Boddi Ynoch Chi ("Drowning In You")

Buy track

Yell Welts Elfie Light

Hiding away again, Vera starts to feel her psychological stability falling apart.  She continues to pray to anything that will hear her pleas to save her from losing herself while trapped alone so far away from home, and no sign of hearing from Vincent and his team.

Project Umbriel

HIMOS (Hiding Inside My Own Space)

HIMOS - Hiding Inside My Own Space

Quartet: Cealum

palette sources — sampled feedback from moogerfooger delay (various channel inputs from lapsteel, mother32, dfam)sampled into MPC3K. The field recording is of a trip to a coffee shop where four young teenagers were trying to keep each other laughing for approximately 1m30s.

concept — creating a foundation with the delay feedback from a bass-y synth segment, and layering sampled phrases on top of that developed around feedback swells.

More on this 590th weekly Disquiet Junto project, Concrète Roots (The Assignment: Make music combining field recordings and feedback), at: disquiet.com/0590/ About the Disquiet Junto: disquiet.com/junto/ Subscribe to project

DeAmaral [disquiet0590]

Vocal Sample - Patricia Edwards - I Do - Today Is The Day [
https://www.looperman.com/acapellas/detail/14802/i-do-today-is-the-day-by-patriciaedwards-128bpm-house-acapella ]

Re- Sequencing - X I I I X X I via The Euclidean Chromaticon

More on this 591st weekly Disquiet Junto project, The Loneliest Number (The Assignment: Record the first third of a trio), at: https://disquiet.com/0591/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0591-the-loneliest-number/

The Loneliest Number

The Euclidean Chromaticon  | The Loneliest Number - disquiet0591

What can that be but my apple-tree?

I  "Dear father, do with me what you will. I am your child." 
II  "Are you a spirit or a human?" 
III "Who messes with the letters?" 
IV "Here all dwell free" 
V "Our merciful god has caused my hands to grow up"

                                      ------------
Création mondiale - Alla breve, sur France Musique 

Ensemble 2e2m:
Amaryllis Billet, Dorothée Nodé-Langlois, Hélène Desaint, Sarah Givelet

Sound team: Stephane Foulon, Inès de Bruyn, Vincent Villetard

What can that be but my apple-tree? (2023)

The monument of Alexander the Great in Skopje, Macedonia, is a colossal 24 meter tall statue with a large fountain and dozens of water jets. Here is a 10-minute excerpt of the very, very long song of the waters of the fountain…
Le monument d'Alexandre le Grand à Skopje, en Macédoine, est une statue colossale de 24 mètres de haut avec une grande fontaine et des dizaines de jets d'eau. Voici un extrait de 10 minutes du très, très long chant des eaux de la fontaine...

Alexander the Great fountain, Skopje

The Alexander the Great fountain in Skopje, Macedonia

I'm grateful to join in this amazing group and project. Congrats to Marc and everyone on reaching 600 weeks! I look forward to hopefully being a regular with you all. 

I used all but one of the wonderful samples by Marcus Fischer (thank you, Marcus), adding field recordings (a bird's nest fern being watered, the sounds of the Aurora Borealis), a bit of synthesis with VST goodies in Logic Pro, and a bit of a sample from the wild samplebrain, which I am still trying to get my head around.

Special Thanks to @marcus_fischer for sharing the beautiful samples used in this track.
More on this 600th weekly Disquiet Junto project, Reaching Out (The Assignment: This is a shared sample project. Rework a set of seven WAV files provided by Marcus Fischer), at: disquiet.com/0600/

About the Disquiet Junto: disquiet.com/junto/

Subscribe to project announcements: tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: llllllll.co/t/disquiet-junto-pr…-0600-reaching-out/

This project’s cover image is a detail of a photo by Marcus Fischer.

# disquiet0600  # sample share

First Contact (disquiet0600)

Tried my new BOSS PS-6 today, improvisation

Cello Harmonies Part III

Messing with the nn~ operator in MAX/MSP and two pre-trained RAVE AI models resulted in this uncanny voice recording. Strangely stuttering, but almost language. If you'd like to see exactly how it was created, check out the accompanying video @ https://youtu.be/WwNYD3Sm4H4

More about RAVE models @ https://github.com/acids-ircam/RAVE

Huge thanks to Intelligent Instruments Lab for making their RAVE models available @ https://huggingface.co/Intelligent-Instruments-Lab/rave-models

visual explanation

halF inflectioN

Born in Thessaloniki (Greece) in 1988, Sofia Avramidou graduated from the composition department of Aristotle University (Bachelor's and Master's degrees, 2009-2014) and from the National Academy of Santa Cecilia in Rome (specialized Master's degree, 2014-2016), receiving the highest distinction in the class of Professor Ivan Fedele, as well as an excellence scholarship from the "Alexandros Onassis Foundation”.
In Paris, in 2020, she graduated from IRCAM's "Cursus de composition et d'informatique musicale".
She has been awarded numerous prizes, including the Goffredo Petrassi Prize from the Quirinal Palace in Rome (2016), 1st prize at the IX "Francisco Escudero" International Accordion Composition Competition (2016) in Spain, and 1st prize at the 6th "Dimitris Dragatakis" Composition Competition (2014), organized by the Greek Composers' Union. She participated in numerous composition courses and seminars, with Beat Furrer, Philippe Manoury, Georges Aperghis, Francesco Filidei, Yan Maresz, Jean-Luc Hervé, Franck Bedrossian, Dmitri Kurljandski...
Sofia Avramidou also collaborates with director Evangelia Kranioti, for the film "Obscuro Barroco", which received the Teddy Award at the 2018 Berlin International Film Festival. That same year, she was selected by the Venice Biennale to compose the chamber opera "Rodi rodi, morsicchia! La casina chi rosicchia?" performed at the Teatro Piccolo Arsenale.
She has been commissioned by ensembles and institutions such as Ensemble Intercontemporain, Philharmonie de Paris, Ircam, Venice Biennale, Musikfabrik, Ictus, Lemanic Modern Ensemble, 2e2m, Radio-France, Festival Ensemble(s), Festival de Prades, Festival Nouveaux Horizons, Orchestre National de Jazz, ECHO, Fondation Calouste Gulbenkian, Lisbon, Auditorium Orchestre National de Lyon....
Her compositions have been performed at the Philharmonie of Paris, the Musikverein (Vienna), the Concertgebouw (Amsterdam), the Bozar (Brussels), the Barbican (London), the Elbphilharmonie (Hamburg), the Philharmonie of Cologne, the Venice Biennale, the Auditori (Barcelona), the Festspielhaus (Baden-Baden), the Philharmonie of Luxembourg, the Auditorium of Lyon, the Auditorium Parco della Musica (Rome), the Teatro La Fenice (Venice), the Boston University, the Megaron (Athens)...
Alongside composition, Sofia Avramidou studies Byzantine music, Hymnology, Oud and Ney instrument, as well as traditional Greek singing.
As a singer, she collaborates with various ensembles and orchestras, such as the Cyprus Symphony Orchestra, the Thessaloniki Municipal Orchestra, the Raanana Symphony Orchestra (Israel)...

 In 2018, she arranged traditional songs for voice and clarinet and recorded the album "Binôme" in Greece.
Her works are published by Éditions Lacroch' and BabelScores.

What can that be but my apple-tree? (2023)

Sofia Avramidou-composer

Recent comments

Pascal Sardi

MNM

Related tracks