In the 1960s and 1970s, America experienced a sports revolution. New professional sports franchises and leagues were established, new stadiums were built, football and basketball grew in popularity, and the proliferation of television enabled people across the country to support their favorite teams and athletes from the comfort of their homes. At the same time, the civil rights and feminist movements were reshaping the nation, broadening the boundaries of social and political participation. The Sports Revolution tells how these forces came together in the Lone Star State.

Tracing events from the end of Jim Crow to the 1980s, Frank Guridy chronicles the unlikely alliances that integrated professional and collegiate sports and launched women’s tennis. He explores the new forms of inclusion and exclusion that emerged during the era, including the role the Dallas Cowboys Cheerleaders played in defining womanhood in the age of second-wave feminism. Guridy explains how the sexual revolution, desegregation, and changing demographics played out both on and off the field as he recounts how the Washington Senators became the Texas Rangers and how Mexican American fans and their support for the Spurs fostered a revival of professional basketball in San Antonio. Guridy argues that the catalysts for these changes were undone by the same forces of commercialization that set them in motion and reveals that, for better and for worse, Texas was at the center of America’s expanding political, economic, and emotional investments in sport.

Frank Andre Guridy's The Sports Revolution: How Texas Changed the Culture of American Athletics

In episode one of the new season of the SOF/Heyman Bookshelf, host highlights Susan Bernofsky's Clairvoyant of the Small. In an immaculately researched and beautifully written biography, Susan Bernofsky sets Robert Walser in the context of early twentieth-century European history, establishing him as one of the most important modernist writers.

Susan Bernofsky's Clairvoyant of the Small

In episode two of the new season of the SOF/Heyman Bookshelf, host highlights David Freedberg's Iconoclasm. Freedberg combines fresh thinking with deep expertise to address the renewed significance of iconoclasm, its ideologies, and its impact.

David Freedberg's Iconoclasm

In episode four of the SOF/Heyman Bookshelf, host highlights Romantic Autopsy: Literary Form and Medical Reading by Arden Hegele. Romantic Autopsy considers how the poetry and prose of British Romanticism was written in conversation with the field of medicine in the late 18th and early 19th centuries.

Arden Hegele's Romantic Autopsy

In episode one of the 2024 season of the SOF/Heyman Bookshelf, host highlights Eleanor Johnson's Waste and the Wasters: Poetry and Ecosystemic Thought in Medieval England. The latest from the new SOF/Heyman board member is a groundbreaking examination of ecological thought in medieval England.

Eleanor Johnson's Waste and the Wasters

In episode two of the 2024 season of the SOF/Heyman Bookshelf, host highlights Samson Occom: Radical Hospitality in the Native Northeast by Ryan Carr. In this groundbreaking book, Ryan Carr argues that Occom’s writings were deeply rooted in Indigenous traditions of hospitality, diplomacy, and openness to strangers

Ryan Carr's Samson Occom

In episode three of the 2024 season of the SOF/Heyman Bookshelf, host highlights Famine and Feast in Ancient Egypt by Ellen Morris. This work covers the creation and curation of social memory in pharaonic and Greco-Roman Egypt. Ancient, Classical, Medieval, and Ottoman sources attest to the horror that characterized catastrophic famines.

Ellen Morris's Famine and Feast in Ancient Egypt

In episode four of the 2024 season of the SOF/Heyman Bookshelf, host highlights Architecture of Migration: The Dadaab Refugee Camps and Humanitarian Settlement by Anooradha Iyer Siddiqi. Countering conceptualizations of refugee camps as sites of border transgression, criminality, and placelessness, Siddiqi instead theorizes them as complex settlements, ecologies, and material archives.

Anoordha Iyer Siddiqi's Architecture of Migration

In episode five of the 2024 season of the SOF/Heyman Bookshelf, our host highlights Fables of Development: Capitalism and Social Imaginaries in Spain (1950-1967) by Ana Fernández-Cebrián. This book examines cultural fictions and social life at the time when Spain turned from autarchy to the project of industrial and tourist development.

Ana Fernández-Cebrián's Fables of Development

In episode six of the 2024 season of the SOF/Heyman Bookshelf, our host highlights A New Antiquity: Art and Humanity as Universal, 1400–1600 by Alessandra Russo. Original and convincing, A New Antiquity is a pathbreaking study that disrupts existing conceptions of Renaissance art and early modern humanity.

Alessandra Russo's A New Antiquity

In the final episode of the 2024 season of the SOF/Heyman Bookshelf, our host highlights The Persian Prince: The Rise and Resurrection of an Imperial Archetype by Hamid Dabashi. This book articulates a bold new idea of the Persian Prince—a metaphor of political authority, a figurative ideal deeply rooted in the collective memories of multiple nations, and a literary construct that connected Muslim empires across time and space.

Hamid Dabashi's The Persian Prince

In our first episode of the 2025 season of the SOF/Heyman Bookshelf, host highlights Ying Qian's Revolutionary Becomings: Documentary Media in Twentieth-Century China. This work studies documentary film as an “eventful medium” deeply embedded in these upheavals and as a prism to investigate the entwined histories of media and China’s revolutionary movements.

Ying Qian's Revolutionary Becomings

Host highlights Joseph Albernaz's Common Measures: Romanticism and the Groundlessness of Community. With sharp close readings, new historical constellations, and innovative theoretical paradigms, Common Measures recasts the relationship of the Romantic period to the basic terms of modernity.

Joseph Albernaz's Common Measures

Host highlights Hannah Weaver's Experimental Histories: Interpolation and the Medieval British Past. In this volume, Weaver examines the medieval practice of interpolation—inserting material from one text into another—which is often categorized as being a problematic, inauthentic phenomenon akin to forgery and pseudepigraphy. 

Hannah Weaver's Experimental Histories: Interpolation and the Medieval British Past

Host highlights Rob King's Man of Taste: The Erotic Cinema of Radley Metzger. Rob King uses Metzger’s work to explore what taste means and how it works, tracing the evolution of the adult film industry and the changing frontiers of cultural acceptability. 

Rob King's Man of Taste

New Books in the Arts and Sciences at Columbia University: a podcast featuring audio from the New Books Series at Columbia University and interviews with the speakers and authors.

Anna Karenina and Others: Tolstoy’s Labyrinth of Plots
by Liza Knapp

With its complex structure, Anna Karenina places special demands on readers who must follow multiple plotlines and discern their hidden linkages. In her well-conceived and jargon-free analysis, Liza Knapp offers a fresh approach to understanding how the novel is constructed, how it creates patterns of meaning, and why it is much more than Tolstoy’s version of an adultery story.

Knapp provides a series of readings of Anna Karenina that draw on other works that were critical to Tolstoy’s understanding of the interconnectedness of human lives. Among the texts she considers are The Scarlet Letter, a novel of adultery with a divided plot; Middlemarch, a multiplot novel with neighborly love as its ideal; and Blaise Pascal’s Pensées, which fascinated Tolstoy during his own religious crisis. She concludes with a tour-de-force reading of Mrs. Dalloway that shows Virginia Woolf constructing this novel in response to Tolstoy’s treatment of Anna Karenina and others.

Liza Knapp's Anna Karenina and Others: Tolstoy’s Labyrinth of Plots

New Books in the Arts and Sciences at Columbia University: a podcast featuring audio from the New Books Series at Columbia University and interviews with the speakers and authors.

Nation Building: Why Some Countries Come Together While Others Fall Apart
by: Andreas Wimmer

Why is national integration achieved in some diverse countries, while others are destabilized by political inequality between ethnic groups, contentious politics, or even separatism and ethnic war? Traversing centuries and continents from early nineteenth-century Europe and Asia to Africa from the turn of the twenty-first century to today, Andreas Wimmer delves into the forces that encourage political alliances to stretch across ethnic divides and build national unity. Using global datasets and three pairs of case studies (Switzerland and Belgium, Botswana and Somalia, and China and Russia), Wimmer’s theory of nation building focuses on slow-moving, generational processes: the spread of civil society organizations, linguistic assimilation, and the states’ capacity to provide public goods. Offering a long-term historical perspective and global outlook, Nation Building sheds important new light on the challenges of political integration in diverse countries.

Andreas Wimmer's Nation Building: Why Some Countries Come Together While Others Fall Apart

New Books in the Arts and Sciences at Columbia University: a podcast featuring audio from the New Books Series at Columbia University and interviews with the speakers and authors.

Trans: A Quick and Quirky Account of Gender Variability
by: Jack Halberstam

In the last decade, public discussions of transgender issues have increased exponentially. However, with this increased visibility has come not just power, but regulation, both in favor of and against trans people. What was once regarded as an unusual or even unfortunate disorder has become an accepted articulation of gendered embodiment as well as a new site for political activism and political recognition. What happened in the last few decades to prompt such an extensive rethinking of our understanding of gendered embodiment? How did a stigmatized identity become so central to U.S. and European articulations of self? And how have people responded to the new definitions and understanding of sex and the gendered body? In Trans*, Jack Halberstam explores these recent shifts in the meaning of the gendered body and representation, and explores the possibilities of a nongendered, gender-optional, or gender-queer future.

Jack Halberstam's Trans: A Quick and Quirky Account of Gender Variability

In the first episode of "The Trilling Tapes," the scholar Lauren Berlant talks live about her new project: an analysis about the affect of humorlessness in politics. Featuring the scholar Bruce Robbins as a guest interlocutor and host Olivia Rutigliano.

The Society of Fellows and Heyman Center for the Humanities at Columbia University is home to the Lionel Trilling Seminars, established in 1976 to honor one of the most prominent cultural critics of the twentieth century and his decades-long career at Columbia.  Trilling's legacy represents a broad-ranging critical engagement with literature and culture. Speakers in the series include such formidable public intellectuals as Noam Chomsky, Martha Nussbaum, and Amartya Sen, among many others. In this podcast series, Olivia Rutigliano mines the recorded archives--the Trilling Tapes--to uncover and contextualize more than forty years of exceptional critical thought.

The Trilling Tapes: Lauren Berlant

New Books at the Heyman Center: a podcast featuring audio from events at Columbia University, and interviews with the speakers and authors.

The Shahnameh: The Persian Epic as World Literature
By: Hamid Dabashi

The Shahnameh, an epic poem recounting the foundation of Iran across mythical, heroic, and historical ages, is the beating heart of Persian literature and culture. Composed by Abu al-Qasem Ferdowsi over a thirty-year period and completed in the year 1010, the epic has entertained generations of readers and profoundly shaped Persian culture, society, and politics. For a millennium, Iranian and Persian-speaking people around the globe have read, memorized, discussed, performed, adapted, and loved the poem.

In this book, Hamid Dabashi brings the Shahnameh to renewed global attention, encapsulating a lifetime of learning and teaching the Persian epic for a new generation of readers. Dabashi insightfully traces the epic’s history, authorship, poetic significance, complicated legacy of political uses and abuses, and enduring significance in colonial and postcolonial contexts. In addition to explaining and celebrating what makes the Shahnameh such a distinctive literary work, he also considers the poem in the context of other epics, such as the Aeneid or the Odyssey, and critical debates over the concept of world literature. Arguing that Ferdowsi’s epic and its reception broached an idea of world literature long before nineteenth-century Western literary criticism, Dabashi makes a powerful case that we need to rethink the very notion of “world literature” in light of his reading of the Persian epic.

Hamid Dabashi's The Shahnameh: The Persian Epic as World Literature

New Books at the Heyman Center: a podcast featuring audio from events at Columbia University, and interviews with the speakers and authors.

Almost fifty years ago, Jean-Louis Comolli and Jean Narboni published the manifesto “Cinema/Ideology/Criticism,” helping to set the agenda for a generation of film theory that used cinema as a means of critiquing capitalist ideology. In recent decades, film studies has moved away from politicized theory, abandoning the productive ways in which theory understands the relationship between cinema, politics, and art. In Cinema/Politics/Philosophy, Nico Baumbach revisits the much-maligned tradition of seventies film theory to reconsider: What does it mean to call cinema political?

In this concise and provocative book, Baumbach argues that we need a new philosophical approach that sees cinema as both a mode of thought and a form of politics. Through close readings of the writings on cinema by the contemporary continental philosophers Jacques Rancière, Alain Badiou, and Giorgio Agamben, he asks us to rethink both the legacy of ideology critique and Deleuzian film-philosophy. He explores how cinema can condition philosophy through its own means, challenging received ideas about what is seeable, sayable, and doable. Cinema/Politics/Philosophy offers fundamental new ways to think about cinema as thought, art, and politics.

Nico Baumbach's Cinema/Politics/Philosophy

New Books at SOF/Heyman: a podcast featuring audio from events at Columbia University, and interviews with the speakers and authors.

The new science of paternity, with methods such as blood typing, fingerprinting, and facial analysis, would bring clarity to the conundrum of fatherhood—or so it appeared. Suddenly, it would be possible to establish family relationships, expose adulterous affairs, locate errant fathers, unravel baby mix-ups, and discover one’s true race and ethnicity. Tracing the scientific quest for the father up to the present, with the advent of seemingly foolproof DNA analysis, Nara Milanich shows that the effort to establish biological truth has not ended the quest for the father. Rather, scientific certainty has revealed the fundamentally social, cultural, and political nature of paternity. As Paternity shows, in the age of modern genetics the answer to the question “Who’s your father?” remains as complicated as ever.

Nara B. Milanich's Paternity: The Elusive Quest for the Father

New Books at SOF/Heyman: a podcast featuring audio from events at Columbia University, and interviews with the speakers and authors.

From clandestine images of Jewish children isolated in Nazi ghettos and Japanese American children incarcerated in camps to images of Native children removed to North American boarding schools, classroom photographs of schoolchildren are pervasive even in repressive historical and political contexts. School Photos in Liquid Time offers a closer look at this genre of vernacular photography, tracing how photography advances ideologies of social assimilation as well as those of hierarchy and exclusion. In Marianne Hirsch and Leo Spitzer’s deft analysis, school photographs reveal connections between the histories of persecuted subjects in different national and imperial centers.

Marianne Hirsch & Leo Spitzer's School Photos in Liquid Time: Reframing Difference

New Books at SOF/Heyman: a podcast featuring audio from events at Columbia University, and interviews with the speakers and authors.

How do literature and other cultural forms shape how we imagine the planet, for better or worse? In this rich, original, and long awaited book, Jennifer Wenzel tackles the formal innovations, rhetorical appeals, and sociological imbrications of world literature that might help us confront unevenly distributed environmental crises, including global warming.The Disposition of Nature argues that assumptions about what nature is are at stake in conflicts over how it is inhabited or used. Both environmental discourse and world literature scholarship tend to confuse parts and wholes. Working with writing and film from Africa, South Asia, and beyond, Wenzel takes a contrapuntal approach to sites and subjects dispersed across space and time. Reading for the planet, Wenzel shows, means reading from near to there: across experiential divides, between specific sites, at more than one scale.

Jennifer Wenzel's The Disposition of Nature: Environmental Crisis and World Literature

New Books at SOF/Heyman: a podcast featuring audio from events at Columbia University, and interviews with the speakers and authors.

In recent political debates there has been a significant change in the valence of the word “experts” from a superlative to a near pejorative, typically accompanied by a recitation of experts’ many failures and misdeeds. In topics as varied as Brexit, climate change and vaccinations there is a palpable mistrust of experts and a tendency to dismiss their advice. Are we witnessing, therefore, the “death of expertise,” or is the handwringing about an “assault on science” merely the hysterical reaction of threatened elites?

In this new book, Gil Eyal argues that what needs to be explained is not a one-sided“mistrust of experts” but the two-headed pushmi-pullyu of unprecedented reliance onscience and expertise, on the one hand,  coupled with increased suspicion, skepticismand dismissal of scientific findings, expert opinion or even whole branches of investigation, on the other. The current mistrust of experts, Eyal argues, is best understood as one more spiral in an on-going, recursive crisis of legitimacy. The “scientization of politics,” of which critics warned in the 1960s, has brought about a politicization of science, specifically of regulatory and policy science, and the two processes reinforce one another in an unstable, crisis-prone mixture. Eyal demonstrates that the strategies designed to respond to the crisis - from an increased emphasis on inclusion of laypeople and stakeholders in scientific research and regulatory decision-making to approaches seeking to generate trust by relying on objective procedures such as randomized controlled trials (RCTs) – end up exacerbating the crisis, while undermining and contradicting one another.

Gil Eyal's The Crisis of Expertise

New Books at SOF/Heyman: a podcast featuring audio from events at Columbia University, and interviews with the speakers and authors.

You can't copyright facts, but is news a category unto itself? Without legal protection for the "ownership" of news, what incentive does a news organization have to invest in producing quality journalism that serves the public good? This book explores the intertwined histories of journalism and copyright law in the United States and Great Britain, revealing how shifts in technology, government policy, and publishing strategy have shaped the media landscape.

Publishers have long sought to treat news as exclusive to protect their investments against copying or "free riding." But over the centuries, arguments about the vital role of newspapers and the need for information to circulate have made it difficult to defend property rights in news. Beginning with the earliest printed news publications and ending with the Internet, Will Slauter traces these countervailing trends, offering a fresh perspective on debates about copyright and efforts to control the flow of news.

Will Slauter's Who Owns the News: A History of Copyright

New Books at SOF/Heyman: a podcast featuring audio from events at Columbia University, and interviews with the speakers and authors.

In this landmark theoretical investigation, Wael B. Hallaq reevaluates and deepens the critique of Orientalism in order to deploy it for rethinking the foundations of the modern project. Refusing to isolate or scapegoat Orientalism, Restating Orientalism extends the critique to other fields, from law, philosophy, and scientific inquiry to core ideas of academic thought such as sovereignty and the self. Hallaq traces their involvement in colonialism, mass annihilation, and systematic destruction of the natural world, interrogating and historicizing the set of causes that permitted modernity to wed knowledge to power. Restating Orientalism offers a bold rethinking of the theory of the author, the concept of sovereignty, and the place of the secular Western self in the modern project, reopening the problem of power and knowledge to an ethical critique and ultimately theorizing an exit from modernity’s predicaments. A remarkably ambitious attempt to overturn the foundations of a wide range of academic disciplines while also drawing on the best they have to offer, Restating Orientalism exposes the depth of academia’s lethal complicity in modern forms of capitalism, colonialism, and hegemonic power.

Wael Hallaq's Restating Orientalism: A Critique of Modern Knowledge

New Books at the Heyman Center: a podcast featuring audio from events at Columbia University, and interviews with the speakers and authors.

The End of Landscape in Nineteenth-Century America examines the dissolution of landscape painting in the late nineteenth-century United States. Maggie M. Cao explores the pictorial practices that challenged, mourned, or revised the conventions of landscape painting, a major cultural project for nineteenth-century Americans. Through rich analysis of artworks at the genre’s unsettling limits—landscapes that self-destruct, masquerade as currency, or even take flight—Cao shows that experiments in landscape played a crucial role in the American encounter with modernity. Landscape is the genre through which American art most urgently sought to come to terms with the modern world.

Maggie Cao's The End of Landscape in Nineteenth-Century America

Between the years 1964 and 1974, Ethiopian post-secondary students studying at home, in Europe, and in North America produced a number of journals where they explored the relationship between social theory and social change within the project of building a socialist Ethiopia. Ethiopia in Theory examines the literature of this student movement, together with the movement’s afterlife in Ethiopian politics and society in order to ask: what does it mean to write today about the appropriation and indigenization of Marxist and mainstream social science ideas in an Ethiopian and African context; and, importantly, what does the archive of revolutionary thought in Africa teach us about the practice of critical theory more generally.

Elleni Centime Zeleke's Ethiopia in Theory: Revolution and Knowledge Production, 1964-2016

In the tradition of women as the unsung keepers of history, Deborah Paredez’s second poetry collection tells her story as a Latina daughter of the Vietnam War. The title refers to the year 1970—the Year of the Metal Dog in the lunar calendar—which was the year of the author’s birth, the year her father prepared to deploy to Vietnam along with many other Mexican-American immigrant soldiers, and a year of tremendous upheaval across the United States. Images from iconic photographs and her father’s snapshots are incorporated, fragmented, scrutinized, and reconstructed throughout the collection as Paredez recalls untold stories from a war that changed her family and the nation.

In poems and lamentations that evoke Hecuba, the mythic figure so consumed by grief over the atrocities of war that she was transformed into a howling dog, and La Llorona, the weeping woman in Mexican folklore who haunts the riverbanks in mourning and threatens to disturb the complicity of those living in the present, Paredez recontextualizes the Vietnam era, from the arrest of Angela Davis to the haunting image of Mary Ann Vecchio at the Kent State Massacre, never forgetting the outcry and outrage that women’s voices have carried across time.

Deborah Paredez's Year of the Dog

In Wild Things Jack Halberstam offers an alternative history of sexuality by tracing the ways in which wildness has been associated with queerness and queer bodies throughout the twentieth century. Halberstam theorizes the wild as an unbounded and unpredictable space that offers sources of opposition to modernity's orderly impulses. Wildness illuminates the normative taxonomies of sexuality against which radical queer practice and politics operate. Throughout, Halberstam engages with a wide variety of texts, practices, and cultural imaginaries—from zombies, falconry, and M. NourbeSe Philip's Zong! to Maurice Sendak's Where the Wild Things Are and the career of Irish anticolonial revolutionary Roger Casement—to demonstrate how wildness provides the means to know and to be in ways that transgress Euro-American notions of the modern liberal subject. With Wild Things, Halberstam opens new possibilities for queer theory and for wild thinking more broadly.

Jack Halberstam's Wild Things: The Disorder of Desire

Podcasts from Columbia University's The Society of Fellows and Heyman Center for the Humanities, where we feature talks with professors about their recent work, publications, novels, and more. Constantine Lignos hosts. Previous seasons were hosted by Olivia Branscum and Timothy Lundy.

We also feature The Trilling Tapes. In this podcast series, we mine the recorded Trilling archives to uncover and contextualize more than forty years of exceptional critical thought.

The SOF/Heyman Bookshelf

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