Outlands

Fire: Synthwave/Ambient/Electronic

Water: Post-Classical

Earth: Folk

Air: Rock-Indie-Shoegaze

Beat The Heat

Neon Swamp

Old Rooms

Old Rooms Revisited

Come Close To Me

Woodland Walk

The Last Climb

Traditional arranged. All electronic. Tried to keep a more earthy pagan sound, rather than the sentimental sound of today's traditional folk.

Betsy Bell And Mary Grey

Traditional arranged. 'Single Jig with no name'. Can't remember where I originally heard it (some Chieftain's album). The violins are electric (played by myself) accompanied by synthesisers and samples. So not technically 'acoustic folk'.

Port Singil Gan Ainim

What Put The Blood

The Cold Ground

After The Rain

Highland Mists

Again mainly Spitfire Audio stuff in here (BML Ensembles, Solo Strings, Harpsichord) with Sonokinetic Accordion and NI The Giant piano. A little bit of Spire synth in there too!

Loosing Touch

Dead Lies

In Nomine Patris

Dunwich

Cley Beach

Filey Brigg

Scarborough Light

A mixture of Westwood Instruments Lost Guitar, VPS Avenger and Iris 2 (the latter using some patchpool/Simon Stockhausen patches). All using a Wholetone scale (Messiaen is one of my heros, though somewhat neglected by me these days).

xenon 1

Westwood Instruments Alt Piano, Absynth 5, and Iris 2. Hungarian-Gypsy scale.

xenon 2

Ravenscar

The sound of waves from Scalby Mills on the North Yorkshire coast processed with Anemond Sloom and Zynaptic Adaptiverb.

xenon 3 (Sea Waves through Anemond Sloom)

Two instance of Thermo 2 each through  their own Timeless 3 delay, finished off with some Pro-R reverb. My Thermo patches use the Xenakis diatonic scale for what that's worth :-).

xenon 4

Dum Pater Familias from the Codex Calixtinus / Philip Pickett interpretation.

Codex Calixtinus

Fanfare

The Struggle For Love

Don't Stop Me Now

Belated St Pats Day post. Tin whistle, bodhran, viola, hurdy gurdy, and Falcon synth drone.

The Road To Lisdoonvarna

Hyper Transit 2

Hyper Transit Deluxe

Call Sign

Fall Tide

In the style of Suzanne Ciani's Seven Waves work.

Spring tide

A Low Tide

Lost In Amber

1914

Mesa Sunrise

Broken

Moonlight Bay

I'm a can't-pin-me-down-to-one-type-of-music composer/musician. My work is made up of a number of projects, or elements arranged each in a playlist. Water - post-classical; Fire - synthwave/ambient/electronic; Earth - folk; Air - rock/indie/shoegaze. Enjoy!

Petras Saduikis

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