Angel Remixes

Angel (Jerome Sydenham Vocal Dub)

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Premiere: Josh Wink - Rouge Acid [Brique Rouge]

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Anchoret - Next2nil (Deetron Remix)

Vinyl - https://www.decks.de/track/marco_bailey-nocturno_reworks_ep/cmv-hk

Digital - https://www.beatport.com/track/infinite-shine/19107106

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Marco Bailey - Infinite Shine (Ian O'Donovan Remix) [Materia] Out now on clear vinyl & digital

That Bass

Out now: https://orcd.co/rekids2024rs

Seasoned remixer Matt Edwards, AKA Radio Slave, closes out his Rekids label’s 2024 with three reimaginations of some of the imprint’s biggest tracks of the year, extending the runtime of all versions beyond the ten-minute mark for wonderfully expansive journeys reminiscent of Edwards’ early dub days.

“Sometimes, you just need to scratch that itch, and I’ve wanted to add my twist to these tracks for quite some time. I am revisiting a period of my productions where I just let things flow. No frills, deep, bumping, hypnotic grooves; I really enjoyed doing these remixes. It’s a great way to finish an incredible year for the label and a shape of things to come in 2025.” - Radio Slave

Moodena & Charles Levine’s ‘Badman’ is up first, with Radio Slave stripping it of its larger-than-life classic House sounds and turning it into a low-slung hypnotic ‘T ell Me Something’ dub. He reworks Man Power & Louisahhh’s ‘We Trawl The Hurts’ next, an introspective trip with daydream piano keys and an irresistible organic groove. Finally, Rekids favourite Hilit Kolet and her ‘Snap T alk’ face Edwards’ deep, chord-infused drums, welded seamless and smooth with Kameelah Waheed’s iconic vocal from the original.

Radio Slave ‘Rekids’ Remixes is classy business from a remix veteran still at the top of his game after more than
twenty years.

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Man Power - We Trawl The Hurts feat. Louisahhh (Radio Slave’s ‘2000andSix’ Mix)

Acidité is a track I produced during a very quick session in my Marseilles studio in late 2023. I think the idea was to produce dance tracks that would have a certain harshness to them and sound sort of unpolished. I realize that is what I end up liking the most when it comes to dance music - when it sounds as being straight out of the home studio, with very little means and maybe some « mistakes » left here and there for the sake of it. Acidité revolves around 3 main ingredients - a Behringer TD3 riff (the Behringer cheap reincarnation of the legendary TB303), a conga loop and an iconic JB funk stab sample. It segues midway into a more trancey and motoric tunnel like techno track, driven by a « lately bass » straight line.

DGTL039: The Populists - 'Acidité' (radio edit)

Laurent Garnier has handpicked six fresh tracks for COD3 QR's first release of 2025: [QR]D.024.HDZ.25.

Dukwa kicks things off with “Waves.” A seasoned Italian DJ and producer, Dukwa has been honing his craft for over a decade. From his early solo work on Bosconi to releases on Don’t Be Afraid, Numbers, Shall Not Fade, and his own Dukwa Music, his sound has evolved into something raw, punchy, and always meticulously crafted with hardware, sampling, and editing.

Next up is Victor Santana with “Jilter All Day.” A Madrid-based DJ, producer, and multi-instrumentalist, Victor has always been dedicated to uniting the crowd through music. Having released on labels like Subsist, EPM Music, and Motech, he’s also the founder of Chaval Records, an imprint set to make waves soon.

Hard To Tell (Roy & Roi) bring the energy with “Feeling Alright.” Known for their hypnotic grooves, they fuse Detroit techno, house, new wave, and breakbeat dynamics into magnetic club bangers. Their tracks have been supported by Dixon and Âme, with recent releases on Secret Weapons, Sums Over Histories, and Siamese.

French artist Squal G brings a driving techno track with “Face.” Passionate about electronic music since the ‘90s, Squal G has dabbled in various styles while staying true to his roots in techno. As the producer and manager of Slates Records, his sound is versatile and ever-evolving.

Danny Daze follows with a gritty electro anthem, showcasing his risk-taking approach to music. A Miami native deeply influenced by the underground Dutch electro and Detroit techno scenes, Daze has expanded his reach beyond techno, working on runway soundtracks for top brands and producing for his label, Omnidisc.

The collaboration between Djoy De Cuba and Joyvan Guevara (aka Djoy De Cuba) brings the atmospheric techno drone of “Vertigo.” Born in Havana and based in Tampa, Florida, Djoy De Cuba is a pioneer of Cuban electronic music and founder of the ROTILLA festival.

Finally, French producer Marcelus (under his alias Rosegreen) closes the EP with the ethereal electronica of “Lotus.” A discreet yet respected figure in the techno world, Marcelus has built a strong reputation with releases on Deeply Rooted House, Tresor, and his own Singular Records, as well as a residency at Berlin's Tresor club.

This diverse EP represents the breadth and depth of COD3 QR’s ongoing sonic exploration, bringing together some of the most exciting names in electronic music today.

03- Hard To Tell - Feeling Alright_PREVIEW

with 2024 being the first year in which I started finishing tracks, this second EP reflects my feelings at the time of production.

Mastering by: Mattias Fridell @fridell
Picture by: Melissa

Pay What You Want

Reborn

Spotify

Station Attack

The V3 session dives into trance-coded signalwork, hypnotic descent, and deep industrial atmospheres.
Layered with dreamy techno, tribal hardware pulse, acid erosion, and cinematic trance collapse — this is the sound of post-human invocation.

Rituals aren't played.
They're transmitted.

Includes machine-voiced sequences: "SYNCHRONIZE" (intro) & "ECHO PROTOCOL" (outro).

🕯 Hosted by ApØtheØsis
🜄 Powered by ÆTHERFLUX RΞCORDS
🎧 Listen without distraction. Darkness recommended.



#MachineRitual #Apotheosis #ÆtherfluxRecords #PostHumanPulse #RitualMix #DarkTechno #TranceCollapse



Anchoret - Next2nil (Deetron Remix)

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