an 'incipit' by Marco Lucchi expanded by Mean Flow

Mean Flow & Marco Lucchi - View to Infinity

GRADA MESSE / CELLO

For amplified cello and piano (2020–21)

The title (Spanish for ‘dry soil’) responds to an exploration of dryness as an opportunity to study he fragility of timbre from the particular and intimate experience of friction. In this composition, noise is especially approached as a dynamic entity from the materials that rub, brush or scrap the strings. Therefore, performers are invited to approach their instruments as dry soil territories in which they move to discover each textural identity. Cello and piano are explored as mirrored sources of sound, thus both instruments respond to each other as mutual extensions of their timbral conditions. Amplification works as a microscope: rather than just intensifying the sound, it is thought of as a magnifier of the inside of timbre, its structure and behaviour. 

Performers: Ivana Peranic (cello) and Rachel Fryer (piano)
Live recording at Goldsmiths, University of London, November 2021.
Illuminate Women's Music Concert Series

suelo seco (2020–21) | Michele Abondano

work in progress

 The Wind © 2022 by Nadìr is licensed under CC BY-NC-SA 4.0

The Wind

noxpox - plant growth

6Aug22

Experimenting with Tuonela's track, Tone Construction 05
https://soundcloud.com/tuonela-1/tone-construction-05

:D

Reconstructed 01 [Tuonela/Boson Spin collab]

For Chamber Ensemble (flute, clarinet in Bb, percussion, piano, violin and violoncello)
Duration: ca. 14 min.
First performance: Vafopoulio Concert hall, Thessaloniki, May 2011

Apprivoisant Les Vagues (2011)

United Instruments of Lucilin : Flute, Clarinet, Violin, Viola, Cello and objects

On Lightness

Garbled tapes, space echos, portastudios and Sanyo Voice Activated Recording system feedbacking through MS10 and KM-60. 

Main samples from my recording of Morten Michelsen at the Kværner Iron Foundry - https://soundcloud.com/locomofon/sets/crane-room-recordings

As flesh is harnessed onto tape (Take 3)

MS-20

MS-20 - alone in the dream

Fréquence cachée °

SOFIA AVRAMIDOU (Short bio)

Sofia Avramidou is a greek composer and singer.

She graduated from the composition department of Aristotle University (Bachelor and master degree, 2009-2014) and the National Academy of Santa Cecilia in Rome (postgraduate degree, 2014-2016), having received the highest distinction in Professor Ivan Fedele's class as well as an excellence scholarship from the Alexandros Onassis Foundation. Ιn 2019-2020.
 In 2019-2020 she followed the “Cursus de composition et informatique musical” at IRCAM, in Paris.
She has been awarded numerous prizes including the Goffredo Petrassi Prize from the Quirinal Palace in Rome, the 1st prize of the IXth International Composition Competition "Francisco Escudero" Accordion (2016) in Spain and the 1st prize of the 6th Composition Competition "Dimitris Dragatakis" (2014), from the Union of Greek Composers. She also collaborated with the director Evangelia Kranioti, for the film "Obscuro Barroco" which received the Teddy Award of the Berlin International Film Festival (2018). She was selected by the Venice Biennale to compose a chamber opera performed at the Teatro Piccolo Arsenale (2018).
She has participated in numerous composition masterclasses and courses with Beat Furrer, Philipe Manoury, Georges Aperghis, Francesco Filidei, Jean-Luc Hervé, Yan Maresz, Franck Bedrossian, Mauro Lanza, Dmitri Kurljandski among others.
She has received commissions and proposals for collaboration from various renowned ensembles such as the Ensemble Intercontemporain, Musikfabrik, Multilatérale, Ictus Ensemble, 2e2m, Ex Novo...

Apprivoisant Les Vagues (2011)

Sofia Avramidou-composer

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