Hidden Logic

To Avoid Contradictions

Since long time I noticed that some sounds which are made by nature and of course by humans have a slight repeating, or i can say, loop character. So i decided to try to make music out of them. Of course I'm not the first who did it. But personally for me it was quite an experiment. My idea was, not to use any musical instrument. It's pretty challenging to make music with something that isn't a musical instrument and can't produce sounds which we perceive as music or which we call notes. But at some point of the experimentation I realized that some of the noises, which I was playing with, in fact do have a tone that can be described as a note. I'm not an owner of the perfect musical ear, so I can't tell you exactly which notes i was playing. but it seemed for me to function musically :)
So, as already said, in these tracks were used just a couple of field recordings, which i did this August in Hamburg Port on Elbe. Not a single instrument.

Hafenklang 5

Hafenklang 4

Hafenklang 3

Hafenklang 2

Hafenklang 1

Dwellers Flight

Black Hole Sun (Soundgarden Cover, feat. Inna Knaus)

Being No One has a strong neo-classical feel, even though its sound is created with synthesizers. It sounds cinematic, but definitely not over the top dramatic. 
Snowsleep has deprived his music from any percussive interventions, but the sound he’s achieved is so massive and drifting, that it creates immersive inner rhythms and pulsations without having any rhythmic instrumentation or samples whatsoever. The eight pieces feel interconnected, unified by beautiful and minimalist composition and comprehensive production. Mixing and mastering ambient is among the main tricks of the trade and here those are a main tool for what the album has been set to accomplish. And that will be to totally drown you in a world of isolation, melancholy, self sufficiency and abandonment. And with such grim topics, Snowsleep somehow managed to keep this world as beautiful as it can get. 

Written, recorded, mixed and mastered at Snowsleep's homestudio (April - June 2018)
credits
released June 11, 2018 

Kirill Salinski - Keyboards, Mixing, Mastering

Propositional Attitudes

Things As Selves

Changes In States

No Distinct Entities

Faculty Of Mind

I Am Process

Subjets Of Experience

Specificated Mechanism

Water. Tides. The ocean slowly and imperceptibly coming again and again to the shore, bringing light waves over time. 

Tides consists of three parts, the three tides. Each of these parts is somewhat similar to the other and at the same time has its own personality. In one part you can hear elements of Post-Rock, another the sound of Pink Floyd's 80s period and in the third audible elements of modern electronic music. 

Throughout the listener experiences a warm sound, and as Tides finally ends it leaves us to contemplate the distant expanses of the ocean and the hope that we will once again return. 

Kirill Salinski - Guitar, Keys, Programming

Snowsleep

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