The Upload 146

Today i'm sharing a new single i've made in a collaboration with the homies over at Cultura Records that's operated by Maple Syrup - A collaboration between them and also the Urbnundrgnd movement. I hope you'll vibe to the new beat i've made! It's available on all streaming services today! 🥳

🎧Stream

Watanabe

Spotify: https://open.spotify.com/track/41IFWwfQmazoGRI0Uok0Fl?si=388814988411445d
Apple Music: https://music.apple.com/us/album/lifetime-impression-instrumental/1585999527?i=1585999528

Instrumental for: https://soundcloud.com/tapeheadloops/lifetime-impression

I had to go all out when I mixed this beat. The drums are all layered so thick, there’s about 4 hi hats, 6 kicks, and 6 snares which are all mixed together to give the drums weight. The way I chopped this sample left some vocals in for split seconds, which sounded like scratches because of them being right at the end of a chop and cut off, like how a fader cuts out a scratch when the DJ spins a record back. I thought this sounded cool but it only happened once in each 2 bar loop of the sample, so I decided to add some of my own scratches from a few break records I have. I used ‘Super Seal’, and recorded some scratches of snares and the famous ‘yo’ sample at the BPM of the beat. Layered with the drums this sounded crazy to me, it gave the beat a different vibe, I’ve definitely said before how much I love how scratching sounds, and it was cool to incorporate it into this beat in a more permanent, less obvious way, not just something for the hook. I also layered the sample 3 times, 2 filters, one high one low, and a standard mix, which I layered, soloed etc throughout the track. This was unbelievably long to do without quantization (which is how I flipped the sample originally), so all 3 had to perfectly match each other, which took hours to sequence. I fully kept giving up but knew the beat needed the layers on the sample to really do it justice (especially the groove that’s added by filtering the lows), so I just stuck by it, and sequenced each chop individually, so I was hitting the pad at the exact right time, which ended up with the beat sequence being 30 tracks on the MPC (they’re usually 15 or so). It was definitely necessary to do this, because the contrast of the smooth flows of the low end to the scratches and samples really gives the track variation, and gives it a lot more presence throughout, definitely was worth the time and effort.

Peace!

Lifetime Impression (Instrumental)

darkseid

See Dee - Special Way

c'est la vie [kilamdapro]

warlock

stream on spotify https://open.spotify.com/artist/36r4ltZmLqtiDBdAs9XSqn?si=eclzdQPOTW2GlYnuiF2trw&dl_branch=1

A Lot Of Noise For Nothing

Filla

I need more.

gold

sonics

die for it

no delayed uploads- 
so yeah i did this last night and needed it out immediately. so HA.. 

!enjoy<3 
*+
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velocity*+

Days Like Honey

yeah i'm not finishing this lol but uh here cop oddy's & omar's new kit

https://oddwin.beatstars.com/sound-kits/the-materia-pack-oddwin-x-omarcameup-drumkit-30421

materia

bootleg of @thecolorsage 's "delete me"
https://soundcloud.com/thecolorsage/delete-me

august3rd (ft. sage )

Bumping Music Since '98
Hardcore Listener of Superb Tunes 

-Live Your Life Homies & Homiettes-

warlock

‍solarwick.

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