Up next in our 10 Years of Blackout celebration streak we have Disphonia returning to the label. Entropy has everything you expect from the Greek duo, putting the funk back in neurofunk with an acid-influenced bassline and the cleanest of mixdowns.

Get Entropy here: https://bfan.link/entropy-1

Follow Disphonia:
Instagram: https://www.instagram.com/disphonia_/
Soundcloud: @disphonia
Spotify: https://open.spotify.com/artist/0vB2UZj43XwHAyF1lMqpRj
Facebook: https://www.facebook.com/disphonia

Disphonia - Entropy

Throwback to year 2019, collaboration with my fella Mizo!

Buy on Bandcamp: https://trilo.bandcamp.com/track/trilo-mizo-ten-presses

Ten Presses

Trilo & Mizo - Ten Presses

🚨 Follow the 'Hardstyle Daily' playlist: www.dirtyworkz.com/spotify



Primeshock ft. CODA - LIFEH4CK

Imposter

NEVSX - Set Me Free | FREE DOWNLOAD

Follow me on TikTok & YouTube

NEVSX - Set Me Free | FREE DOWNLOAD

🚨 Follow the 'Hardstyle Daily' playlist: www.dirtyworkz.com/spotify

STREAM

Aria - Metamorphosis

Bad Behaviour - Frozen

Listening may cause uncontrollable, wayward movements of human appendages, dizziness and in some rare cases vivid hallucinations and paranoia. Listening discretion is strongly advised.

@qosobu
@hoofbeatsmusic

HBM015

QO & Trilo - Push It To The Limit

Life in the gutter of small town America was nothing new for Darrel Santiago, but after a brutal storm hits the sleepy beach town of Silver Lake, its once peaceful citizens transform into blood-thirsty maniacs! It is up to Darrel and his motley crew of ne'er-do-wells to get to the bottom of this phenomenon, and what they find is a hellish nightmare that they could never have imagined. Evil is at work in Silver Lake and it is literally tearing its inhabitants apart. Whatever you do...try not to PANIC!
____________________________________________________________

In the summer of 1980, just outside of Staten Island’s scenic Silver Lake Park, a small team of ambitious, young filmmakers set out to make a motion picture that would be regarded as the most gruesome and controversial horror film of all time. Written, directed and scored by the aliased phenom, Destryur (“Endurance” 1976, “Midnight Maniac” 1979), “Panic” or “Panic! Curse of the Vile” became an overnight cult hit, portraying graphic images of demonic possession and grotesque imagery. It capitalized on the recent wave of public shock in the occult known as the “Satanic Panic”. Shot in the course of only two weeks on 8mm film and a shoestring budget, the picture plunged Destryur into the realm of amateur cult film-making and a notable director/composer in genre cinema. The film also featured guitar slinging celebrity Dominick Martes of rock and roll supergroup Wild Street in the lead roll as street-wise punker, Darrel “Grimer” Santiago along with Cobra Wipeout as cinematographer, supporting actor and fledgeling composer. We’re still not sure what his actual name is. Cobra was currently working with Gold Line Pictures, a studio specializing in B-Horror and mob-funded exploitation films such as “Murder of Crows” 1974 and “Swamp Thing” 1979. Destryur also enlisted the writing talents of another aliased master of the subversive. Prestigious science-fiction-horror writer, artist and composer STRNGR (“The Skurge” 1968, “Mass” 1973) who had recently returned to the states from Italy after finding success in the European horror movie market. “Panic” went international only three months after it’s initial screening at Tales of Terror Film Exhibition in Greenwich Village where it received a notable tip-of-the-hat from some of horror cinema’s most celebrated film makers. The film was almost immediately boycotted throughout Europe. A violent protest broke out at a midnight screening in Istanbul resulting in the entire theater burning to the ground. Meanwhile, in the states, outrage escalated with various public interest groups demanding that the film either be removed from theaters or undergo strict censorship. However, even after the studio’s agreement to censor, picketing continued and threats from many religious organizations overwhelmed the Film Board. On October 1, 1980, “Panic” was officially pulled from every theater. Some say this marked the end for Destryur’s career. Some say it was only the beginning. Today, you can find Destryur at a monthly midnight showing of the film at St. Vitus Cinema in Greenpoint, Brooklyn hosted by Sam Valentine.

____________________________________________________________

Special thanks to everyone involved in the production of this album and you for buying it. A big thank you to Sam Valentine for pushing me to make new music to play live. I hope you genuinely enjoy this album just as much as I've enjoyed making it. 
credits
released October 1, 2019

Guitars - Dominick Martes

Additional Programming - Cobra Wipeout, STRNGR

Remixes by DreamReaper, Misanthropix

Mixed and Mastered at Gold Line Studios in Brooklyn, NY

MBR011

Killer Looks (Misanthropix Remix)

TDHDriver - Space Holidays

Composed and arranged by Alexander Bez, vocals by Irina Bez and Alexander Bez.

Digital Album : TDHDriver - Digital Galaxy https://spacesynth.bandcamp.com/album/digital-galaxy

-----ALSO AVAILABLE AS CD----- https://spacesynth.bandcamp.com/album/digital-galaxy

TDHDriver : https://www.facebook.com/tdhdriver

https://www.youtube.com/user/TDHDriver

http://heaven42.ru/

TDHDriver, Discogs : https://www.discogs.com/artist/2790756-TDHDriver

TDHDriver - Space Holidays

OUT 5th October

Facebook : https://www.facebook.com/Trilodnb 
Instagram: https://www.instagram.com/trilo3lo/ 

BUY/STREAM: https://li.sten.to/SrmMOHL 

Now over ten years deep in the game, decorated Slovakian drum and bass
veteran Trilo has amassed a loyal following thanks to his natural ability to juggle intricate melodies with unrelenting bassweight. Best known for his contributions to the neurofunk scene but equally comfortable producing myriad styles of D&B, the now Kraków-based producer’s vast back catalog spans prestigious labels including Renegade Hardware, Bad Taste, Eatbrain and Let It Roll. His most recent offering, 2019’s “Rush”, saw him collaborate with Bad Company UK legend Vegas. Now keen to explore his own musical identity rather than conforming to labels’ often rigid sonic requirements, Trilo has opted to self-release his music via his own label, Trilo Music.
First up on the label is the new single “Sion”, a barbed belter which opens with epic leads, cinematic pads and swirling FX before catapulting into a stunning climax dominated by gravelly basslines and vicious drums. A triumphant showcase of the signature style Trilo fans know and love, this serves as the first in an upcoming string of similarly heavy and technical releases on the label, set to be imminently released on a bi-monthly basis. In
the near future, however, expect Trilo Music to encompass a broader range of music across the D&B spectrum, including plenty of exciting collaborations with other titans of the scene.

Imposter

CR84M

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