Outlands

Fire: Synthwave/Ambient/Electronic

Water: Post-Classical

Earth: Folk

Air: Rock-Indie-Shoegaze

Beat The Heat

Neon Swamp

Midnight Patrol

Old Rooms

Old Rooms Revisited

Come Close To Me

Woodland Walk

The Last Climb

Traditional arranged. All electronic. Tried to keep a more earthy pagan sound, rather than the sentimental sound of today's traditional folk.

Betsy Bell And Mary Grey

Traditional arranged. 'Single Jig with no name'. Can't remember where I originally heard it (some Chieftain's album). The violins are electric (played by myself) accompanied by synthesisers and samples. So not technically 'acoustic folk'.

Port Singil Gan Ainim

What Put The Blood

The Cold Ground

After The Rain

Highland Mists

Again mainly Spitfire Audio stuff in here (BML Ensembles, Solo Strings, Harpsichord) with Sonokinetic Accordion and NI The Giant piano. A little bit of Spire synth in there too!

Loosing Touch

Dead Lies

In Nomine Patris

Dunwich

Cley Beach

Though the title sounds like a Big Bang Theory episode, it's actually something from my day job.

The Hertzberg Continuum

Dum Pater Familias from the Codex Calixtinus / Philip Pickett interpretation.

Codex Calixtinus

Fanfare

The Struggle For Love

Don't Stop Me Now

Belated St Pats Day post. Tin whistle, bodhran, viola, hurdy gurdy, and Falcon synth drone.

The Road To Lisdoonvarna

Hyper Transit 2

Coming Home

Hyper Transit Deluxe

Bright Sky

Call Sign

Alpha Centauri

Fall Tide

In the style of Suzanne Ciani's Seven Waves work.

Spring tide

A Low Tide

Awaiting processing

Waterloo Bridge

Dark Machine

Lost In Amber

1914

Broken

Moonlight Bay

My work is made up of a number of projects, or elements arranged each in a playlist. Water - post-classical; Fire - synthwave/ambient/electronic; Earth - folk; Air - rock/indie/shoegaze. Enjoy!

Petras Saduikis

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