Name: Andy Dunn Puzzles by SnowyWollandT
Duration: 1 min 30 s
Description: One of my good friends pieces. Love you lad ;)

Chopt

☾ Dag för dag ☽

Jag tappade greppet
jag får det aldrig mer tillbaks
Morfin mot recepten
håller mig kvar ett litet tag

Strandad i dun
ett accepterat nederlag
Tankar i skyn
jag tar det dag för dag

Jag minns alla jular
hur du tog hand om oss som barn
Färgfyllda minnen
av de få ting som gör mig glad

Strandad i dun
ett accepterat nederlag
Tankar i skyn
jag tar det dag för dag

Ville du att allting skulle bli så här?
Jag visste mycket väl
Du försvårar för dig själv och alla andra här
Jag tappade min själ
Räkna med ett liv utan oss andra här
Jag vill inte ta farväl
Du kan väl samla all din kraft och dina tankar här?
Det är för mycket ni begär

Strandad i dun
ett accepterat nederlag
Tankar i skyn
jag tar det dag för dag

☾☽

Dag för dag av Blodmåne
(G.Jonshult)

Sång & Gitarr - Gustaf Jonshult
Synth & Kör - Max Karlström
Synth, Bas & Kör - William Friman
Trummor, Synth & Kör - Mikael Svensson
Sång & Kör - Sanna Karlsson

Inspelat hos Fonomonik Records, Februari 2017

Dag för dag

Grace Baker's Album

A Wake

One of my good friends pieces. Love you lad ;)

Andy Dunn Puzzles

The team behind Blade Runner 2049 talks about how they paid homage to the iconic original film while breaking new sonic ground. They explore the film’s distinctive blend of sound design and musical score, and discuss the producers’ wise decision to start the sound design while the shoot was still going on. They then examine key scenes, including the fight among malfunctioning holograms, and how K’s walk in the desert evolved from full score to playing in almost silence.

Oscar nominees: Ron Bartlett, Theo Green, Doug Hemphill, Mark Mangini, Mac Ruth

“My first conversation with Joe Walker [the film editor] was all about silence, and how we would handle silence. If that’s the first conversation you’re having with your filmmakers it’s exciting because we’ll get to the big moments, and in some ways those are the easiest to do.” Mark Mangini
 
“What I love about Dolby Atmos is that scenes that are more sparse are what really show it off. It’s scenes like the baseline test—the interviewer is primarily in the overheads; the whole idea is that he’s on top of you, oppressive and claustrophobic. You can’t do that with other formats.” Ron Bartlett
 
“If you close your eyes, you can hear the story.” Film editor Joe Walker

The Sound of Blade Runner 2049 - Oscar Podcast

We are thrilled to present to you something different than our usual more techno-oriented mixes, namely a breathtaking ambient display by one of the prominent figures currently active in the ambient scene; Rafael Anton Irisarri.

Read more: https://mnmt.no/blog/2019/09/26/mnmt-227-breathtaking-ambient-by-rafael-anton-irisarri/

MNMT 227: Rafael Anton Irisarri

More tests of my new Spring Reverb

Lyra session trimmed for time. (Original 20 min long)

Lyra8 Plus DSR3 Reverb

Our live show from Derry, New Hampshire. Defeat the Rat, get this bread.

Shout out to Matt Kowalski (https://soundcloud.com/killer_kowalski) for the Low Hopes Remix and twitter user @FilbertNuts for the Rat Mode graphic.

TOUR DATES:
ALL TICKETS AVAILABLE AT: www.chapotraphouse.com/tour
Las Vegas, NV Feb 18, @ House of Blues
San Diego, CA, Feb 23, @ The Observatory North Park
Sacramento, CA Feb 28 @ Ace of Spades

Chapo Trap House

392 - Live from New Hampshire: Full Rat Mode (2/10/20)

Written and recorded by Kingsley, Jonny, Robbie and Hugh
Recorded by Kingsley Hall, Jonny Snowball in Saltburn and Robbie Major in Newcastle
Mastered by Kingsley Hall

I’m surrounded by red white and blue
But I stand out
And I’m the treacherous one, I’m the shit
Just for wanting people not to get hurt, not to get ridiculed, not to get spat at in the street or pissed on in alleyways because they’ve got no where else to sleep…
But ok ok ok ok yeah yeah I’m the disgrace, I’m the shit, the national fucking danger, I’m a public menace, the snowflake 
Idiotic rhetoric pumping into our brains 
Boozed up, dumbed down, clown town
You pander to a non existent past,
Presumed arrogance, sausage class, 
A new found spring in your goose step 
Stiffened back, the rigid frame of the victorious fascist 

Yet I’m the scum, the unpatriotic one, 
Faithless, feckless, all bark, no bite
A deserter from my own fucking birthright
I’m the betrayer, I’m the shite
I’m bringing the country down, This northern clown.
And I get it, I get it, I really fucking do
I lost get over it, I LOST GET OVER IT
Rub my face into the fucking mud,
Plaster it on billboards going up to the sky, 
YOU LOST HA HA FUCKING HA HA
Rule Britannia playing on the radio twenty four hours a day
Union flags hung in every street
Spitfires fly past, homeless pile up, no one gives a fuck
We get the future you deserve
We get the future you deserve
We get the future you deserve
TRAITORS TRAITORS TRAITORS

Sell yer guitars. Pawn yer clarinet. Fuck your creativity. Fuck you dreams. The new normal does not need entertainment. It needs only work. Viable work. Retrain. Stop moaning. Get a job making fucking flags.
Shut up now. Shut up. Shut up.
We get the future you deserve
We get the future you deserve
TRAITORS

I scroll through endless cameraphone footage, racists on public transport,
Screaming into faces, scaring kids,
Wide eyed bushy tailed, full of fuck 
“Im loud and proud, it is what it is, I say what I like and I like what I say” etc etc etc okay
“it’s called freedom of speech mate, look it up” 
Look it up. Look it up. Look. It. Up. LOOK IT UP.
Bullshit goggle eyes, bullshit google eyes.
YOU’RE ALRIGHT JACK
YOU’RE ALRIGHT JACK
TRAITORS TRAITORS TRAITORS TRAITORS

Andy Dunn Puzzles

SnowyWollandT

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