I could dance for ever on that one as my last track of time

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Psychic

Golden Arrow

“Lost”, much like its predecessor “Into the Great Wide Yonder” (2010), serves not only as a logical continuation of his work, but also as yet another fuck-you to whatever genre you thought you had him boxed into. The Trentemøller sound is definitely left intact, yet as a whole it really doesn’t sound like anything he’s ever produced before. Few artists seem to possess that special talent of leaving the audience just as baffled as they are satisfied, but hey, that’s what’s great about Anders. He may alienate a few heads along the way, but it wouldn’t be interesting for him if he didn’t.

“People wanted something similar to the last album, but if you’re getting to the point of listening to people and what they think of your sound...Well, that's not for me.”  -Trentemøller

“Lost” boasts a dozen tracks with something of interest for anyone who’s ever been a fan of the Copenhagen based producer. You can’t really compare it to “The Last Resort”, but the club elements are there. It definitely isn’t “Into the Great Wide Yonder” either, even if it’s equally guitar driven. It’s as original as it is classic, mixing the tried and tested with all sorts of sonic surprises. And making it look easy in the process.

Differing from “Into The Great Wide Yonder”, which was a rather bold cinematic landscape, “Lost” is definitely a far more streamlined affair and way more “song structured”. It’s the kind of record one can only produce after endless months of studio isolation. Just where his creativity flourishes best.

That said Trentemøller has also found a new home – and it’s on stage with a band. “Lost” relays this epiphany in pitch perfect circumstances, finally merging the extrovert and introvert qualities the man has in his command.

Of course, none of his productions would be complete without those unique guest appearances, spanning a multitude of musical categories. They’re all given equal treatment when they’re dropped bang center into the middle of Trentemøller's very own musical universe, having to harness the potential of their talent on Trentemøller’s terms. It certainly isn’t that many folks who are capable of convincing Jonny Pierce (The Drums) or Sune Wagner (The Raveonettes) to appear on a club track and even fewer who are able to pull it off. Anders is in the top percentile of that lot. 

”I think it’s fun to take people out of their own musical comfort zone” he exclaimed to VICE earlier in the year when explaining his seemingly erratic choices. ”Actually, when I begun writing the songs, I had their voices in my mind all along. They just didn’t know it.”

Aside from Sune and Jonny, Trentemøller has managed to bring on board a whole rake of fantastic peers, personal influences and sprouting talent. Co-conspirators such as Kazu Makino (Blonde Redhead), Jana Hunter (Lower Dens), Marie Fisker, Ghost Society and none other than the legendary slow-core pioneers Low are all to be found on the record.

That trademark haunting feeling that defined both ”The Last Resort” and ”Into the Great Wide Yonder” hasn’t been neglected on “Lost”. It’s just been redefined and made way more ferocious, the signature glitchy bass being replaced by sub woofer frequencies far more pounding. Almost punk rock. Instantly conjuring up thoughts of the more droning SUICIDE tracks or even contemporaries like The Soft Moon.

”Lost” documents an artist really hitting his stride. An intricate musical tapestry woven over countless sleepless nights in his Copenhagen studio. Nights invested in instrument experimentation and trashed analog consoles.

You can without a shadow of doubt call this release a genuine study in the art of attention to detail. No matter how many times you press play on this one you’re going to find something you missed the previous time around. Something that suddenly shines a whole new light on what you’re listening to.

Lost

Trentemøller - Deceive (feat. Sune Rose Wagner of The Raveonettes) [Clip]

David August - Epikur (Original Mix)

128kbps preview.

LAD018
Sailor & I - Turn Around EP
Release date: 30.06.2014
Pre-order: https://itunes.apple.com/album/turn-around-ep/id885324375?l=en

Sailor & I are back with their latest productions for Life and Death. The two original tracks, while very different in moods, both share lush productions and a dramatic musical storytelling not often found in a typical dance release. While Boys & Girls offers a slowed-down mournful and yet beautiful nostalgic tale of childhood days gone by, Turn Around comes straight out of the gate like a racehorse on fire, flanked by strong strings and a vocal that pleads a case for love that comes straight from the heart. 

And of course rounding out the release is arguably one of the most anticipated tracks of the summer. Ever since it first started falling on people’s ears earlier this year, the Âme remix of “Turn Around” has been the high point of sets by Tale of Us, Dixon, Mano Le Tough as well as the few select others that have had their hands on it up until this point. It’s been giving goosebumps to club goers everywhere and with good reason — this is Âme at their finest, taking the song and extending it into an epic masterpiece that works wonders on a dancefloor while never losing the bewitching essence of the original.

Sailor & I:
Like → facebook.com/sailorandi
Follow → twitter.com/sailorandi
Listen → @sailorandi

Sailor & I - Turn Around (Âme Remix)

Superpitcher - Happiness [Michael Mayer Remix]

Beatport : http://btprt.dj/1DBaNW1

On 12", available at record stores:
Juno -> bit.ly/CRM140
Phonica -> bit.ly/CRM-140
Deejay -> bit.ly/CRM_140

Visit Agoria here:
Facebook.com/AgoriaOfficial
Youtube.com/AgoriaMusic
Twitter.com/AgoriaMusic

"Vermillion" is the lead single off the forthcoming album by Damian Lazarus & The Ancient Moons, Message From the Other Side. The album is said to be inspired by a career spent DJing across the globe and the famous sunrise parties the pioneering artist is known for. Channelling those sunrise sets and the globetrotting influence of Message From the Other Side, "Vermillion" will be released with a huge remix package, seeing reworks from some of the house scene's biggest names including Agoria, Jamie Jones and Deniz Kurtel.

In his remix, Agoria focuses heavily on the vocals, propping them up with a deep, minimal inclined, backbone. The track throbs and grows in waves throughout it's six and a half minute runtime and crescendos with soaring, bass heavy, synths. "I’m doing very few remixes at the moment, but when Damian sent me “Vermillion" just before christmas I immediately fell in love with the vocals," Agoria says. "I had no other choice but to cut my holiday short to make this remix.  We exchanged a few tracks and ideas in the past but the timing never fit.  I’m happy that we finally found the time to collaborate with each other.”

Damian Lazarus & The Ancient Moons - Vermillion

Release date: April 27th 2015

Tracklisting : 
A1 Vermillion
A2 Vermillion (Agoria Remix)
B1 Vermillion (Jamie Jones ‘Pupkit’ Remix)
B2 Vermillion (Deniz Kurtel Remix)

Get it on Beatport

Damian Lazarus & The Ancient Moons - Vermillion (Agoria Remix)

WhoMadeWho - There's A Way (andhim Remix)
Beatport: http://btprt.dj/1Owg7g9
[Get Physical Music]



WhoMadeWho - There's A Way (andhim Remix)

Hope you enjoy this track!!Thanks for listening!
'Dance the sea ' can be purchased from Pond5 New York for use in film
and video projects. www.pond5/artist/recherche58 ©strawberrylanemusic2025

Dance the sea

out now!!!

beatport: https://pro.beatport.com/release/walls/1570856

Monkey Safari - Walls (Original)

https://www.beatport.com/track/reilstreet-original-mix/9114987

Frozen, isolated from the outer world. The only source of food from the old world was an old rusty transporter owned by a vietnamese guy from a restaurant called "The Golden Turtle", parked in a frosty backyard.
From time to time some Silverheight Gray Seals came by on which Ole and Martin could warm themselves up a little bit. But the times were hard.
In a special moment after inhaling some expanding foam came the idea to just follow the Gray Seals through the door which was open the whole goddamn time.
3 years were gone, the freedom so near, but their brains were frozen.
But all in all this had one good thing...
In the shimmering light of their playstation 1, while playing some tekken, sitting at their tiletable, between tubing tobacco and coffee whitener, they had this awesome idea for an homage for that long time and that special street they were living on for 
so long, the Reilstreet!

Reilstreet

Ole Biege & Martin Waslewski - Reilstreet (Original Mix)- OUT NOW!

Pachanga Boys - Time

We’ve listen to this track so many times that we’ve lost track of time. “Time” is an absolutely stunning track from Pachanga Boys, the duo of Rebolledo and Superpitcher. It clocks in at almost 16 minutes, but we still can’t enough of it. From their recently vinyl-only EP “Girlcatcher” on their Hippie Dance imprint. Limited to 300 coloured vinyl, including artprint-inlay and handsigned postcard. Grab it while you can here. 

http://www.beatport.com/track/time-original-mix/3233653

http://www.lagasta.com/pachanga-boys-time/

If anyone has any objections to the music , please, send me a message, and I shall remove them immediately!


Pachanga boys - Time (original mix)

PACHANGA BOYS - Time

Johannes Heil - Loving

For the first single from a 6-track EP from Montreal's Clarian (who is also one half of Footprintz), the Canadian reached well beyond the border to collaborate with Tel Aviv-born, Madrid-based producer Guy Gerber on "Claire." Gerber has been a major player on Israel's electronic scene since 2006, running his own Supplemental Facts label and infusing traces of minimal techno, tech house, downtempo and deep house in his productions, while remaining singular in his approach. Clarian's vocal contributions were at the heart of Gerber's progressive house-leaning Fabric mix from last year, which joined the likes of Ricardo Villalobos and Omar-S of artists that turned in single-artist mixes to the series. "Claire" starts amid a queasy vocal snippet (with Clarian's French whisper lodged in at the midpoint) and threatens to go darker and deeper. But a steady handclap and glimmering melodic line uplifts and casts light across this seven-minute track.

Out now on Visionquest

Pachanga Boys - Time

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