wow old comments nice! it's 2022 here and still strong!

lotta beauty here... thanx Ope Loeb for turning me on!

Everything about this is perfect. Blown away!

Tallesen - Strike Silver Love Green
Grab the album, Stills Lit Through, via

Software: http://bit.ly/sfttallesen 
Bandcamp: http://bit.ly/BCtallesen
iTunes: http://smarturl.it/TallesenSlits
Amazon: http://smarturl.it/TallesenStillsAZ

Purchase from SFT

Tallesen - Strike Silver, Love Green

HTRK – Body Lotion

Body Lotion is a collaboration between Belgium's Sleeperhold Publications, Australian duo HTRK and London-based artist David Ferrando Giraut. The three tracks on the record—"Sugar," "Punch" and the title track, "Body Lotion"—date back to the sessions that led to the band's 2011 album, Work (Work Work). For any HTRK fan, the opportunity to hear three unheard Work (Work Work)-era tracks is reason for both celebration and reflection. Two of the songs feature the unmistakable basslines of Sean Stewart, who died in 2010, before Work (Work Work) was released. 

Both "Sugar" and "Punch" were recorded live in HTRK's London rehearsal room, the then trio of Jonnine Standish, Nigel Lee-Yang and Sean Stewart. On "Sugar," Jonnine's voice smolders through smeared drums and Sean's bassline. "Punch" is spare and confessionary; "Body Lotion" is suggestive, winking and bruised, a trademark HTRK hook submerged beneath the murk. All three tracks mutated from the recording sessions that ultimately led to Work (Work Work) track "Slo Glo." While they all stand as striking individual songs, they share subtle elements in common—a lyrical idea here, some guitar parts there. 

David Ferrando Giraut's distinctive artwork adorns Body Lotion's sleeve and one side of the wax. (All three tracks feature on the record's A-side.) The Spanish artist has a deep and intimate connection to HTRK—he was living with Nigel in London at a time when Sean would visit to sketch out songs in Nigel's tiny room. They've collaborated before, too: Jonnine has narrated and appeared in some of his films, while Nigel has provided the music. Giraut's previous installations have often carried a musical lean—he's used LP covers and turntables in the past—and he's found a rich stream of creative inspiration in music's ability to create meaning and change in memory and behaviour.

This year has seen HTRK return with Psychic 9-5 Club, a bold and triumphant album, one that marked the beginning of a new era for Nigel and Jonnine. Body Lotion presents a beautiful, bittersweet glimpse into the recent past. 

About Sleeperhold Publications:

Sleeperhold is a Belgian-based publication platform. It's aim: to produce ten outputs, spanning different realms of the arts, and then cease to exist. Its current project is a run of ten vinyl records—HTRK's 12-inch follow previous efforts from Tropic Of Cancer, Moon Duo and Disappears. Before the vinyl series, Sleeperhold put out a photobook, a poster set, a deck of cards and short stories. They say: "There is no recurring theme, there is no recurring format, there is no recurring audience."

SHP #5.4: HTRK - Body Lotion

High ambient female AI vocals over swirly music. The words are partly taken from the track titles of Eno's 1992 album The Shutov Assembly; partly invented by the AI.

Assembly of Whispers

Assembly Of Whispers

From "I Live in a Utopia"
Cassette
$6
Here: http://goatytapes.com/#!/tape/i-live-in-a-utopia/

Ignatz - We Used To Smoke Inside

@samoyed revives hibernating label Flask for the release of forthcoming album, 'Saturday'.

Pre-order digi above and vinyl via Redeye - http://www.redeyerecords.co.uk/vinyl/69310-

Read more on Dummy: http://www.dummymag.com/features/premiere-samoyed-angel-st-nunez

Premiere: Samoyed - Angel St. Nunez

Myttys "Sloggilukio" Oma333 No.024 

Seeing Myttys perform at H2Ö festival in Turku last summer was a jaw dropping experience. Certainly my favourite set amongst a damn fine line up and I demanded to release something of theirs before they'd even packed away their stuff.

I'd known Heta for years via Olimpia Splendid/Toblerones and Samuli from when he came to play with Clouds. The idea of them as a duo had gold stars written all over it but the results are far beyond my already high expectations. This is one of the best tapes I'll ever put out.

Delving in to the music and attempting to describe what I hear was quite a daunting task and my notes got kinda fun in the process. 
For example Lenak and Street Person made me think of Drunken Fist Kung Fu. Heta's effortlessly cool vocals (and the occasionally perfectly placed scream) echoed by either an imaginary twin sister or the weirdo boy next door. 
Ekkä Ota comes across like an off kilter hip hop soundtrack for a Sci-Fi film. 
Kallupää, Pamsypak and some of the interlude tracks sound, to my ears, beautifully close to the Broadcast and The Focus Group experiments of the "Witch Cults of the Radio Age" album and I hear traces of early Múm stuff in Paksotal. 
Another favourite Foliojakku holds its own unique beauty, quite different from the other tracks. Its machine music with heart and grace which builds and builds until waves of submarine echo's and rapid morse code sequences wash over you. 
Oh and the title track Sloggilukio is the bees knees! 

Certain parts of some of these tunes veer into territory only Finns seem to get away with. I find this hard to explain but there is a certain kind of relaxedness I often hear amongst my favourite Finnish bands which oozes either tons of self confidence or a massive indifference to not fitting into any kind of musical category. Or both. This unpindownable quality is what makes me instinctively trust most of the music which comes my way from there, in whatever form, yet I'm also aware of how blessed I am to have got to know the Fonal/Avarus etc crew so early on. 
The experiments they all create help make that country shine to me and I'm dead proud to finally be able to play a small part in that great history

133 jelly green tapes with white body printing will be made available from Feb 27th. Cover beautifully designed by the band themselves and risograph printed by Jan Matthé at Het Bos in Antwerp. 

Pre order; http://oma333.com/product/no24-myttys-sloggilukio

"Lenak" by Myttys from "Sloggilukio" on Oma333

FROM MY NUMBER ONE HIGH/TAKE ME DOWN THE DUNES 7" SINGLE OUT JUNE 2016 ON DUNNO RECORDINGS DISTRIBUTED WORLDWIDE BY RUBADUB GLASGOW

'First track sounds like dark twisted fantasy about carnival in some cheap tropical spa. The other one will reach your guts and throw them upside down.' 

COVER PAINTING BY TOMASZ KOWALSKI

MY NUMBER ONE HIGH

from the album 'precious systems' available 7/15

mj guider 'lit negative'

Physical: geographic-north.com/#/GN40-detail
Digital: https://geographicnorth.bandcamp.com/album/love-is-the-capital
Catalog #: GN40
Limited to 300 LPs on clear vinyl
Mastered by Paul Gold at Salt Mastering

'Love is the Capital' the debut LP by Hiro Kone, the recording alias of Nicky Mao. The album is a follow-up to the incredibly well received 'Fallen Angels' cassette, bringing with it some of Mao's most emotionally and politically driven work yet. It is Hiro Kone’s long coming opus, examining a number of all-too-relevant themes: capital, the state, egoism, anxiety, and steadfast optimism. 

The eight songs on 'Love is the Capital' highlight Mao’s austere, politicized techno battling for the greater good. Songs are visceral meditations of rhythm, noise, and melody in the vein of Pan Sonic, Chris & Cosey, Muslimgauze, and Kangding Ray.

The sounds were often recorded in scenes of isolation, whether physically or emotionally. “Infinite Regress” was during a trek with Roxy Farman (Wetware) up to the sleepy, upstate NY town of Palenville. There, frozen in a cabin with the most DIY of recording booths, Mao recorded Roxy’s vocals and what would be the track that would put into motion the entire album.“Less Than Two Seconds” was written in a single afternoon in late December 2015 when it was revealed that the grand jury had declined to indict the police officer who shot to death 12-year old Tamir Rice.

The taut techno, industrial minimalism, and aural upheaval is embedded in tracks “Rukhsana” (featuring Drew McDowall, formerly of Coil & Psychic TV, on modular synthesizer), “The Place Where Spirits Get Eaten,” and “Less Than Two Seconds,” an emotionally wrought blitz of serrated Monomachine tones flanked by timeless recordings of essayist, poet, and social writer James Baldwin. Mao ventures deep into heady, prismatic runs of hypnotic techno, on “Don’t Drink the Water” and “The Declared Enemy.” On opener “Being Earnest” and “Love is the Capital,” foreboding motifs brood their way back into the narrative.

Still, the album maintains a sense transformation, burdened with an alien tension– the awareness of an impending and necessary collapse. And what may come next.

Hiro Kone - Rukhsana (Feat. Drew McDowall)

Dormir - Rendezvous

From "Die Lieder: 1981, 1983, 1986"
Cassette, $7
Here: http://goatytapes.com/#!/tape/die-lieder-1981-1983-1986/

Tallesen - Strike Silver, Love Green

Software Recording Co.

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