Queens - I'm Designer (UNKLE Remix)

Eρωτικό τραγούδι που έγραψαν ο Κώστας Καπνίσης (μουσική) και ο Ντίνος Δημόπουλος (στίχοι) και ακούστηκε για πρώτη φορά στην ταινία «Τζένη Τζένη» (1966).
Aυτό το καλοκαίρι έχοντας την ανάγκη να εκφράσει έναν περασμένο ρομαντισμό ο οποίος πλέον δε βρίσκει τρόπο, λέξεις και χώρο να εκφραστεί στη σημερινή εποχή, η Rosey Blue παρουσιάζει μια σειρά από τρία αγαπημένα της ελληνικά κομμάτια, επανεκτελεσμένα με το δικό της ύφος. Το πρώτο κομμάτι είναι Το Μεγάλο Μυστικό μου που κυκλοφορεί σε όλες τις ψηφιακές πλατφόρμες στις 30/6 .

Rosey Blue - Το Μεγάλο Μυστικό Μου

From the album "Nine Lives & Forty Fives" on Alive Naturalsound : www.alive-records.com

Prima Donna - Deathless

PO-35 Speak + PO-20 Arcade + Empress Zoia + Gibberish

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Musique de film imaginé (music for film imagined) is a soundtrack that pays homage to the great European film directors of the late 50’s and 60’s, such as François Truffaut & Jean-Luc Godard (to name but two), created by Anton Newcombe on behalf of the Brian Jonestown Massacre for an imaginary French film. Guests on this daring symphonic experience are French chanteuse and multi-instrumentalist SoKo and Italian actress, singer and director Asia Argento. SoKo is signed to Because Music and her track ‘We Might Be Dead by Tomorrow’ was featured in the viral video ‘First Kiss’, which has garnered over 63 million views and debuted at number 9 in the Billboard Hot 100 last year. Asia Argento, who has starred in music videos for Marilyn Manson, Placebo and Tim Burgess, recently wrote the storyline for ASAP Rocky’s music video and short film ‘Phoenix’, which has had over 5.5 million hits. Both vocal performances are in French. Anton Newcombe recorded Musique de film imaginé in Berlin in August 2014, after a successful European tour for the Brian Jonestown Massacre.

Anton says:
“The album that you are about to hear is a soundtrack, my own creation, a tribute to great directors and filmmakers to an era that now seems to be behind us. Leaving the smart person to care to imagine that this art could now be in the shadow of its former glory. “The interesting thing about this project is that the film does not exist either. Even so, I imagined and I realized its soundtrack... Now it's your turn, you are the listener to imagine the film.”

Brian Jonestown Massacre returned last May with their 14th full-length album ‘Revelation’ to critical acclaim. It is the first album that was fully recorded and produced at Anton Newcombe’s recording studio in Berlin and was released on his record label a recordings. Named in tribute to the legendary Rolling Stones guitarist and his influence in introducing Eastern culture and music into the world of Western rock & roll, Brian Jonestown Massacre formed in San Francisco, California in 1990. Two dozen band members later and numerous “ups and downs” (some have been famously sensationalized in the media), the one thing that has always remained consistent for this psychedelic collective, is front man Mr. Anton Alfred Newcombe.

LP - Tracklisting

SIDE A  
1  Après Le Vin   
2  Philadelphie Story (with Soko)   
3  La Dispute   
4  L'Enfer   
5  Elle s échappe 

SIDE B 
1  Le Cadeau   
2  Le Sacre du Printemps (with Asia Argento)   
3  Le Souvenir   
4  Les Trois Cloches   
5  Bonbon   
6  L'Ennui   
7  Bonbon Deux   
8  La Question   
9  Au Sommet

CD  Tracklisting

1  Après Le Vin   
2  Philadelphie Story (with Soko)   
3  La Dispute   
4  L'Enfer   
5  Elle s échappe   
6  Le Cadeau   
7  Le Sacre du Printemps (with Asia Argento)   
8  Le Souvenir   
9  Les Trois Cloches   
10  Bonbon   
11  L'Ennui   
12  Bonbon  
13  La Question   
14  Au Sommet

The Brian Jonestown Massacre - Philadelphie Story (with Soko)

No Words No More (Love and Rockets cover)

"Postdoc Blues" by John K. Samson from the album 'Winter Wheat,' available October 21
Pre-order here: http://found.ee/JKS_WWstore

Official Site: http://johnksamson.com/
Facebook: https://www.facebook.com/johnksamsonmusic/

John K. Samson - Postdoc Blues

Unauthorised remix of David Sylvians 'Answered Prayers' from the Gone to Earth album (1986).
Created with Ableton Live in the spring of 2010. Instruments used: Fender acoustic bassguitar and Novation bassstation.

Listen to the original here: http://www.youtube.com/watch?v=Sv1snf4jTI8

Although I have enjoyed the music of Japan and David Sylvian since the mid eighties, I only heard 'Gone to Earth' for the first time in December 2009. Initially I thought it was a bit old and not relevant anymore, but soon it touched me and I played it a lot. Because of its beautifull sound 'Answered Payers' became one of my favorites. Later I felt that I could create a more earthly context for it. So I added a bassline and percussion and played some guitar on top of that. All parts were recorded around the first minute of the original. I enjoyed doing this remix and I'm happy with the result.

David Sylvian - 'Answered Prayers' (Farbeak remix)

Sizarr - Fake Foxes (Weekend Wolves Remix)

New single off our 3rd album "Plane Eclipse"  released at the end of October

Trapped (Official Single)

Warpaint - Shadows (The Neon Lights Remix)

PRESS:

"Jeffares voice soars above the hauntingly icy bass lines and chilly atmospherics. Bombs and death rays, corporate decay, and failed or failing love are just some of the bleak themes the band explore, and their album's title track might offer the best solution to the hopelessness of it all."
-- SPIN

"The charm of Snowden's debut is its understated authenticity: Underneath all the accoutrements, these are Jeffares's bedroom songs, and it's not hard to extrapolate to their simpler days as anguished acoustic ballads."
-- Village Voice

"The original Snowden taught Yossarian that man is matter-- kill us and we're dead. It's OK for stylish post-punk to matter, too, and Anti-Anti does so without forgetting to be fun."
-- Pitchfork

"[Anti Anti's] balance of gloom and grandeur is brilliantly executed, ultimately leaving the listener with an insatiable thirst for more of the same."
-- Drowned In Sound

"For all the discussion of concept, geography, and songcraft, it's the heart pulsing through the reverb that makes Anti-Anti a must-listen."
-- Stereogum

"It's clear [Snowden] aren't willing to just turn on the cruise control through [their] show; the performance is more like a constant pulse between implosion and explosion with each member able to flail or pull back seamlessly."
-- CMJ

"Such tracks as 'Black Eyes' prove that Snowden can play uneasy funk as well as its peers, but the music is most interesting when the band goes its own way."
-- Washington Post

"Snowden's music sounds like Interpol's dark momentum getting tripped up on the Arcade Fire's treacherous terrain - lacquered bolts of guitar judder over off-kilter percussion, and anomic vocals blear through the densely layered mix."
-- Paste Magazine

"On 'Anti-Anti' Snowden creates plenty more to admire than angry words. To find it, all you have to do is ignore the urge to dance long enough to sit down and listen."
-- MSNBC

"Snowden lace their upbeat, catchy guitar stomps with thoughtful lyrics diametrically opposed to mindless hipsterism."
-- Entertainment Weekly

"Anti-Anti is a cyclonic swirl of guitars approximating jet-engine drones, brackish cascades of water emanating from the bottom of a dank cave and shards of tuned barbed-wire."
-- Atlanta Journal-Constitution

"The Cure never delivered gloom so buzzy."
-- URB

No Words No More (Love and Rockets cover)

Snowden Official

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