enternity wating for god after death miracle track ✈️✈️✈️✈️✈️✈️✈️✈️✈️✈️✈️✈️✈️✈️✈️✈️✈️✈️✈️✈️✈️✈️✈️✈️✈️✈️✈️✈️✈️🙏✈️🙏✈️🙏✈️🙏🙏✈️🙏✈️🙏✈️🙏✈️🙏✈️🙏✈️🙏✈️🙏✈️🙏✈️🙏✈️🙏✈️

GoodMusic

Out now 'Crossing Borders' Feat. Fritz Kalkbrenner at iTunes: http://smarturl.it/crossingbordersit

New Album - 'Eve' Out Now: 
iTunes: http://smarturl.it/evealbumitunes
Amazon: http://smarturl.it/bookashadecdalbum
Beatport: http://smarturl.it/ztmhal
Google Play: http://bit.ly/1f8xnr4

Booka Shade Online:
http://www.bookashade.com
https://www.facebook.com/bookashade
https://twitter.com/BookaShade
https://plus.google.com/+BookaShadeOfficial
http://instagram.com/bookashade

Beatport

Love Inc

Psychic

Golden Arrow

“Lost”, much like its predecessor “Into the Great Wide Yonder” (2010), serves not only as a logical continuation of his work, but also as yet another fuck-you to whatever genre you thought you had him boxed into. The Trentemøller sound is definitely left intact, yet as a whole it really doesn’t sound like anything he’s ever produced before. Few artists seem to possess that special talent of leaving the audience just as baffled as they are satisfied, but hey, that’s what’s great about Anders. He may alienate a few heads along the way, but it wouldn’t be interesting for him if he didn’t.

“People wanted something similar to the last album, but if you’re getting to the point of listening to people and what they think of your sound...Well, that's not for me.”  -Trentemøller

“Lost” boasts a dozen tracks with something of interest for anyone who’s ever been a fan of the Copenhagen based producer. You can’t really compare it to “The Last Resort”, but the club elements are there. It definitely isn’t “Into the Great Wide Yonder” either, even if it’s equally guitar driven. It’s as original as it is classic, mixing the tried and tested with all sorts of sonic surprises. And making it look easy in the process.

Differing from “Into The Great Wide Yonder”, which was a rather bold cinematic landscape, “Lost” is definitely a far more streamlined affair and way more “song structured”. It’s the kind of record one can only produce after endless months of studio isolation. Just where his creativity flourishes best.

That said Trentemøller has also found a new home – and it’s on stage with a band. “Lost” relays this epiphany in pitch perfect circumstances, finally merging the extrovert and introvert qualities the man has in his command.

Of course, none of his productions would be complete without those unique guest appearances, spanning a multitude of musical categories. They’re all given equal treatment when they’re dropped bang center into the middle of Trentemøller's very own musical universe, having to harness the potential of their talent on Trentemøller’s terms. It certainly isn’t that many folks who are capable of convincing Jonny Pierce (The Drums) or Sune Wagner (The Raveonettes) to appear on a club track and even fewer who are able to pull it off. Anders is in the top percentile of that lot. 

”I think it’s fun to take people out of their own musical comfort zone” he exclaimed to VICE earlier in the year when explaining his seemingly erratic choices. ”Actually, when I begun writing the songs, I had their voices in my mind all along. They just didn’t know it.”

Aside from Sune and Jonny, Trentemøller has managed to bring on board a whole rake of fantastic peers, personal influences and sprouting talent. Co-conspirators such as Kazu Makino (Blonde Redhead), Jana Hunter (Lower Dens), Marie Fisker, Ghost Society and none other than the legendary slow-core pioneers Low are all to be found on the record.

That trademark haunting feeling that defined both ”The Last Resort” and ”Into the Great Wide Yonder” hasn’t been neglected on “Lost”. It’s just been redefined and made way more ferocious, the signature glitchy bass being replaced by sub woofer frequencies far more pounding. Almost punk rock. Instantly conjuring up thoughts of the more droning SUICIDE tracks or even contemporaries like The Soft Moon.

”Lost” documents an artist really hitting his stride. An intricate musical tapestry woven over countless sleepless nights in his Copenhagen studio. Nights invested in instrument experimentation and trashed analog consoles.

You can without a shadow of doubt call this release a genuine study in the art of attention to detail. No matter how many times you press play on this one you’re going to find something you missed the previous time around. Something that suddenly shines a whole new light on what you’re listening to.

Lost

Trentemøller - Deceive (feat. Sune Rose Wagner of The Raveonettes) [Clip]

David August - Epikur (Original Mix)

Superpitcher - Happiness [Michael Mayer Remix]

"Stole The Night" is available now.
https://itunes.apple.com/us/album/sacred-ground-bonus-track/id965283482
"Stole The Night" Remixes available soon.

"Sacred Ground" out now:
iTunes: 
smarturl.it/hwsgit
Ninjashop: 
smarturl.it/hwsgnj
Monkeytown:
HYPERURL.CO/O1B2HE
Spotify:
SPOTI.FI/1F4XHBY

Online:
howlinghowling.com/
www.facebook.com/howlinghowling
twitter.com/HowlingHowling
www.youtube.com/user/howlinghowling

Stole The Night Remixes

Stole The Night (Âme Remix)

WhoMadeWho - There's A Way (andhim Remix)
Beatport: http://btprt.dj/1Owg7g9
[Get Physical Music]



WhoMadeWho - There's A Way (andhim Remix)

Lynnic - Una Mattina

After opening up the account on their new label earlier this year, Krankbrother return to the imprint with two new tracks, which show off the differing shades of their musical dexterity.

Up on our Debut Transmission is A-side ‘When You’re Watching Me’, a fully formed Summer belter, which ticks all the boxes required for a modern day, sunrise dance classic. A thunderous sub-bass line booms over delicate drums, the percussion lightly soaked in reverb as the filters open and close on the soft & melodic arpeggiated riffs.

All the hallmarks of a classic piece of euphoric electronica are here, best exemplified by the syrupy female vox and Balearic tones, and a hefty breakdown that really ramps up the drama. Shades of the 90’s big guns like Underworld and Fluke are here, but perhaps more in the grandiose style in which ‘When You’re Watching Me’ has been delivered, either way, it’s most certainly one of Krankbrother’s best to date.

‘When You’re Watching Me’ is released for digital download on 3rd August 2015 via Krankbrother Records.


Krankbrother -  When You're Watching Me

Out Now

Jonas Rathsman - New Generation (KX)

Howling - Howling (Âme Remix)

Pachanga Boys - Time

PACHANGA BOYS - Time

Johannes Heil - Loving

For the first single from a 6-track EP from Montreal's Clarian (who is also one half of Footprintz), the Canadian reached well beyond the border to collaborate with Tel Aviv-born, Madrid-based producer Guy Gerber on "Claire." Gerber has been a major player on Israel's electronic scene since 2006, running his own Supplemental Facts label and infusing traces of minimal techno, tech house, downtempo and deep house in his productions, while remaining singular in his approach. Clarian's vocal contributions were at the heart of Gerber's progressive house-leaning Fabric mix from last year, which joined the likes of Ricardo Villalobos and Omar-S of artists that turned in single-artist mixes to the series. "Claire" starts amid a queasy vocal snippet (with Clarian's French whisper lodged in at the midpoint) and threatens to go darker and deeper. But a steady handclap and glimmering melodic line uplifts and casts light across this seven-minute track.

Out now on Visionquest

Pachanga Boys - Time

Snekastien

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