Originally broadcast on NTS Radio live 14:00-15:00, Tuesday 26th of October, 2021.

Jay Clarkson - Broken House (Rose Hobart, forthcoming)
Trii Group - G lok g lok (Stroom, 2021)
Tara Clerkin Trio - Done Before (World of Echo, 2021)
Bons - Khaki Drill (Spillage Fete, 2021)
Floating Di Morel - Quietsch (Play Loud!, 2020)
Dunkelziffer - Keine Python (Bureau B, 2021)
BASSÆ - d (Few Crackles, 2021)
Cindy - Seeing Double (Paisley Shirt, 2020)
Claypipe - Jericho (C/Site, 2021)
The Fulmars - The Lost Ones (Hüüpnootsche Platen Un Kassetten. 2021)
Hessel Veldman & Nick Nicole - Kissing Your Neighbour (Alberts Basement, 2021)
Etherwink & Larwott - Emollen I Molnen (Tin Can Music, 2021)
Journey of Taro - Gamelan Sketch Nr. 4 (Vrystaete, 2021)
Weekend - Red Planes (Blackest Ever Black, 2014)

NTS Radio - October 2021

Ulaan Markhor is the latest solo moniker for Californian Steven R. Smith's studio explorations. Spiral Horns, Black Onions, et al. fuses recent itinerant work under the aliases Ulaan Khol (blistering basement psychedelia) and Ulaan Passerine (moody & meditative zones) and unveils a distinctly American version of kosmische, with heavy Levon Helm or Clyde Stubblefield -indebted rhythm & groove replacing motorik pulses. Fluid synth, bass, organ & searing guitar textures - all played by Smith – augment the beats. The result is something akin to The Meters meets Amon Düül II. An exciting new chapter for the ever-evolving Smith.

Ulaan Markhor "In The Ravine"

“Someone must have handed me a piece of flexible tubing from the hardware store and shown me that I could play it, the pitch rising and falling according to how hard I’d blow through it. It was around 1970. I tied a red kerchief to this horn and called it my molimo, after the instrument the Mbuti Pygmies play to wake up their mother, the forest. According to the anthropologist Colin Turnbull, the Pygmies of the Ituri Forest originally made their molimo by burying a special kind of branch in the ground for the ants to hollow out. As stores became part of their world, the Pygmies found that a drainpipe worked just as well. They claim that the molimo is the sound, not the object. ” – Simone Forti

Simone Forti - Al Di Là CD (SLT-004)

Saltern is excited to present Al Di Là, the first full-length collection of recordings by renowned dancer/choreographer, artist and writer Simone Forti. Forti (born 1935, Florence, Italy) has influenced generations of artists through her innovative approaches to dance and movement. Forti is noted for her extensive work with musicians, including Charlemagne Palestine, La Monte Young, Jon Gibson, Peter Van Riper, and Z’EV, among others. With Al Di Là, we hear Forti musically in her own right through a diverse collection of never-before-released pieces, ranging from the early ‘60s to mid-80s, that highlight Forti’s use of her voice, folk songs, handmade instruments, and physical space. The album, compiled by Forti with the assistance of Tashi Wada, includes a rare guest appearance by La Monte Young and Marian Zazeela and features a 28-page color booklet of writings, drawings and photos by Forti. Al Di Là is a uniquely personal and intimate portrait of one of the truly visionary artists of our time. Edition of 550. Printed at Stoughton Printing Company. Mastered by Stephan Mathieu.

From Forti’s liner notes: “I’m awaiting a song from afar, from afar, a song of goodbye from afar. For now I’ve seen the game I was playing, slowly leaving the earth and drifting far among the stars.”

www.forcedexposure.com/Catalog/forti…LT.004CD.html

Simone Forti – Al Di Là: Molimo (1970-present)

Daniel Schmidt - "Abies Firma" LP & CD
http://www.recitalprogram.com/abies-firma/
http://www.recitalprogram.com/purchase/
includes CD with extra suite, and 20-page pamphlet.

R70 - Daniel Schmidt - "Fanfare and Lancaran Daniel" from Abies Firma LP

Sean McCann - "Puck" LP
http://www.recitalprogram.com/puck/
Edition of 500
12-page “Puck” pamphlet
Two art cards with program notes and recollections

R69 - Sean McCann - "Broth" excerpt from Puck LP

“Terry left us the score to Song. The score indicates it is the piano part, however I have never seen any additional vocal part, and the right hand could clearly be the song melody. Terry once played this composition for me at his parents’ house in Eagle Rock on piano, alone. Since there are no words with the melodic line, I suggested to Charles Curtis that since the cello is such a song-like instrument, perhaps he could play the vocal part and Michael Schumacher could play the piano part.” – La Monte Young

Charles Curtis: Performances & Recordings 1998-2018 3xCD (SLT-005)

Saltern presents its fifth release, Charles Curtis: Performances & Recordings 1998-2018, the first comprehensive collection of recordings surveying the career of renowned, American cellist Charles Curtis. Selected by Curtis and Tashi Wada from recordings spanning the past two decades, the collection offers a broad, inclusive view of Curtis's activities across the diverse worlds of music he inhabits, containing rare, unreleased recordings, and never-before-released music by Terry Jennings, Richard Maxfield, Éliane Radigue, Alison Knowles, and Curtis. The wide-ranging scope of this release speaks not to a musical restlessness, but to a genuine spirit of inquiry, as these areas of activity for Curtis have existed concurrently in dialogue, not simply in succession, for decades. Over two hours of music by composers and artists with whom Curtis is closely associated including Éliane Radigue, Guillaume de Machaut, Tobias Hume, Silvestro di Ganassi, Terry Jennings, Morton Feldman, Anton Webern, Olivier Messiaen, Alison Knowles, Richard Maxfield, and Curtis himself. Mastered by Stephan Mathieu with liner notes by La Monte Young, Spencer Gerhardt, and Tashi Wada. Custom packaging and screen printing by Alan Sherry; edition of 500.

"Song" by Terry Jennings is licensed with kind permission from MELA Foundation.

Performances & Recordings 1998-2018

Terry Jennings – Song (1960)

Playlist and other information available at: https://www.freeformfreakout.com/fffoxy-podcast-157-with-chris-berry-of-soft-abuse-fruits-flowers/

FFFoxy Podcast #156 with Chris Berry of Soft Abuse / Fruits & Flowers

My proposed show would aim to shine a light on independent/underground sounds from the past and present & from all corners of the globe, hopefully something akin to the old Peter Jesperson radio show (I've heard tapes), or programming you may hear on NTS radio or WFMU. Genre representation will likely skew more towards western rock music, but the goal is to incorporate not only several permutations of that idiom, but other sounds like jazz, reggae, folk, electronic, and many other sub-genres within.

Chris Berry (no name given)

Fyzz 
album available on bandcamp 5/1/2020
mastered by glyn maier

Fyzz

Originally broadcast on NTS Radio live 14:00-15:00, Tuesday 19th January, 2021.

Bons - Unbearable Likeness (Fruits & Flowers, 2020)
The Doozer - Oh Mary (Low Company, 2020)
Anna Peaker - Aster (Infant Tree, 2020)
Loopsel - Utebli (Mammas Mysteriaska Jukebox, 2020)
People Skills - Almost All of The Time (Sophomore Lounge, 2020)
The Reds, Pinks & Purples - Forgotten Names (Tough Love, 2020)
The Pheromoans - Febry (Alter, 2020)
Nina Harker - Du Schaffst es Nicht (Le Syndicat des Scorpions, 2020)
I Can I Can’t - Hobbyist (Low Company, 2020)
Alastair Galbraith - Platform (A Colourful Storm, 2020)
Treasury of Puppies - Sapfo Livin’ (Förlag För Fri Musik, 2020)
Joanne Robertson - Hit (World Music, 2020)
Delphine Dora - Ivre et Serpentée (Three:four/Meakusma, 2020)
Merula - Hor Ch’e Tempo Di (Men Scryfa, 2020)
Yuko Kono - Ginger (Self-released, 2020)
Jean-Marie Mercimek - Nocturnes 1 (Aguirre, 2020)
Belan - Homesick (No Corner, 2020)

Ulaan Markhor "In The Ravine"

Soft Abuse

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