A really beautiful composition mate, so good

I am amazed ! the different stages of your music are articulated so well! magical atmosphere!

Feb > Spring 19

From the full album: https://alonefold.bandcamp.com/album/remote-textures

Drift Dancer

A gentle embrace of sounds allows for emotional intensity to be present. 

Mɪʀ is a herald of Mɪʀᴀ 💧

download/support here ↬ https://eternell.net/track/mir 

credits
released December 12, 2021
music: Ludvig Cimbrelius

artwork: detail from 'Tofino, an original painting by Nikita Coulombe —
https://www.nikitacoulombe.com

♥

abandoned

Shadows & Secrets



Inspired by Naviar Haiku 621:
https://www.naviarrecords.com/naviarhaiku621-deutzia-in-full-white/

Thanks to Marco Alessi from Naviar Records for the weekly challenge!

Photo by zenbytes (Yellowstone National Park, Wyoming, USA, 2017)


full white - Naviarhaiku621

Free Download

天 - 雷

This track is quoted from the album 'Ascension / Descension'.
Listening to all tracks of the album and purchasing are available on the link below.

https://gallerysix.bandcamp.com/album/ascension-descension

All tracks are written, mixed and mastered by Hidekazu Imashige. 
Cover art by Hidekazu Imashige

at the river bank

We celebrate the summer solstice with this compilation, that includes music from r beny, Steve Pacheco, Pechblende, Mikael Lind, Hotel Neon, Robert Farrugia, Hirotaka Shirotsubaki and Warmth.

Mastering by Rafael Anton Irisarri at Black Noll Studio (NY) 
Photography Alexander Kopatz 
www.go70north.com 
Archives46 // ArchivesCD27 
Archives / 2018

solstice

Buy CD/Cass/Dig

Hirotaka Shirotsubaki - Summer Forest

Music For Climbing Walls

Void Worm

Graham Dunning - Void Worm

A track from the album Flow and Return out 02/26 on Constellation Tatsu.

Curved Light - Crescent / Visions In Eclipse

From album "Memories
Full album: https://valotihkuu.bandcamp.com/album/memories

Memories

Christine

A cover/homage to one of our favorite songs by the late Mark Hollis.
Keith:
There are so many great things about this song. It evokes so many emotions throughout the duration of the song and communicates them so effectively, yet in a pop music context that is pretty universally appealing. When you look under the hood of the song it's entirely genius how all of these elements work together to create something so unique. The arrangement, the constant dramatic key shifts, the "whale" and "bird" sounds, the very busy prominently mixed bass line, the choppy acoustic guitar accompaniment...it's a clever song that's crafted with thought, care, and intention performed well and mixed well. The timbre of the synths chosen alone is a feat worthy of note as each part represents an integral sonic character to the song that when taken away or replaced can completely change the intention of the song. Mark's lyrics are thoughtfully crafted. The melody is dynamic and varied with a significant vocal range which he handles with absolute ease.

Hollie and I chose to keep the tempo the same (it's 126...and a HALF, genius.) but to attack this song in half-time as a way to accentuate what we felt were the more languid nature of some parts of the original. We wanted this to be an interpretation rather than a re-creation of what Mark did. We kept the structure pretty close to the original as I think that's part of what makes the song really successful. In regard to timbre, I wanted to keep this very synth-based and try to achieve what he did with having different synth sections define the characteristic of the song, but put some different melodies and textures in there. As it turns out Mark's range and Hollie's are remarkably similar, so we kept in the same key.



https://www.youtube.com/watch?v=5ixRWvrkUHo

Music by Keith & Hollie Kenniff

Talk Talk - It's My Life (Mint Julep Cover)

recorded live
sorry, no edits or mixing, JUST UPLOAD

721889618774 - non

Far Beyond These Windswept Fields

Mystär

@Hilyard remix from “Soledad” by @PepoGalan

https://stereoscenic.bandcamp.com/album/soledad

Mystär

Snufmumriko

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Skymelt

Турист из СССР

mf BB

Jo Nauversen

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