It should end at 0.00, it's a nice techno piece.

Have been working on some compositions, 
playing it live then input to machine so I can figure out how the next bit sounds, 
I would write it to paper manuscript but I ran out already
then the using the computer takes on a life of its own,
derails the intended flow from the original theme and live improvisation;
it's a struggle to get it back there without it becoming something else. 


Using machines directly affects the music in this way, changes it's structure.
Learning from both because both have their own forms of innovation. 
Anyway here is the work in progress.
It is based around a famous French piece that I don't know the name of. 


When the improvisation becomes the maths and the maths becomes the music, 
the freedom is outside of that equation; the freedom is the real music. 
The structure is there only to give a framework to escape from. 
That dynamic, that journey; becomes what you hear. 
These words are more exciting than the sounds.


7.12.13

Lantana

2013 is YEAR ZERO in the mayan calender.

for my other shit: www.soundcloud.com/snakeappletree
for the good shit from 5 years ago check out my side-project at: 
www.myspace.com/jacurutu 
(lost password) 

"2014" white bhangra tracks written in 2006 or 2007 if memory serves (it usually don't). 


Lantana

snakeappletree2013

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John Aulich