduce the culmination of years of work, the conclusion of a story started in 2013. Through this project, and more specifically this vinyl, we’re closing, at least for now, the interlude of this 5 volume saga. After the genesis in volume 1, “Le Train Fantôme” in volume 2, the “Freak Circus” in volume 3 and “The Wizards” in volume 4, we introduce the conclusion of this saga with volume 5 : “The Machinists”. Thanks to every contributor to the vinyl, to the Tour de Manège project et, last but not least, to the community that followed us for all these years. More than a musical adventure, it was a human adventure that started 9 years a go and lasts ever since.

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Tour De Manège is proud to present the culmination of long years of work and the conclusion of a story that began in 2013. More than a musical adventure, it is a human adventure that was repeated 9 years ago and that has persisted ever since.
Through this project and more particularly this vinyl, we close, at least for the moment, the parenthesis of this saga of 5 volumes. After the genesis of volume 1, "Le Train Fantôme" of volume 2, "Freak Circus" of volume 3 and "The Wizards" of volume 4, we present to you the conclusion of this epic, with volume 5 "The Machinist" .

To all crowdfunding contributors and to all those who have participated directly or indirectly in this project. Thank you to those who listen to us and to all those who one day or another, we have given strength. 


Artwork by JO BER
Mastered by Phil - AudioBlend
Executive Producers by David Dahan & Clément Marques
Logistic & Production by Maël Duhautois & Hugo Paris Reality Check
Tracklisting by GrandHuit, La Cantina, GooMar & JIM
Graphism & Layout by Huté

Stream/Download/Vinyl

Dooze - Eiffel

Petite rythmique sur un fond de dub massif....
Cela vous convient-il comme entrée ?

Birth

Outland

John Milk
John Milk was born in 1985 in a non particular music versed family. He firstly got introduced to music and especially black music through his father discotheque mainly composed of country and Chicago blues.
“If I had to describe what music was for me at the age of 10, I think that John Lee Hooker would be the word” Especially a song called “Rainy Day” extracted from an album called “Don’t Look Back”. The atmosphere of this blues, the carma of John Lee Hooker hooked me! To my young ear, untrained to complicated music, this sound was great, it came to my ear, straight to my guts. It was not sophisticated. Looking back on that experience I think that I always kept this way of making music a cornerstone of what I would later compose. Music for the people, groove first!”
At the age of 12 John Milk got more into what was still an intuition: singing.  Taking music lesson at school like most of the kids of his age he had the chance to meet a pretty unusual teacher that confirmed his thoughts. 
“His name was Mr. Kasimo, a tall black guy very respected by all the pupils. I was studying in a pretty ruff school where a lot of us wouldn’t care about learning. In France we usually learn the flute to get into music. But this guy wouldn’t care. He was sitting at his piano and taught us how to sing songs like “Ready or not”, “You say yes”, Yesterday”. I remember that in order to pass the exam, we had to stand right in front of him facing the piano and pick up a song. How stressful this could be, I loved it. At the end of the day, he told me I had to do something with my voice. I was happy about it but didn’t really no what to do with it yet”


JOHN MILK - Treat Me Right - Taggy Matcher Remix

Extracted from the album « Walk the Walk »
October 16th 2015 • Jarring Effects
Recorded, for the voices, at legendary Harry J Studio
in Kingston, Jamaica.
Featuring Horace Andy, Willi Williams, Winston McAnuff, Kiddus I & Ras Michael.


At the controls of the Brain Damage project since 1999, and through a rich discography of more than 10 albums, Martin Nathan already explored my facets of his favorite style: the dub. After having contributed to settle its Brain Damage foundations in France, he remains consistently involved in its evolution, suggesting various versions, alternatively urban, atmospheric, experimental, and recently way closer to some models developed in the UK.

This time, that’s in Kingston that he realizes the main part of this new opus, to delve more deeply into the dub origins. His friendship with Samuel Clayton Jr, sound engineer and internationally respected producer (Steel Pulse / Toots & the Maytals) was decisive in the choice of this destination. This essential figure in Jamaica indeed opens the doors of the mythical Harry J Studio (Bob Marley / Burning Spear) to Brain Damage, and enables improbable connections with legendary artists for unforgettable studio sessions.

The initial idea of the project was to involve certain actors of this famous generation that contributed in the 1960s / 70s to create what reggae is, and by extension, the dub. Five veterans of the genre line then up behind Jamaicathe microphone, all contemporaries, but with totally diverse sensibilities and backgrounds. Nowadays still superstar for some of them like Horace Andy whose tone is recognizable miles away, and who is used to collaborate with Massive Attack, kind of forgotten for some others like Kiddus I that yet was, in 1978, the hero if a key scene in the cult film « Rockers », all of them have kept their talents unimpaired. This being the case of Willi Williams, author of the timeless hit « Armagideon Time », covered by The Clash as so many others did, but also of Winston Mc Anuff who Harry J Studio Sessionsnever ceases to amaze us by collaborating with French artists in a marked contrast to reggae vibes (Camille Bazbaz, Fixi, Java). Lastly, the dean Ras Michael, which was for so many years one of the ambassadors of Nyabinghi traditions on an international scale, continues to blow us away by his vocal interventions imbued with so much spirituality, and by this unique style of percussion-playing.

For the span of one studio session, all of them succeed in blending into the musical universe suggested by Brain Damage, and undertake the stylistic exercise submitted by the artist: writing most of their lyrics on the theme of their childhood, the childhood, youth and education. The outcome of these meetings is unique, a singular combination of maturity and genuineness, doubtless resulting from the open-mindedness and talents of each protagonist.

Walk the walk

Birthday song (feat. Winston Mc Anuff)

In the beginning, Ghetto Funk productions centred around unlicensed sampling to fuel an iconic sound with influences from funk and hip hop. Now 6 years on, Ghetto Funk producers Second Hand Audio have begun to collaborate with the artists they originally sampled. This Remixed Album is a glimpse into the future of a sound and idea that has gone full circle. Original beats, dope original vocals and amazing remixes.

Buy on Juno

Second Hand Audio - Shine Bright (feat. Jazzarae) (B Side Remix)

Mister Modo & Ugly Mac Beer-Not Afraid ft Jessica Fitoussi

hk2017

My home_Herman Dune_Arok edit

Sahida Apsara with Dub FX & Mr. Woodnote - Forgive > https://www.youtube.com/watch?v=NVwtvmG3VW4

Sahida Apsara > https://soundcloud.com/sahidaapsara

Dub Fx > https://soundcloud.com/dub_fx

Sahida Apsara with Dub FX & Mr. Woodnote - Forgive

DIRTY WATERS Feat. NON GENETIC

Center of Gravity - Steppas Records is excited to present the new album from Korean-German producer JahYu. This heavyweight instrumental dub album breaks all convention taking the listener deeper into the world of mystical and etherial soundsystem music. Exploring and fusing the realms of Dub, World and Electronic Music. The enigmatic producer blends contemporary bass music with the sounds of his ancestral homeland, playing and recording traditional Korean instruments; Kayagum, Geomungo, Haegum, Daegum, Hun, Yanggum and Janggu via his own hand. Center of Gravity is another truly eclectic, profound and exciting album from Steppas Records not to be missed.

“A perfect fusion of meditative Eastern instrumentation with 21st century sound-system vibration.” Mixmag

In partnership with onetreeplanted.org we will plant a tree for every record sold.

Center Of Gravity

Enter The Cosmos [CLIP]

Management : clement@banzailab.com

Follow us on facebook: http://www.facebook.com/smokeyjoeandthekid

After two years of blowing up French, European and American stages, Smokey Joe & The Kid present their first release LP “Nasty Tricks” on French record label Banzaï Lab. A dangerously efficient mix of hip hop, electro and old Swing, that even 2Pac and Al Capone couldn’t say no to…
In this project, Smokey Joe (Bordeaux’s main musical mafia head) and The Kid aka “Senbeï,” (cheeky Parisian master of Turntablism), transport us back in time gangsters run streets of 1930’s Chicago. After a 1st EP released in June 2012 and of which 2 tracks had been on Beatport HipHop Top 100 for several months, the duet comes back in March 2013 to confirm that try with their 1st LP “Nasty Tricks”.
Great collaborations enhance that first opus: Puppetmastaz, R-Wan (Java), Lateef the Truthspeaker, Nomadic Massive, Youthstar (Chinese Man), Random Recipe, Sugaray...
With the help of their accomplices, these two gangsters mix Hip Hop and Electro with the groove and melodies of early 20th century Swing. Percussion solos played with scratches, beats and melodies banged out on the MPC, everything is performed live, there’s no doubt that Smokey Joe & The Kid know how to make a dancefloor go wild!!
Kidnapped, we retrieve consciousness in the middle of a crazy Block Party for a timeless Jam Session where urban poetry melts into the decadent energy of old speakeasies.
Smokey Joe & The Kid’s music spreads like cigar smoke, so if you hear “Nasty Tricks” on your neighbor’s stereo, it’s just a matter of time before the duet knocks at your door… “Nasty Tour” to start in March 2013!

DIRTY WATERS Feat. NON GENETIC

Smokey Joe & The Kid

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