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Techno

SYNTHESIS - Deborah De Luca, Ballarak
SYNTHESIS ep
solamente 135
solamente records
sept 2021

SYNTHESIS - Deborah De Luca, Ballarak

https://www.beatport.com/release/fire-and-faith/3266295

Drag Me Out

Christian Cambas - Drag Me Out (Original Mix)

ProperLane_Samedi (Remix James Pumping) (Free download)

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Stephan Gee @ Plazma Live 11.11.23.

Jay Norris, Sylvie Miles - Beyond Time

Into The Dark

Structure

Stream/Buy: https://fanlink.tv/GR377

Sisko Electrofanatik returns to his label, Gain Records, with the release of his new 15-track techno album, 'Starboy' in celebration of his 20-year career.

This is Sisko Electrofanatik's first album, and it's a dynamic selection that showcases the Italian techno maestro at his very best. The album orientates around the peak time techno style that is trademark to his sound, while also embracing styles including progressive, electro, downtempo, raw and acid.

Based in Rome, Sisko Electrofanatik first broke onto the scene two decades ago when he was a regular feature of Carl Cox's record label, Intec. His captivating use of melody, intelligent sample selection, and energising percussion, have made him one of techno's most esteemed producers.

His music is regularly set listed by techno's most iconic DJs, and he has been signed to prestigious record labels including Alan Fitzpatrick's We Are The Brave, Monika Kruse's Terminal M, Spartaque's Codex, and many others of equal calibre.

Gain Records is Sisko Electrofanatik's own record label, and it's a globally respected imprint that regularly places inside of Beatport's Top 100 sales chart. It has a forward-thinking and innovative reputation, and Sisko Electrofanatik regularly uses it as a platform to release his own music.

Carl Cox has already supported tracks off this album in his DJ sets, such as the final track, "Alter Ego."

The album is a dynamic selection that sets the scene with the dystopian pads and suspense building acid of, "Starboy." The album then gets the listener locked in with the uplifting pads and hulking bass of, "Thrust."

"Ziggurath" is dark and brooding with it's throbbing bassline and electrifying lead synth. The next two tracks, "Syntagma," and "Zork," continue on the same peak time vibe, then "Opale" has a raw and hypnotic groove.

The seventh track, "Get Lost" features the voice of Lory who is a singer from Rome, and it's a melodic techno track with an emotive vocal. "Ad Astra" picks up the pace again with its dark and hammering groove.

"Elements' featuring Leah Rose keeps the dark atmosphere, but has an extended breakdown with a powerful vocal. Track ten is the downtempo "Acidland," which is a trippy slice of electronica with acid synths and cinematic pads.

"Imnot" lifts the intensity with its high-octane groove and dubby pads, then "Diapason" is a deep minimal track with house influences. "Supernatural" brings things back to peak time, then the tense pads of "Fable" is the penultimate track, before "Alter Ego" closes the release with its hypnotic flow.


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Produced by Sisko Electrofanatik
Recorded, mixed and mastered by Francesco Fortuna at Gain Studio (Rome)
Additional vocal recordings by Lorena Micagli aka Lory at Lrs Factory (Rome)
and Leah Rose Wilding aka Leah Rose (London)
Photo by Marino Festuccia
Artwork by F.Fortuna Art&Design

Special thanks to all my Family, friends, collaborators, supporters and Stefano SDG.


©️ 2025 Gain Records | Gain Plus
www.gainrecords.com
#SuperTechno
#WeAreWhatWePlay
#Dreamtechno


STREAM/BUY

Sisko Electrofanatik feat. Lory_ - Get Lost (Extended Mix)

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Alio Olio - Underground

Alan Backdrop - R090018 [free download]

Chemical Brothers - Under The Influence

The Dø - Dust if off (Creeds&BJ rework)

Hydrophonic 30 - No System
by
Ed Veg
https://soundcloud.com/edveg-nosystem
& DJ Kyem
https://soundcloud.com/dj-kyem-nosystem

vinyl out in april 2018

B - DJ Kyem - Malaka kids

Zurück auf D.S.R. Meine nächste Release kommt am 6. April dieses Jahres

Tommy Libera - BOUNCE WITH ME (Original Mix) // Preview

Pre-order: https://fanlink.to/LitAoM

SoundCloud.com/Pleasurekraft 
instagram.com/pleasurekraftofficial
Facebook.com/pkmusic

soundcloud.com/thisisamalgama
facebook.com/thisisamalgama
instagram.com/thisisamalgama 
twitter.com/thisisamalgama

Picking up where 2018's debut album left off, Pleasurekraft continue their foray into the Cosmic Techno sub-genre they helped usher in to the dance music lexicon.

The new album Love in the Age of Machines is in no short supply of the sonic signatures the production duo have become known for, there is a clear maturation at work here.  The album's non-techno tracks showcase an artistry rarely seen in conventional dance music and techno in particular. From the gritty dystopian future that establishes the album's themes at the onset in Last Sapien, to the dark, rainy, urban-lit textures that form the spine of Nostalgic for the Future, there is a sense of impending self-wrought catastrophe, tempered with a sense of wonder of all that is, and all that could be if humanity somehow overcomes its hubris. 

Things get more intense and turbulent on Panopticon (The Patron Saint of Global Surveillance) [ft. Thomas Gandey] before the voyage to the edges of our galaxy continues on I Sing the Body Electric & Main Sequence which keep up the enthralling techno atmospheres with increasing pressure, before the tension is released with the cinematic grandeur of Novacene. Two more hard hitting bangers in At The Mountains of Madness and Primordial then rebuild the all consuming techno mood before you're left adrift in the cosmos with the album's swan song Requiem For the American Dream.

As Kaveh Soroush of Pleasurekraft puts it, "Without sounding too reductionist, humans are simply a bundle of biochemical algorithms with a few holes at either end, who mistake their sensory experiences as objective, and their sense of self as something concrete, when in fact science reveals to us with each new finding that our basic intuitions about reality and the world around us have not evolved much from our first ancestors, who just wanted to make sure not to get eaten for long enough to feed and procreate on the African savannah. While there are certainly wonders about the Cosmos we have discovered given our enlarged frontal lobes, and technologies that we've invented dating back to when the first tool was built thanks to an opposable thumb, we haven't been the best custodians of the only planet that can sustain us, and history makes it abundantly clear that our wisdom lags far behind the technological advancements we develop with each new day."

Despite the overtly pessimistic tone, ultimately there is a sense of potential change on the horizon. That perhaps a species which has come up with abstract ideas of love, justice, liberty, and created works of immense artistic and scientific beauty, might just find a way to correct course before it's too late. This sense of wonder is in full display on The Occupant, and the potential seed for our enlightenment is planted in Corpse Reviver Number 3, a track brimming with homages to the love of philosophy and its place in navigating a more examined life.  

Ultimately Love in the Age of Machines feels like a dystopian sci-fi soundtrack written for optimists who want to change humanity's looming fate.  While still firmly rooted in the techno genre, the album evokes themes and ideas that are universal to the human experience and our place in the Cosmos, and it is this aspect of the album that makes Love in the Age of Machines such a rewarding musical experience.  It's techno that is at once accessible and intelligent, a combination rarely heard in today's endless sea of dance music.

Premiere: Pleasurekraft - At The Mountains of Madness

Plasma Globe

Plasma Globe (Disscut Remix)

ZOMBIE NATION  - Deborah De Luca edit
august 2020
FREE

ZOMBIE NATION  - Deborah De Luca edit


Suivez et écoutez LarsoteK ♒ 

Approximatif Sound System 

Liens utiles: 
https://larsotek.bandcamp.com/
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https://www.youtube.com/channel/UCk0wmDvzL_-Ett_OfKGmhQQ

record label founded by Deborah De Luca
INFO / DEMO: deborahdeluca@live.it

SYNTHESIS - Deborah De Luca, Ballarak

Solamente

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