Vinylset mixed by Chris Zimmermann [Garage 58] 
Livestream 10.03.21 @ Helgas Stadtpalast / Im Rausch der Sinne 

Links:

https://www.facebook.com/search/top/?q=Helgas%20Stadtpalast

soundcloud.com/chriszimmermann

Chris Zimmermann @ Helgas Stadtpalast / Im Rausch der Sinne - Livestream 10.03.21

Mc: Jah Children (Circus Space Pirates)

The cultural landscape — the foundation of our city — is more endangered than ever.
Certain economic sectors, such as hairdressing salons and shops, are allowed to operate subject to pandemic containment measures. However, alternative models for reactivating the city’s cultural life remain largely unconsidered on the part of politicians. Those working in the arts and cultural scene continue to fear for their very existence.

Culture is so much more than just an economic factor. This goes beyond even the financial fates of individually affected artists. Art is a means of reflection and shapes creative discourse which can help the individual to position themselves in the midst of society. Times of crisis demand new forms of togetherness, as people are exposed to unprecedented conditions. It is all the more important to maintain culture as a moral and reflective medium — culture can show us a way through the mental weight of the pandemic, and can help us process this strange period in our history.

Even though it was proven through numerous test events last year that corona-compliant hygiene concepts and responsible behaviour are possible in the context of open air events, these functional concepts are currently prohibited by the implementation of the ‘Infection Protection Act’.
These and other legislative actions — where the dire situation of the creative scene is completely disregarded — do not comply with the results of the Society for Aerosol Research. This is clarified in its statement regarding the federal emergency brake, which points out that private meetings in closed areas are a primary source of new infections.

With open-air events with controlled outdoor frameworks, preventative measures like rapid testing and hygiene concepts can balance against the inherent risk factors. At the same time, these events would create income and effective alternatives for the struggling cultural industry.
Therefore, we call for the revitalisation of cultural life through:
The release of public space for open-air cultural events.
The establishment of clear health concepts to ensure pandemic-compatible event formats.

Because, to put it in the wording of our very own chancellor,
"Cultural events are of the utmost importance to our lives. This also applies to the time of the Corona pandemic." – Angela Merkel, May 2020

*The criticism directed here at the German government and its methods for combating the pandemic should in no way be interpreted as a downplaying of the pandemic situation. We recognise the seriousness of COVID and consider the protective measures to be important and largely reasonable. We believe that following the rules shows consideration for everyone’s well being, and that it is an act of solidarity with our communities. We firmly dissociate ourselves from Corona deniers, Reichsbürger and Enabling Act relativists, and hereby make it clear that such people are not welcome at our demonstration!

*NO SEXISM, RACISM, HOMOPHOBIA OR OTHER FORMS OF DISCRIMINATION!*

Photocredit: instagram.com/kalimerii/

1. Mai Demo 2021: Für die Reaktivierung des Kulturellen Lebens!

BACK TO THE RAVE w/ felje @ THF Radio

L'Oiseaux Rose is the first extract from Maxime Dangles' upcoming second LP 'Chanfleury' on Skryptöm, July 30th.

Composed and produced by Maxime Dangles
Co-Arranged, Mixed and Mastered by Stephane Aligard At Push The Audio
Additional Drums by Tommy Rizzitelli 

Illustration and graphic design by Andre Ducci

The tracks in this long-format were first created for the stage, in response to a modular live commissioned by Astropolis festival (with two lives in summer 2016 and winter 2017). Maxime Dangles then developed new songs and delivered powerful, intense techno sets. In spring 2017, he signed an electronica version for the program Séquences (Culturebox / Radio France). For this new interpretation, the producer focused on the melodies at the heart of the songs.

Maxime Dangles then rearranged and reworked the compositions to record them and began to imagine a live transposition with two musicians: Thibault Morel (piano) and Tommy Rizzitelli (drums). The luminous interventions of the two instrumentalists, initially planned for the live, were finally added to the pieces imagined in solo by the producer with his synths and his machines. It is these final versions that today form the Chanfleury album, with compositions that combine the dimension of the live, a narrative force and a sweet intensity.

Chanfleury is the name of a district of Bourg-lès-Valence where Maxime Dangles lived for ten years during his childhood. Each title on the album recalls those years with titles evoking a person (Gigi), cities (Vélizy, Clamart, Fontenay, Châtillon-Montrouge), places (Robinson, Scarron, La Coulée Verte, Cascades, Parc de Sceaux), a newspaper (Pariscope). The producer approaches all these childhood memories with a sweet melancholy in the melodies and an emotional richness in the arrangements and textures of these dreamy compositions. The album ends with L'Oiseau Rose, a song for which Maxime Dangles wrote the melody with his daughter Alice's ukulele (before transposing this melody to the synth). The children's universe can also be found in the album cover, specially created by André Bucci, a Brazilian artist living in Italy.

Pop melancholy, intricate arrangements, ingenuity in alternating roaring ardor and calm climates, pianistic dimension, elaborate rhythms, Maxime Dangles develops in his album a dazzling setting in sounds which brings him closer to the worlds of Apparat, Clark, Jon Hopkins or Burial.

With Chanfleury, Maxime Dangles offers himself an assumed turn towards electronica and offers a sound journey in twelve pieces - and 51 minutes - that he will transpose on stage with the musicians Thibault Morel (piano) and Tommy Rizzitelli (drums) . This new live will be available from fall 2021.

Maxime Dangles
Chanfleury LP

1 - Robinson 
2 - Scarron
3 - Pariscope 
4 - Vélizy
5 - Clamart *
6 - La Coulée Verte
7 - Cascades
8 - Parc de Sceaux
9 - Gigi **
10 - Fontenay *
11 - Châtillon Montrouge 
12 - L'Oiseaux Rose *

Composed and produced by Maxime Dangles
All tracks Co-Arranged, Mixed and Mastered by Stephane Aligard At Push The Audio
* Additional Drums by Tommy Rizzitelli 
** Additional Piano by Thibault Morel

Illustration and graphic design by Andre Ducci

CAT#: SKRPT057
Format: 2xCD / Digital
Release Date: July 30th 2021

12 - Maxime Dangles - L'Oiseau Rose - Skryptöm 57

NZT (Red Richards  )

Buy on bandcamp

Hurukan - NZT (Red Richards  )

Dedicated Vibes to ar.tist42. Hope you like!! Enjoy!
© 2025 all rights reserved
Legal Notice: All music published on this profile is registered and protected by copyright through Safe Creative and the Intellectual Property Registry of the Spanish Ministry of Culture. Any use, reproduction, distribution, or modification without explicit authorization will be considered a legal infringement and may be prosecuted.

Aviso legal: Toda la música publicada en este perfil está registrada y protegida por derechos de autor en Safe Creative y en el Registro de la Propiedad Intelectual del Ministerio de Cultura de España. Cualquier uso, reproducción, distribución o modificación sin autorización expresa será considerado una infracción legal y podrá ser perseguido judicialmente.

Quantum Physics - Ouzil Jagger (Dedicated Vibes to ar.tist42)

KOWBOI’s fifth release comes from Klint, delivering four powerful cuts built for the floor.
Each track combines raw drive, precise grooves and a deep industrial edge, pushing the label’s sound forward once again.
From hypnotic tension to full-impact rhythm, Calibre EP reflects both control and intensity, a clear statement of the KOWBOI aesthetic.

Artist: Klint
Title: Calibre
Label: KOWBOI RECORDS
Catalogue: KWB005
Format: Digital
Genre: Electronic
Style: #Techno
Release date: December 5, 2025

Artwork by Klint
Mastering by Lutgens

Tracklist:
1. Calibre
2. Noctra
3. Barlive
4. Overheat

Follow #Klint here:
@klint-artist
www.instagram.com/klint.music/
www.facebook.com/klint.klint.music/

Follow #KOWBOI RECORDS here:
www.instagram.com/kowboi.records

Premiere: Klint - Noctra [KWB005] KOWBOI RECORDS

Nosso residente, @Silenzo, abrindo nossa segunda pista em uma noite tão especial com @Laurent-Garnier, @Truncate e @Johannes-Heil-official.

Tracklist:

The Sprawl - Black ICE
Mudrost - Nonagon
Acronym - Photosynthesis
Raven - Emmanuel
Væg- Errat [Unreleased]
Oscar Mulero - Texture (Cassegrain Remix)
Tadeo, Ctrls - Dropout
T++ - Audio 1995#8
Manni Dee - Relieve The Routine
Vertical Spectrum - Telekinetic Structure [Unreleased]
Israel Vines - WWKD (Silent Servant Remix)
Manni Dee - Bring the Brave In
Silenzo - Marte [Unreleased]
Luca Agnelli - Dynamic
Air Liquide - This Is Not a Mindtrip
Lady Starlight - You
Outlander - We Found a Corpse
Neil Landstrumm - Missing You (Ansome Remix)
Talker - Battle Standard (Regis Remix)
Kamcken - Relay Access
Joey Beltram - Energy Flash
Cleric - Unspoken Rules
Pasquale Maassen - Advanced 1 Bit Da Controller
21Gram - Cocaine
Female - Surrounded By Enemies
Luis Ruiz - Engraving (The Anxious Remix)
Jeff Mills - The Bells
DJ Emerson - Break
Regal - Send Nudes
Regis - Purification
Diego Amura - One Thing
Kamcken, Silenzo - Hell [Unreleased]
Bas Mooy - Men on Wire
Perc - Unelected
Urro - Hate (Silenzo Remix)[Unreleased]

Silenzo @ Tantša apresenta: Laurent Garnier [24.01.2018]

Phatt Sounds to polski net label działający w latach 2007 - 2012, który stał się domem dla 44 wydawnictw autorstwa głównie polskich artystów. Wielu z nich właśnie tutaj stawiało pierwsze kroki wydawnicze pod postacią epek, remixów czy nawet całych albumów. Jako, że sam wydawałem tutaj moje pierwsze utwory i Phatt Sounds pojawił się w historii opisanej przez ze mnie w książce „30 Lat Polskiej Sceny Techno” to oczywistym wydało mi się przypomnienie tego co muzycznie się tam wydarzyło. A wydarzyło się sporo, od ambientu i eksperymentów, przez progressive, tech i deep house, po minimal i techno. Tak jak sama książka to niewielki wycinek tego co z „techno” działo się w Polsce w ostatnich 30 latach, tak selekcja którą dla was przygotowałem, to niewielki wycinek tego co działo się w Phatt Sounds. Zachęcam do odsłuchu i dalszych eksploracji :)

Pozdrawiam
Piotr Figiel

Tracklista:
01 - Viscid - Silent Hill
02 - Harry Hearing - Man From The Forest
03 - Gudowski - Mass Effect
04 - The Same - Ayahuasca
05 - Tetragrammatron - Chronic Mental Disfunction
06 - Gudowski - Maat Soul
07 - Youthful Corps - Hinthial Spur
08 - DCM - Dreams
09 - CJ Art - Sleeping Inside
10 - Navy B - Dziewicze Buu
11 - Optik - Mort
12 - Collen Vax - Average
13 - Youthful Corps - Hinthial Spur - Chris Asper Remix
14 - Viscid - Earblood - DCM Children of The Corn Remix
15 - Denis - Luna Nera
16 - DCM - Dreams - Flanger Remix
17 - Feverish Luke - Uncommon
18 - KD3 - Relax
19 - Petersky - Six Screwed Summers
20 - Tekknika Project - Plastik - Isotope Remix
21 - Arek Bal - One Lie
22 - Biotic - Muckworm - Deep In Calm Remix
23 - Piotr S - Tunel
24 - Siasia & 2PM - Sigma - Jackie Remix
25 - NWG - Technicolor

https://www.phattsounds.org
https://www.discogs.com/label/89588-Phatt-Sounds

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SØFTBOI

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