Background music

VINYL 01.10.2014

www.decks.de/t/les_points-the_h…mountain_ep/c3w-1h
www.deejay.de/__156114
www.juno.co.uk/products/les-poin…ain-ep/546593-01/

The fool (Le Mat) is an essential creature. The dog follows the fool and leans between his genitals and anus - the Muladhara Chakra, whence all energies spring. Should the dog run before the fool, the fool would be blind. The dog represents the human ego.
Symbols are bound to be misunderstood.
Hyperbole.
The fundamental characteristic of symbolist art is that an idea must never be fixed conceptually 
or told directly. 
It is benevolent repetition which frees us from the clutches of dullness.
Ownership: A human misery.
The Aeon of Horus explores the certainty of becoming God or to merge with Him, thought the fool's dog.
The Rosy Cross - the body is symbolised by the cross.
The ego follows thee, it will not lead thee, but kill thou shalt it not also.
Liber AL vel Legis, sub figura CCXX, as delivered by XCIII=418 to DCLXVI,
To want, dare, can, keep quiet, obey.
To become, thou shalt be at the same time nothing and yet anything.
Thine original form - the state of Prima Materia.

Der Narr ist ein essentielles Wesen. Der Hund folgt dem Narren und lehnt sich zwischen dessen Geschlechtsteile und Anus – dem Muladhara Chakra, aus welchem alle Energien kommen. Würde der Hund vor dem Narren laufen, wäre der Narr blind. Sinnbildlich steht der Hund für das menschliche Ego.
Symbole sind hier um missverstanden zu werden.
Eine Hyperbel.
Die wesentliche Eigenschaft der symbolistischen Kunst besteht darin, eine Idee niemals begrifflich zu fixieren oder direkt auszusprechen.
Es ist die wohlwollende Repetition, welche uns aus den Fängen der Abstumpfung befreit.
Besitzen: Ein menschliches Übel.
Das Äon des Horus erforscht die Gewissheit Gott zu werden oder mit diesem zu verschmelzen, dachte der Hund des Narren.
Das Rosenkreuz –  Der Körper wird durch das Kreuz symbolisiert. 
Das Ego folgt dir, es soll dich nicht führen, töten sollst du es aber auch nicht.
Liber AL vel Legis, sub figura CCXX, as delivered by XCIII=418 to DCLXVI,
To want, dare, can, keep quiet, obey.
Um zu werden, sollst du zugleich nichts und doch alles sein. 
Deine Ursprungsform – der Zustand der Prima Materia.



a1_Rhodes Of Kunlun

Auditive Escape - Without A Name

Tracklist here: http://www.mixesdb.com/w/2015-01-02_-_Floating_Points_%26_Four_Tet_@_Plastic_People_Closing_Party,_London

Over the past 8 years or so we have had, along with Theo Parrish, the honour of playing the monthly residencies at a small basement club in Shoreditch, London with an impeccable sound system. After 20 years of operation, it was time to move on and close the doors on a place that has a lot to answer for in shaping modern club culture. To say this space along with the owner Ade’s singular vision was fundamental in our personal musical formation would be a complete understatement. 
 
On the day of their closing, manager Charlotte asked us if we’d put the system through its paces for the last time that the club would be open to the public. We set about packing the anthems from our respective residencies and on the night once the people were through the doors played 2 records in turn for the rest of the dance. We included tracks of our own and of friends that were made with that place in mind. Records like Daphni - Ye Ye and Four Tet - Pinnacles were made to first be played at Kieran’s nights there, and the Floating Points - Vacuum EP was born out of the CD-R night at the club, and its launch party was the trigger for Sam’s monthly residency.
 
We set this recording up just before the start of the night and unfortunately it distorts in places, but we make no apology for how joyfully noisy people get! The vibe in the room this night was typical of the club on any given night and we hope this recording captures just a fraction of the spirit of a Plastic People night.
 
A massive thank you from us to everyone that has come down to the nights over the years and supported our music there. We are truly humbled to have shared the music we love with people at this place, and your energy in turn has influenced the way we make music on an unfathomable scale. We also thank the bosses Charlotte Kepel and Ade Fakile for inviting us to the club and having faith in us over  these years! All the best for the future!
 
 
See you in the dance
 
Much Love 
 
Sam &amp; Kieran

Floating Points & Four Tet - Final Plastic People 2 1 2015

This was supposed to be the conclusion to "Dear Moleskine".. recorded some time back in London. Oh well.. Write your own tale of depression and eventual redemption! Best of luck! 

Background music

SnP.