for three glassbottle players and tape
players: Hanna Eimermacher, Genoel von Lilienstern, Ali Gorji
Heidelberger Biennale für Neue Musik 

Transparenz 2002/03 for three glassbottle players and tape

Quatuor Diotima
Live recording: April 1st, 2022
Genève, Festival Archipel

Diaphane

„Mutterleib“ for Cello and Piano,  Ah-Hyun Park - Cem Esen

Brian Ferneyhough: In Nomine a 3 for piccolo, oboe and clarinet (2001)

IEMA Ensemble 2017/18

Niamh Dell (oboe)
Moritz Schneidewendt (clarinet)
Katrin Szamatulski (piccolo)

live recording, 15.09.2018
Hochschule für Musik und darstellende Kunst
Frankfurt am Main

Brian Ferneyhough (*1943): In Nomine a 3 for piccolo, oboe and clarinet (2001) (live)

Composed by Nina Barzegar
Premiered by the International Contemporary Ensemble (ICE) 
Conducted by Steven Schick 
Composers Now, NYU Skirball Center, New York, NY, October 15th, 2022

Inexorable Passage for Flute-Clarinet-Violin-Cello-Piano

FRAMES
Performance for Percussion Solo
soundsculpture by hanna eimermacher
Christian Dierstein

Frames for Percussion Solo/ Christian Dierstein /Eimermacher

Composer: Karen Keyhani
Commissioned by Ensemble Matka
Elodie Virot, Flutes - Layla Ramezan, Piano
Premiered at Foundation l'Abri, Geneva, Switzerland, 2015

Garden of Leaflessness

Hejrani

Hejrani (2014), for Flute and Piano

Quartet for Flute, Violin, Violoncello and Piano (2015)
World premiere: Meitar Ensemble, Contemporary Encounters Festival, Tel-Aviv

Recording: Ensemble BlauerReiter, dir. Armando Merino
Live performance in Schwere Reiter, Munich, Germany
February 2017

Athinodorou - ETI  quartet for flute, violin, violoncello and piano

for Piano and electronics through transducers 
Mariangela Vacatello, piano
Mike Solomon, sound design
12.06.2017 Festival MANIFESTE-Ircam - Paris - Centre G.Pompidou        live recording

Entr'ouvert

String Quartet No. 1 (Tubular—Mondo) (2018)
for string quartet and electronics (12 min.)

written for the JACK Quartet

Tubular – Mondo took as a starting point the rapid sampling techniques of Footwork music, cutting and looping grains of sonic (often vocal) material, completely irreverent of phrase boundaries of the original sample, resulting in jagged, fragmented, dense textures. Taking these ideas to the string quartet world, I was interested in creating a disrupted continuity between quasi lyrical gestures and their cut-up electronic resonances. In the first movement—Tubular—all players follow and interpret a unison line according to different instructions, leaving them improvisatory openness within rigid temporal synchronicity. In the second movement—Mondo—the ensemble breaks apart in an attempt to performatively open the stage focus.

String Quartet No. 1 (Tubular–Mondo)

for Ensemble Aventure 
Commission of Deutschlandfunk
with the wonderful picture of Paul Melzer 
Copyright Paul Melzer, leipzig
www.paulmelzer.eu

Unter Bewunderung der Farben (2019)

_flutist based in Germany
_artistic director of the „Konzerte in der Elfenbeinstadt Erbach(i.Odenwald)“
_founder of new music ensembles Lunaire & Broken Frames Syndicate, the Duo Zweisam, Duo |H:S|, and the chamber orchestra O!Contraire
_part of Ensemble Sargo, Asambura ensemble & the artist collective Intertwining Arts
_International Ensemble Modern Academy 2017/18

WOMEN* COMPOSERS Project
I am currently working on a repertoire list for flute music by women* composers.  Please get in touch with me...
...if you are a women* composer and would like to be included
...or if you know pieces that should be included in the list. 

The full list is available on my website. Any exchange about this topic or remarks are welcome! Thank you!

Brian Ferneyhough (*1943): In Nomine a 3 for piccolo, oboe and clarinet (2001) (live)

soflute

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