wow! this is really intense, I was grooved out to it hard <3

good track. I am not sure I like the "barking" sound which is hard panning so fast and far especially with headphones on. It would have been nice to have some more evolution of filters etc over a much longer period that what you seem to use which felt more like it was on a LFO.

that's very clever how you took the tempo down here- but the main track comes in unaffected. did you move the midi about manually?

For what it’s worth I like the barks and the bends. I agree could have used more movement and variation. But very solid groove, fun listen.

Very well executed, minimalistic but full-fledged. Bass triols with 4/4 elements don't work very well for me. I can hear the rhythm but I can't feel it.

Very dark and ominous !  With hints of humor :)   All parts support the mood very nicely in a minimal way. I love how wide you got the bass without getting any weird out of phase feel, btw. Very well done in so very little time !

I appreciate the 4:4 and the triplets idea - but I'm not sure I actually like it, sorry.  It makes my brain itch.

I really like the dynamics of the pulse.  Kick feels a bit muffled where it could be a little "snappier".

The 6/8 thing is really drawing me in - works well over that heavy 4/4.

Yes - this bit is making me smile -- I have no idea why.....

One Synth Challenge #188: Six-Traq by Full Bucket Music

Module Module - Perseverance Of The Saints

OSC#188: FullBucket's "SixTraq"

Instances: 30
DAW: MuLab (www.mutools.com)
FX: Panagement 2, Loudmax, OTT, Frontier, A1StereoControl, TDR-Nova,-SlickEQ, Deelay, RoomReverb, Supermassive, OvertoneEQ

Taron - Sixy [SixTraq]

As I think of my 14-year-old daughter, I go back to my own childhood. To my dusty, dimly lit room where I had a small synthesiser and an echo machine on some sort of an altar. I go back to my hopes and fears, my expectations, my goals, my beliefs and my love for music. Often too little time to make my own music because I couldn't stop listening to Bach, TD, Klaus Schulze, Jarre, Vangelis, Pink Floyd and Todd Rundgren.

I recognise so much in her. My beautiful 14-year-old daughter with all her hopes and fears and her love for music.

Synth: 34 instances of Six-Traq by Full Bucket
DAW: REAPER v 7.24
FX: Spring-Box and Echo Cycles, Panagement 2, Room Reverb, Deelay, SuperMassive and Tempo Delay by Voxengo. Graphic EQ, Marvel GEQ, Frank CS, Stereo Touch, A1StereoControl, TDR Nova and Limiter no6

A Quattordici Anni  (OSC #188)

Hit em style: 212 BMP, 5/4 time signature. 
https://x.com/DDDrewDaniel/status/1817910903557570569

All sounds 38 instances of Full Bucket Six Traq in Ableton Live.

TDR Nova, Kotelnikov, Molotok, Brainworx Master Deck Classic, LoudMax, Valhalla Super Massive, and Ableton plugins.

Infernal Combustion Engine (OSC 188 Six Traq)

KVROSC188

Solidtrax

Patches

Solidtrax - Circuit Pusher

Entry for the KVR One Synth Challenge 188 using only SixTraq by Full Bucket. No samples were used here

28 Instances of SixTraq

DAW: Renoise 3.4.4
Internal Effects: Compressor, Digital Filter, Analog Filter, mpReverb, EQ5, Stereo X
3rd Party: TDR Nova, Solaris, kHs Compressor, ValhallaSuperMassive, kHs Trance Gate, kHs Transient Sharper, jb Broadcast, Limiter6, TB GonioMeter

OSC 187

SixTraq Forest (OSC 188)

Jas wasn't alone this month cooking some hit em (5/4 time, 212bpm). I think the proposed style is better with a wash of breakbeats and distortion, but I did my best given the synth at hand. It was tough. I struggled with making a spread of decent percussions so I had to keep em mostly foundational. Please enjoy the weirdness!

SixTraq was strange to use as a vst. It took a while to get my head around the point of the workflow- likely audibly so. I mostly ignored the agonizingly hardwarelike arp/record layer functions and kept it mostly like a layered polysynth. But, it has quirks, kind of like a misshapen cousin of the Prophet 600. Props to Full Bucket for having the interest and persistence (and patience) to wrangle the code for such a thing. Also I didn't really have any bugs except for the undo thing.

-24 instances of Full Bucket's SixTraq in FL Studio.
-Mixed with Variety of Sound Plugins (BootEQ, Density, ThrillseekerVBL, TesslaSE, epicPlate, NastyDLA) and a smidge of OTT on the master for good luck.

Apophenia [One Synth Challenge 188: SixTraq]

CrucFX Labrolz drives Clicker and Peterlin with modulation help from the Coco's quantussy, approximating the typical neural signals of the artist.

Synaptische|Fehlzündungen

This is my interpretation of Keys Don't Match by Stimming. All created in Bitwig Studio on cans. For more info about Stimming, go to https://stimming.org/ or about Solidtrax https://solidtrax.nl

Keys Don't Match by Stimming - Solidtrax Remix

Made all sounds from only Full Bucket Music's Ragnarok 2
https://www.fullbucket.de/music/ragnarok.html

Ragnarok 2 x 27
Bitwig 5.3.8
Bitwig FX: Delay+, EQ+, Compressor+, Dynamics, Tool
Other FX: vladg Limiter no6, TDR Nova, XFer OTT, Dragonfly Room, Valhalla Supermassive

z.prime - Boom Boom Tss

Made using sounds entirely from Primer 2: https://www.syntorial.com/primer/

... in Bitwig 5.3.8
Primer 2 instances: 42 (all sounds from init)
Bitwig FX: EQ+, Compressor+, Tool, Dynamics, Delay+, Convolution, Filter+ (for saturation), Peak Limiter
Other FX: Xfer OTT, Reev-R, Valhalla Supermassive, NI Replika, TDR Nova, Vladg Limiter no6

z.prime - Twos and Fours

Made entirely with sounds from the Odin 2 synthesizer: https://thewavewarden.com/pages/odin-2

All sounds made from init.

Bitwig not 6
Odin2 x ~30
Bitwig FX: Delay+, Filter+, EQ+, Compressor+, Dynamics, Saturator, Tool, Peak Limiter
Other FX: TDR Nova, vladg Limiter no6, Raum, OTT, Cramit, Tape Cassette 2, TAL Reverb 4, kHz haas

z.prime - Steps

Something completely different!
Recently, searching for some old masters, I came upon some very old unreleased music of mine in my backup folders. This is something nobody else has ever heard.

Almost 35 years ago, a few months  after my mother passed away, I recorded this very short piece. It sounds a bit sentimental, because I was. It has hardly a beginning or ending. I thought I'd share. No reason. OK off you go, thanks.

OlavB_Where R U now

All tracks in this tune were made with Omnisphere3

rockit science

a short demo track made using only Omnisphere 3 sounds.

OMNI Mode

© 2017 RICHARD D. JAMES ALL RIGHTS RESERVED.
5 short microtuning tracks made on the monologue

Read the full article with Richard D. James and synth designer Tatsuya Takahashi here:
http://found.ee/aphex-korg/

Listen to the album "Korg Trax+Tunings for falling asleep" on aphextwin.warp.net
https://aphextwin.warp.net/release/86888-afx-korg-traxtunings-for-falling-asleep

Graphic by Ryo Asakura (Seventhgraphics)
http://seventh.graphics/

Tuning1

Join the challenge by going here: https://shorturl.at/bhBFQ

Solidtrax - sound design, composing, mixing, mastering and mentorship. 

On this profile you find songs that are made for contests and also demos for certain pieces of software and hardware and  our own music!

Solidtrax - Circuit Pusher

Solidtrax

Recent comments

ontrackp

ontrackp

ontrackp

SilverPants

Related tracks