Extraordinary. Some of the most magical and ethereal music I've heard in a long while.

very cool & relax....great ambiant mood!nice:))

sehr schöne sachen, die du hier machst. ich komme mit etwas mehr zeit zurück. die braucht man für deine musik. grüße

something quite simple here… but seeds for many more explorations.

i'm playing a Braids oscillator with a CV/Gate equipped keyboard. I've captured a loop of playing in the Phonogene, which churns along in the background and another loop captured on the Mungo g0. The g0 is receiving CV from various LFOs that's constantly changing the loop around and the combination of both loops is being fed into an Intellijel Corgasmatron filter.

Mar 13, 2014 (a slow play)

contribution for the "Postcards from Gowanus" exhibition : 
  http://postcardsfromgowanus.blogspot.com/
  http://www.voicesoundtext.com/

Tapete

Some tracks from the newest phonophani album

Nold

Summary of the Immediate

Jürgen Heckel, also known as Sogar, was born in Nuremberg in 1970 and has been living in Paris for 14 years and is now located in Munich. He started playing music when he was 19 and became part of several groups as a guitarist. He then got interested in creating and processing sound in unconventional ways. Thus Jürgen manipulates accidental sounds to create light and fragile melodic textures. The sources of these arrangements are guitars as well as sounds from mixing consoles, amplifiers, cables or other aural finds. These sounds are then reworked on a computer to become a music made of cracklings, and rich melodic oscillations exploring the extremes of the sound spectrum by associating acoustic technique and software.

Sogar’s music is formed of richly layered textures, a delicate transmutation of static and formerly “nonmusical” sounds, a music where the melodic elements are created out of particular sounds of uncertain origin. All elements in this music slide and cover one against each other, running into itself yet still keeps a very controlled balance, while creating myriads of peaceful new lifeforms in the process.
This music call attention by the constant wish to escape from any attempt of qualification or any act of nomination. Extremely dense and abstract as much as it becomes impossible to apply a classical epithet like “melancholic”, “sad”, “happy”, “beautiful”, etc, the music of Sogar is no less than a source of a new musical grammar. Without any conceptual thoughts his music is slightly but constantly transforming to become a sensitive translation of a state of mind nurtured by his subconscious.

Tapete

Sogar

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