From electronic to instrumental, explore and wind down with Anjunadeep’s most calming collection. Curated this week by James Grant.

Anjunadeep Chillout

Lies

I'm Worth

Buy track/listen on Bandcamp: https://valotihkuu.bandcamp.com/track/soft-focus

Listen on streaming services: https://band.link/IwfwX

Watch video: https://youtu.be/kbxXTC6UKEM

Soft Focus

The album Source is thoughtful, atmospheric and introspective music with deep ambient soundscapes. In the album you can hear sad, but at the same time dreamy musical structures. Ashot Danielyan is a master of creating ambient-cinematic music. And this new release is an unforgettable example of his unique musical style.

Ashot Danielyan is a composer whose works have been featured in films, repeatedly made it onto editorial playlists, and have been listened to millions of times around the world. His compositions are distinguished by their depth, which turns listening to his music into meditative practices in which a person can touch his own soul. Ashot is passionate about observing nature and exploring issues of the universe, all of which is reflected in his music.

Produced and mixed by Ashot Danielyan
Mastered by Ashot Danielyan 
Cover picture by Samitha P.
Cover design by Dionis Afonichev (Dionisaf)

https://www.chitrarecords.com

Source

Beyond Northwind

Later in the Void… Walter is an astronaut drifting through the absolute.
The void cradles him, soothes him. So vast. So soft. So silent.

A galactic ocean where astral mists swirl, pierced by fragile hues. Shattered pastels. Shy stars, shivering at being seen for the first time. Space watches him as much as he watches it.

And yet… a shiver. A thought cuts through him, burns through him.
A name. A voice. A regret.
He longs to show her this.

Every cosmic reflection, every pulse of light deepens her absence.
She is everywhere, her shape sketched in every drifting cloud yet she is not here.
And that message… that final message…He should have answered.

Later in the Void… is Arper’s most hypnotic work. 
A piece caught between contemplation and longing.

Every note a wave, every sound a tide. We float, we surrender, we sink into this current of sound where regret and beauty blur into a single whisper :
A breath, an absence, an eternity.

Later in The Void...

Taken from nonkeen’s album ‘the gamble’ released 05/02/16
pre-order from iTunes - smarturl.it/TheGamble
pre-order Bandcamp - bit.ly/1kliFFr

For further details, please check www.nonkeen.com

re:turn!

A noisy track from Self Inside by Lattice.

Holding You (As Your Train Goes By)

Dive

Adrift

Alchemy of Ice

Hymns to a Melancholic Sunset

Anjunadeep 06 Unmixed & DJ Ready

Only The Winds (Ryan Davis' A Letter From Far Away Variation)

Stick By This

Silence Never Heard

DREAM: A Liquid Mind Experience

Dream Thirty

Human Music

Clouds

Spring In Japan

If It Were You, We'd Never Leave

All This Will Happen Again

Faun is taken from Jacob Pavek's new album NOME, coming on February 8, 2019.

Preorder 12" LP:
http://unperceivedrecords.com/shop/jacob-pavek-nome-12-lp-preorder/

Preorder DL:
http://unperceivedrecords.com/shop/jacob-pavek-nome-preorder/

Preorder DL|12"LP

Jacob Pavek - Faun

all songs written, recorded and mixed by neil milton in warsaw, poland. 2012.

your smile is my ghost

"Music For Picture: Vol. I (Parallels)" out NOW: https://orcd.co/musicforpicture

Contact:
Management: hamish@bluetopmusic.com
Live: naomi@earth-agency.com

Biog:
London-based duo Tom Kingston and Joe Wilson are simultaneously lauded for their commercial releases and composition for TV and film. Working on both side-by-side, they combine contemporary production and classical composition to create a unique and distinctive sound.
 
Tastemaker labels Black Butter, Kitsuné and the illustrious Decca have helped push Solomon Grey’s commercial releases to the masses, whilst their work for picture across television, movies, trailers and commercials includes original soundtracks for BBC TV series The Casual Vacancy (adapted from the J.K. Rowling novel), The Last Post and Back To Life.
 
“We’re incredibly fortunate to create music for picture without compromising our sound as artists. We get to be in a band and also write for orchestras, arrange strings and work with opera singers. As musicians, we feel like we’ve come full circle,” says Tom.
 
Joe adds: “Creating soundtracks made us more experimental and aware of what we are capable of. The music we’ve always made has lots of elements that ‘shouldn’t’ go together.” With that in mind, while you’re listening you might hear the sounds of the car ‘The Weight’ was originally recorded in, spot the on-location recordings used in The Casual Vacancy score including rivers, lawnmowers and Morris dancers, and appreciate the juxtaposition of an operatic vocal over synth recordings on ‘The Drowning’.
 
Classically trained musicians and long-time friends from Oxford, Tom and Joe originally met as performers in a local covers band. The journey of Solomon Grey has seen the duo up sticks on more than one occasion, progressing from Oxford to London, finding and cementing their sound of the time with the first track they wrote ‘Last Century Man’. Musical bases took in the Australian outback and a lighthouse in the south west of Ireland, before returning to their current studio in South East London.
 
Solomon Grey’s debut release ‘Gen V’ via Black Butter Records in 2013 carved a path for a debut ‘pop’ album, but the serendipitous opportunity for score work gave them another outlet for their music. Next up was Decca-issued mini-album Selected Works, a mixture of original music and songs which featured parts of their score for The Casual Vacancy. Solomon Grey’s eponymous full-length debut followed in 2016.
 
Album two, Human Music (Mercury KX, 2018) is a poignant collection of intricate and transcendent songs, encompassing the themes of choice, love and loss following the death at Swiss clinic Dignitas of Joe’s mother Sandy. The album features the same luscious sounds provided by the 22-piece Hungarian orchestra and vintage CS-80 synth which feature on the soundtrack to the BBC/Amazon production The Last Post.
 
2019 was another abundant year for Solomon Grey’s sync and soundtrack work with the song ‘Home’ featuring in multiple hit US TV shows, and BBC/Showtime critically acclaimed series Back To Life - which topped end of year polls in Vogue, The Times, The Guardian, Digital Spy, TIME, USA Today and more - bolstered by their original soundtrack. “Carefully crafted soundtracks enhance the connections you make with the characters and overall emotive quality,” says Joe. “We’re delighted Back To Life has resonated with so many people across the UK & US.”
 
For 2020, Music For Picture: Vol. I (Parallels) EP serves as the first of a series of new works, written for & inspired by moving images. This first instalment showcases the duo’s more euphoric cinematic side, with featured track ‘The Return’ (composed for Sony PlayStation’s 2019 dystopian advert for PSVR), similar to 'The Rift' which has become synonymous with Vue Cinemas ident. Each volume in the Music For Picture series promises to explore a different part of Solomon Grey's sonic landscape, giving glimpses of the rich visual world their music evokes.

Clouds

Solomon Grey

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