È stato solo ieri
Di un lungo giorno
Il giro è chiuso già 
E tu dov'eri
Perché non sei arrivata prima
Non lo so 

Se una stagione muore 
Sa rifiorire
E dopo un cerchio che si chiude
Ce n'è uno da aprire 

Dimmi se in questo tempo
Tutto è reale o sei tu
Che accendi i miei pensieri
E mi fai volare più su 

Rimani qui
E stiamo soli per un po'
È di nuovo primavera
Se mi guardi lo so 

Non basta una vita intera
Se l'amore 
Sa ancora di primavera 

Rimani qui
E stiamo soli per un po'
È di nuovo primavera
Se mi guardi lo so 

È di nuovo primavera
È di nuovo primavera 


Copyright 2022 All Rights Reserved

Primavera

I started writing this composition at the end of 2021 and finished it in 2022. In that same year, I graduated from the Latvian Academy of Music, and before leaving for Cologne, my friends and I recorded the composition "Dance Dance Dance". The piece is inspired by Haruki Murakami's novel of the same name, where dancing serves as a metaphor for the search for meaning and finding joy and fulfillment in life. The title "Dance Dance Dance" also symbolizes movement and the pursuit of purpose in life. The protagonist of the book struggles with their identity and purpose, feeling stuck in a state of stasis. The act of dancing represents kinetic energy and being fully alive.

released January 20, 2023

Davids Bejers - Composition/guitar 
Alise Golovacka - Flute
Kristaps Lubovs - Tenor saxophone
Reinis Puriņš - Trumpet
Matīss Žilinskis - Piano
Emīls Bogdanovičs - Bass
Antons Visickis - Drums

Recording engineer, mixing and mastering by Alberts Levics
Art cover by Victoria Anns

Dance Dance Dance

Paradoxal Slumber

I participated in the event.
The project is to create a track in 2 hours within the constraints of the project.
The subject this time was "a song using a kalimba.
I came up with the melody when I was playing the kalimba I have at home in real life.
From there, I managed to meet the two-hour limit in time.
I decided that two hours was enough time to provide a sample to the client, so I had to proceed with the production in a well-structured and efficient manner,
Two hours would fly by.
So I have my hands full producing a 1:30 length.
I had a lot of fun during the production. 
I rarely participate, so listen to me ♥

Twitterで定期的に開催されている
深夜の2時間DTMさんに参加させていただきました。

制約縛りの中で2時間で曲を制作するという企画です。

今回のお題は「カリンバを用いた曲」

家にあるカリンバをリアルで奏でてたら思いついた旋律
そこからの2時間制限でなんとか時間に間に合った。
2時間はクライアント様にサンプルを提供するぐらいの時間と決めていて、段取りよく、効率的に制作を進めなければ、
2時間なんてあっという間にすぎてしまいます。
なので私は1：30ぐらいの尺を制作するのが手一杯ですね。

ソジュカノでカリンバって試したことなかったですよね？
制作中はとても楽しかったよ♪

滅多に参加しないから聴いて♥

For a event "Produce a track using the kalimba within 2 hours" on Twitter

Original track Music- https://youtu.be/Hz6c6kaFG5E
Vox - https://youtu.be/Ef4r--ssJLI
MOSNAR DET - Remixing, Drum Programming
Freeform flips with almost no rules. The SoundCloud Producers’ Collaborative. Reach out to join.

TSCP Flip Challenge 4 - M A R X _ T H E _ N I G H T _ A W A Y

Choir of souls 
Electronic Meditation track
Wanted to go back to seventies style of Tangerine dream improvised Electronic meditation tracks.

The Choir Of Souls

DawnOfThePhoenix2

Quintet: Zugth II

Marco Lucchi = piano
Jeff Gburek = voice, text
Rain = collected by JG

Splintered Voice One Hand Piano
Text by Jeff Gburek, a re-working of 
The Way of All Cacti, from my album The Perfect Storm
https://jeffgburekprojects.bandcamp.com/track/the-way-of-all-cacti

My world never moved on from there
What should I dare become?
Ready drifter, astro-naught,
multi-hyphenate creative?
Beginning on the margin again
Beginner, constantly "un-"
Constantly blown by solar winds
My follicles untether
Rods skip cones, my focus
pan-galactic smithereens
What flakes of sound can write this SNOW?
in which now loses as "S"
and then an "O"
What next?

I've never advanced a single step
Equilibrium, homeostasis
Tight fit, clinging fabric of pulsar
Entropy, everything so near,
no city, no center.
Just a fan blowing a breeze
for no face. Just a poem
spoken for, broken from
a gathering of the nations of words!
Who-hoa. Heart-beat caldera
Glowing blind, thumped
in hunch-back gloom

Must mist sybilline whispers

The poem really starts to come to life
when it being read for the first time
as if it were being written in the mind of the reader
who does a double-take, trying to figure
where it all comes from, where it's going
where the poem is coming from
inside itself, siphoned outward

Vociferous shift

Buy via BC

Splintered Voice One Hand

Western Plains

Original Score inspired by the Charlene Elsby novel Hexis

Holes Are The Spatial Immaterial

Sometime check my track.
I am Music Geek.
365 days,I have always struggle
for composition.
But I will never forget the benefits of music.
I am grateful to have met you through my work.
Anxious of  Peace,

LOVE YOU ALL.

-Soju-

曲を制作しています。
時々　チェックしてください。
音楽バカです。
365日　いつでも産みの苦しみで悶えています。
しかし、その音楽から受けた恩恵を。
出会えた様々な方たちに敬愛を。
艱難辛苦を越えた人生の生きる喜びを。
あなたと平和を。
言語も文化も越えた調和を。

 

ソウジュ拝

For a event "Produce a track using the kalimba within 2 hours" on Twitter

SoJuKaNoU

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