Historias de comienzos es un proyecto financiado por FONDART, Convocatoria 2016.

Cesar Gabler_Historias de comienzos_2016

Maria Gabler_Historias de comienzos_2016

Raimundo Edwards_Historias de comienzos_2016

Joaquin Cociña_Historias de comienzos_2016

Javier Rodriguez_Historias de comienzos_2016

Claudia Muller_Historias de comienzos_2016

Patricia Dominguez_Historias de comienzos_2016

Michelle Letelier_Historias de comienzos_2016

Relatos que forman parte del trabajo Historias de comienzos, Museo de Arte Contemporáneo, Santiago, Chile, septiembre-octubre de 2016. 

Voces de los artistas Joaquín Cociña, Felipe Cooper, Claudio Correa, Patricia Domínguez, Raimundo Edwards, María Gabler, César Gabler, Ignacio Gumucio, Michelle Letelier, Claudia Müller, Pilar Quinteros, Tomás Rivas, Pablo Rivera, Javier Rodríguez, Francisca Sánchez, Carlos Silva.

Historias de comienzos es un proyecto financiado por FONDART, Convocatoria 2016.

Historias de comienzos_audio

Sonata for a crisis is a collaborative project between visual artist Soledad Pinto and musician Roberto Garretón. It is an audio piece that emerges from the assemblage of the recorded sound of numerous walks developed following diverse trajectories by and through Santiago de Chile. Each recording gives account of the particular movement and frictions of a body: the pace, discomfort and difficulties when wandering around.
The piece aims to connect the ideas of walking and crisis as moments that leave profound imprints, as events that allow detours and the dislocation of planned trajectories to emerge, and the encounter with a number of interferences/obstructions/noises. The final musical composition tries to capture a kind of universality of the crisis phenomenon, aiming to explore and expand something close to a “sound model” for the concept. 
The musical beat of Soledad’s walking pace is the material used by Roberto to compose that “model”. Though it is true that our steps respond to a certain rhythm and learned discipline, Sonata for a crisis explores the very tension between that habitus and the potential indiscipline of walking itself.

Sonata for a crisis was exhibited at Crisis, crisis, crisis, la normalidad de la emergencia, Matucana 100, Santiago, Chile.

Sole Pinto

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