Jazzy Sounds

Movezerbe - Eau (Dendrophile, 2009)

Peter and Kerry - One Thing (live)

http://howiewonder.bandcamp.com/album/within-ct

Iરнутнυм.韵律 - within - 09 #7

Sunset

Stream/DL

New sounds (self-produced, and why not?) leaking on the road to GrandeMarshall's third project My Brother's Keeper. Be on the lookout for more leaks, and the eventual release of MBK in the Spring of 2014. #OPEN

twitter.com/grandemarshall

Open (Prod. by GrandeMarshall)

Spinning Top (Flamingosis Remix)

Morning Paradox

The River Strumming

Chewing Gum (Concrete Tooth Mix)

Eternal Shore

Baboon Strength

Fine Corinthian Leather

Gift Horse b/w I Was On Time

I Was On Time

Nice Swan Records are excited to announce they are joining forces with the team from RIP Records in launching the new monthly Nice Swan Introduces... series. The two labels have discovered and released debut tracks from some of the finest talent over the past few years including Sports Team, Pip Blom, FUR, Phobophobes, Peluché, Dark Bells (Haai)
& Black Manila (Mellah), Hotel Lux and many more. The series will introduce a new and exciting talent on a monthly basis – spanning genres – and present a stepping stone for acts yet to have any team around them.

The first in the new series comes from South London’s Jelly Cleaver, the latest musical sensation to emerge from the exciting Jazz scene of the capital. Her new track ‘Feeling Fine’ features rapper Shunaji, a graduate of Gilles Peterson’s
Future Bubblers, and Maddy Coombs, a rising saxophonist on the London Jazz Scene. It’s due for release April 28th via Nice Swan Introduces Series.

The self-taught multi-instrumentalist has been playing guitar ever since she was old enough to pick one up and with a wide range of musical influences including classical, soul, “world”, folk and experimental. Jelly’s sound has naturally headed into the musical freedom of jazz with hip-hop elements born from previous projects that included a punk band and an African drumming choir.

This is the second single from Jelly’s innovative new project Reimagined, following on from They Don’t Know released in
November 2019. For this mixtape she has produced tracks based off sampling her last critically acclaimed album The Dream Jazz Manifesto (played on BBC 1xtra, Rinse FM, Worldwide FM and others). Feeling Fine samples her tune
Angela, reimagining it as a chilled-out, old-school hip-hop track. Jelly, who recently won the Steve Reid InNOVAtion Award, has previously been called “the next artist to make an impact on the London Jazz Scene” by Supreme Standards
and been compared to Moses Boyd, Esperanza Spalding and Hiatus Kayote, but this mixtape sees a radical departure from her jazz/DIY roots and her first strong statement as a producer and beatmaker. The project has been funded by Help Musicians Do It Differently Fund, and the full mixtape is due for release in May 2020.

‘Feeling Fine’ is a woozy track about the good times, dreaming about summer days and being your best self.

Her two collaborators definitely share in this vibe. Having met as part of the house band for a jam session at Brainchild Festival several years back, Jelly and Vanessa Saul (artist name Shunaji) became good mates and frequent collaborators, with Jelly supporting Shunaji for her Blue Melon EP release and featuring on a track from her upcoming EP. Jelly knew Maddy Coombs though Tomorrow’s Warriors, the jazz education organisation credited by many for creating the current London jazz scene, with alumni including Ezra Collective, Moses Boyd, Shabaka Hutchings, Nerija and Nubya Garcia.

Feeling Fine

Spotify/iTunes

Jelly Cleaver Ft Shunaji & Maddy Coombs - Feeling Fine

Amo Amo – Canta

Out now on Pacific Standard Records

Listen / Buy: https://stem.ffm.to/canta

“The beauty, cooperation & abundance found in nature embodies the earth’s deep love for us all. Each part of life sings it’s existence and contributes to this great love song! Bees pollinating flowers, whales singing to one another, even when one being dies to nourish another we see the cycles & interconnectedness of life. ‘Canta,’ meaning ‘Sing’ in Spanish, asks us to think deeply about what it truly means “to love” & implores us to do our part to care for all life, all earth, with our actions.” – Amo Amo

Follow Amo Amo:

Website: https://bit.ly/amo_amo_website
IG: https://bit.ly/amo_amo_IG
FB: https://bit.ly/amo_amo_FB
Twitter: https://bit.ly/amo_amo_twitter
Spotify: https://bit.ly/amo_amo_spotify

Coyote coyote

Canta la luna
Canta la vie
Once was an Eagle
Now is a bee

Canta el arbor
Canta la flor
Sing the whales
From the oceans core

“Love me the way you say you do
I’ll love you the way I say I do”

Once was a goat
Now a mountain lion
Such is the way
For all beings alive

Let there be death
Let there be birth
Such is the way
For all beings on earth

There’s still a little more room
Left in my heart for you yeah
So love me the way you say you do

Canta

Amo Amo – Canta

Beat for "Tea Session" compilation album.

Spotify: https://open.spotify.com/album/2Ol9h5eGQgQ3BK7TA9MYMu?si=EyuQPmUgR6C47yz0FH8zLw

Rose

Sola Rosa, the long-running project of New Zealand producer Andrew Spraggon, has never lacked stylistic ambition. Over the past two decades, he's taken an omnivorous approach to genre—soul, R&B, funk, jazz, hip-hop, and the occasional nod to pop—all filtered through a lens that favours polish and warmth over flash. It’s music that feels lived-in rather than lab-engineered.

Since winning Best Electronic Release at the 2001 NZ Music Awards for Solarized, Spraggon has quietly built an international rep. There’ve been remixes from Tall Black Guy, Hermitude and DJ Vadim; sets at Secret Garden Party and Green Man; praise from Rolling Stone, Mojo, and more. Yet he remains a bit of a secret—an underground mainstay rather than a household name.

The 2020 LP Chasing The Sun marked a return after five years and proved there was still plenty left in the tank. Now, 25 years into the Sola Rosa journey, comes New Tomorrows: a taut, considered EP that feels less like a statement and more like a bridge between chapters. The collaborators remain—singers, writers, players from both sides of the Tasman—but there’s a quiet sense of closure. A drawing of breath before something sharper.
That “something” is already coming: a new album lands later this year, with Spraggon stepping further into the foreground. Watch this space.

Spinning Top (Flamingosis Remix)

Sola Rosa

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