congrats on the album, awesome sound design as usual

Immortal Observer

Music Video: https://youtu.be/SWv_UJCizBk

Presenting my HYPERGLITCH series EP - Multiverse! 

I am beyond excited to share this with you, as it has been in the works for quite a while now! A huge thanks and a shoutout to Woulg for curating the HYPERGLITCH series and giving us this opportunity. I am honored to be a part of it! As well as a huge thanks to Detroit Underground for taking the series further!

Album description by @woulgmusic:

"Melancholy isn't just a feeling in this album, it's a taste, it's a texture, a shroud that encompasses you while you listen. Abroxis has an incredible talent of pulverizing you with heavy, lumbering beats and basses and somehow pulling you out of your body and letting you float over top of it all with his synth lines. This album is really a synthesis of the brutal and the beautiful. It's a sort of emulsion of the two in a way that seems almost impossible. It reminds me of that type of silence; the type you only hear in the worst situations. When time slows down. When the driver loses control of the car on the highway. Swerving from left to right as he overcorrects. There isn't enough time to really think anything, you know he's going too fast. There's that moment where you feel frozen. It's the moment where you know what is about to happen, but it hasn't happened yet, and you're trapped just waiting for it. That's when time slows to a stop for a moment. That's when the silence really settles in. Abroxis has somehow crystallized that feeling into the sound of an entire album. 

I think a core aspect of everything that I tend to think of as "hyperglitch" has a taste of this melancholy, but with Abroxis, it's really on full display. There's something unique about the way that really elaborate, intricate and at the same time brutalizing sound design can describe the sort of helpless violence that can accompany a deep sadness. And the sadness, despondency and apathy can be depicted so accurately with exactly the types of textural, hyper-detailed synth manipulation that is on display in Multiverse."

Composition, production & mastering by: @Abroxis
Released by: @detroitunderground
Artwork by: ANTIREAL (@n2-music)

Bandcamp

Silver Sun

My entry for Mutant Breaks Competition #13 - "Temporal distortion"

Clockdrifter

From 'Encircle'

solemassif.bandcamp.com/album/encircle-3

Rotating Blades

Tracks by user q e b r u s

Mr Bill & Qebrus ⍎ ２，５－ｄｉｍｅｔｈｏｘｙ－４－（ｎ）－ｐｒｏｐｙｌｔｈｉｏｐｈｅｎｅｔｈｙｌａｍｉｎｅ ⍎  uoᴉsɹǝʌ snɹqǝb

The third installment to the Glitch With Friends compilation series is OUT NOW -  October 6th! 

Meticulously crafted hyperglitch, seething bass, and mesmerizing drone await your listening pleasure.

Glitch With Friends: Compilation Volume 3

Disharmonic Interference

izoláltrendszer+esze_veszett - Imaginary Landscape No.ᄅᄅ

https://solemassif.bandcamp.com/album/embrace

Embrace

This track was originally started in 2020 and recently finished after years of sporadically working on it. Newer music on the way soon.

Origin Echo

Window

underlies

ESTATE is the debut AKHET Edizioni issue: an assemblage of unreleased works contributed by the many artists who participated in AKHET’s first year of site-specific programming in Naples historic centre.

The 26-track compilation features Aspec(t), Ausschuss, Cadaver Mike, Canedicoda, CECILIA, Ciro Vitiello, Compsa, D.Ham, Deskulling, Eks, Elisha Morningstar, Elvin Brandhi, Eraclio, Flora Yin-Wong, Forest Factory, Franco Franco, I Jahbar, Koenraad Ecker, las vegan, Le grand K, Lorenzo Abattoir, Luigi Monteanni, MIIIN---AMOR, Nocturnerror, NPLGNN, NZIRIA, Radford Electronics, Rabit, Renato Grieco, Sara Persico, STILL, Talpah, Tarawangsawelas, Tati au Miel, and Yokel, serving as a convergence of dissonant practices and collective gestures. Traversing the volatile terrains of noise, improvised sound, avant-garde folk, experimental rap, and post-club mutations, each piece embodies the tension between transient environments and enduring creative dialogues.

ESTATE, the Italian word for “summer”, concludes AKHET’s first cycle of programming. This cycle, reflecting on the impermanence of seasons, unfolded through three mini-festivals ("Autunno", "Inverno" and "Primavera") and a traveling review ("Caldo Astratto"). In a time when seasons melt into one another and winter feels disturbingly melded, ESTATE serves as a temporal marker, reimagined here amidst shifting climatic and cultural cycles.

Conceived as both artifact and reusable ephemeral, the release materializes as a limited edition of 101 tin cans designed by Canedicoda, each containing a USB microchip and other delicacies, while photographs by Salvatore Pastore document its materiality. The digital artwork by Augusto Fabio Cerqua extends this material dimension into a visual language that resonates with the conceptual and aesthetic framework of the release.

Curated by AKHET.

Mastered by Heba Kadry (Track 1) and Guido Marziale (Tracks 2 to 26).
Design by Canedicoda.
Photography by Salvatore Pastore.
Artwork by Augusto Fabio Cerqua.

Cat. No. AKHT001
© AKHET Edizioni 2025

Sara Persico & Koenraad Ecker - Saywhereyouwantit

Album description by @glitch-dot-cool:

Last summer we had the opportunity to release the mindblowing *Liminal in Hospital Turquoise and Blood Mask*.

Now, we are proud to announce **LIHTABM demos**, a collection of alternative arrangements of tracks taken from the original album.

While every creative project leaves some amount of material behind on the cutting room floor, the ideas in LIHTABM Demos are meaningful enough to extend into their own identities, culminating in 6 incredible hyperglitch tracks that capture amaranth_todd's creative processes while showcasing her familiar rock-solid production skills and songwriting abilities.

Produced by @amaranth_todd
Released by @glitch-dot-cool
Artwork by @reathance (twitter.com/lungslash)

Not My Finest Hour (Demo)

Yunumeke

available in 12" and digital

https://soundcloud.com/flint-kids-1
https://www.facebook.com/flint.kids.5

Gec Althstom 1996

Gec Alsthom 1996

Flint Kids - Gec Alsthom 1996

>>> https://hide.bandcamp.com/album/recursion <<<

Sole Massif’s Recursion is an evolutionary, laser-cut expression of digitalism and sonic experience. SM’s monumental approach to experimental and surgical sound design procures visions of cybernetic hubs, militant artificial intelligence protocols—and renegade security forces—drenched in a high-tech dystopian dreamscapes. Recursion threshes the listener into unpredictable and unwavering tenacity from start to finish, with tracks pushing devastatingly heavy wave structures one minute, and expressing enriched mechanical atmospheres the next. With an abstract narrative interwoven with cinematic overtones, Recursion ensures that each listen provides a unique experience.

Produced, mixed and mastered by Sole Massif
Artwork and design by Alex Ortiga (SY/IN)

Return Fire Sector

Zdalver precursor.
Building omniparametric vault for the idea.

Return Fire Sector

sole massif

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