ELECTRONIC

prod @1static +@nightigerxo

https://open.spotify.com/album/20XYrz3UYjybsglDt7iz7P?si=PnDDYF-LTDGUrP7tZ_mk7w

we back xd

gun up
and no one try to stop it
bitch im counting all this money you cant top it
load that mag up and you cannot escape it
gun big
you cannot mistake it

take it
bitch im taking all these drugs to my face
you a fucking lame and you know i beat my case
bitch i carry hella bags in my pockets
if you aint akimbo then why tf you talkin.

bitch im talking cause i want to

bitch i sip that cup
bitch i take them drugs

feel numb
cannot relate 
ofc you cant
going thru this shi many years
but ian shed a tear
money bags keep me going tho
bitch i do not need no help
do this shit solo, something that youve never felt.

.. shoutout nightiger the goat

nftd (static +nightiger)

Lyrics

Twi$t

Back in 2020 bitch I was watching eddsworld
I said baby girl idc if u bisexual 
I go both ways for the swag im biflexual
Too many hoes I gotta clear my schedule
I need some time to myself yeah I gotta settle
The man the myth the legend runnin with the jersey devil
Like I'm wiz khalifa you ain on my fuckin level

Lambo

Nd I'm sliding on my bike like it's a r8
Nd I went into the city I ain't mean to go far away 
Niggas wanna make me sad then I'll js part ways
Staying in my grandma's room counting all the spades
I stay looking for the light ion want no shade
Ion even use a trace of a blade
Ion got a blade but I'll spray u with a glade
Fake claiming God u is not a damn saint
Upping the hanger if ur ass saying slay
Goddamn y this (not sure what I said here) Sounding say
Tryna be good with whatever I make
2 damn goated I don't even vape
Goddamn ion wanna get baked

Lieka

Bitch its lieka n its lambo n its twist 
N he keep on talkin shi while we fuckin on his bitch 
God damn 
Im chillin w nerd they got lisps 
God damn 
Im chillin w the nerds n dey got lists

Twi$t

Back in 2020 bitch I was watching eddsworld
I said baby girl idc if u bisexual 
I go both ways for the swag im biflexual
Too many hoes I gotta clear my schedule
I need some time to myself yeah I gotta settle
The man the myth the legend runnin with the jersey devil
Like I'm wiz khalifa you ain on my fuckin level

chaintwist x plugg5tar lambo x lieka - eddsworld (p. Ceaser2k) #plug #gee

prod dera
ft @isthatcee

@1static
drugs cannot choose sides
but a bitch can
thats why i done chose mine
but the drugs kill my life just as bad tho
me n bro
bih im wit my twin if they askin
bitch i got sum passion 
make my brain crash
made the same way
like i cant even change
if i wanted to
nothing you could do that would stop me
had to clinch my chest
like do you even want me?

toxic
bitch im toxic
narcissistic
kissing 
now we kissing
why we kissing?

missing
bitch im missing you
i cant do it 
no

you got a boyfriend
guess that i should've known


@isthatcee


I dont think I was what your hoping
You took all my pieces out and left me feeling broken
high yeah we toking
Is this slow motion?

Im just hoping
You'd fuckin notice
Yeah im not the bad guy
Im an asshole

Treating my characteristics like an asshole
Why you talking shit when you wouldnt even back it tho
Bitch im with akimbo and yk its a fact tho

Bitch I roll a J and yk its a fat ho
Its a two man and I dont get the fat hoe
Guess its the way that it falls like a apple

narcissist +cee (prod dera)

OMD!!{prd.me}

in the bay{prod.me}

prod @anxviluxx01 + cant find the other guys @ LMK TWIN

ft @1latif

dispatch +latif (courrt +anaviluxx)

ba$$head (gungus)

dazed + confused

WTF?! w/ ocelot (prod romeu)

MISE-EN is a collection of works that share a common sound ideal and conceptual instrumentation. Work on this collection began in 2018 while collaborating with the Ensemble MISE-EN in South Korea under the auspices of the Oil Tank Culture Park Global Network in Seoul.

The resulting work, MISE-EN Series I, is an electroacoustic work scored for Flute, Clarinet, Violin, Cello, Piano, Percussion, Ableton Live, and Acousmatic Sound. This work was meant to reflect the aesthetic agenda of Ensemble MISE-EN, whose name roughly translates from Korean to English as meaning “decorative beauty.”

To achieve this goal, I decided to write a work for chamber ensemble which would reflect a larger sonic landscape than what might be considered traditional chamber writing. I thus included live and prerecorded electronics in the scoring and composed with two divergent but complementary musical components: “sound tapestry” (“beautiful”), and ornamentation (“decorative”).

Series I is the first of a series of works based on this concept of “decorative beauty”. To simplify logistics, the Ableton Live part, which would otherwise be performed by a seventh ensemble player, can be mixed with the Acousmatic Sound recording. The World Premiere of MISE-EN, Series I in November 2018, was performed by the Ensemble MISE-EN with this alternative version.

It only occurred to me after completing this first work that I could expand and extend MISE-EN as a series of works. To implement this while retaining the underlying sound ideal of “decorative beauty” for all works of the series, I decided to pair electroacoustic devices with a different legacy or standard acoustic ensemble for each follow-on work. Thus, Series I is scored for a slightly modified “Pierrot” ensemble. Series II, this work, is scored for Amplified String Quartet and Acousmatic Sound. In 2021, the first Episode of Series II was selected by the Sirius Quartet for recording by PARMA to be released on the Navona Records label, CD and streaming audio. The opening Episode presents a tightly woven contrapuntal texture that is eventually painted against a contrasting broad and richly scored melodic line. The juxtaposition of this contrasting content awaits further exploration, as this first Episode ends with a question marked by the remnants of an ascending and fading contrapuntal cascade. The ornamentation of the contrapuntal texture frames the beauty expressed in the soaring cantabile, thus delineating a formal framework that harkens back to a bygone era, an era that nevertheless remains alive and essential in my creative work.

Playing on the Edge 3

Mise-En Series II, Episode 1

3 P's

Beat the track up like Gorilla Prod. 2burbo

Tiny shop music prod. 2burbo

NEW shoes{P.me}

linktr.ee/duncedog

Duncedog is an enigmatic SoundCloud artist and curator known for their eclectic taste and dedication to the platform’s underground music scenes. Operating as a SoundCloud tags archive project, Duncedog’s presence is felt through meticulously curated playlists that showcase a diverse range of genres, including phonk, drum & bass, hip-hop, and experimental electronic music. Their work reflects a deep passion for discovering and promoting lesser-known artists, with playlists like “2024,” “PHONK,” and “DRUM & BASS” serving as love letters to the SoundCloud community—crafted manually with care to highlight tracks from both emerging and established creators.

Beyond curation, Duncedog contributes original music, such as their track RÅÅJGNÅÅSÖBÅÅB (interlude) featured on the 2022 SCUMTAPES Halloween compilation The Many Faces of Filth III: Pantheon of Worldwide Ruin. This interlude showcases their experimental edge, blending raw, gritty sounds with an avant-garde sensibility. Duncedog’s approach emphasizes authenticity and community, fostering connections between artists, listeners, and the platform’s unique subcultures. Active across social platforms like Instagram, YouTube, and Twitter, Duncedog remains a vital force in amplifying the raw, unfiltered spirit of SoundCloud’s creative ecosystem.

ba$$head (gungus)

SNVGZ

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