Max Richter - Spring 1 - Davodintei Edit

Now available as a bonus track on 'The Inevitable End':
http://royksopp.com/music/the-inevitable-end

’Running To The Sea’ and ‘Something In My Heart’ are in essence both expressions of compulsion and its strong, often uncontrollable, persisting pull. Dependence is a returning theme in our music 
-B+B

The equally elegant singing on b-side ‘Something In My Heart’ - a melancholy, synth hybrid - is provided by Jamie of cult orchestral pop ensemble https://soundcloud.com/the-irrepressibles.

Something In My Heart (feat. Jamie Irrepressible)

Jamie Woon is one of these artists which suprised us over and over again with his voice and music. Remixes with Burial, tracks like 'Night Air' or 'Lady Luck' just blow us away. Jamie has a big spectrum of musical possibilities and use them as he like to use it. You simply can see and hear his love for music. 

We did this track and decided to add some voice snippets from him, so we get the deepness we want. The track is called 'spirits', which is a really stunning interpretation by Jamie. 

We hope you'll like it as we enjoy to produce this little thing and be sure to check out his forthcoming album "Mirrorwriting". 

Download

Jamie Woon - Spirits (sy.ic Edit)

From the new EP "Hope for the Haunted"
mimipage.bandcamp.com/album/hope-for…the-haunted-ep

Porcelain (Moby Cover)

Glas/Green is the bonus track on debut double Vinyl LP out 18th March 2016 here: http://po.st/SGeCFB 

Glas/Green is the lead track from the Dathanna EP - available on all digital outlets. 

SOLOMON GREY
Like → facebook.com/solomongreymusic
Follow → twitter.com/solomongreyband
Site → www.solomongrey.net

The Dathanna EP was inspired by a road trip down Ireland's Wild Atlantic Way - the coastal road that runs the length of the west coast.

Solomon Grey - Glas/Green

Get 'Thank You' on 'The Inevitable End' here: http://royksopp.com/music/the-inevitable-end/

Vinyl: http://smarturl.it/ryxptie12?IQid=soundcloud 
CD: http://smarturl.it/ryxptiecd?IQid=soundcloud 
Download: http://smarturl.it/ryxptieit?IQid=soundcloud
Stream: http://smarturl.it/tiestream?IQid=soundcloud

Read what Svein & Torbjørn have to say about their 'Goodbye' to the traditional album format here: http://ryxp.co/1xtMcA7


Thank You

The Color Blue

Taken from Brolin's debut album 'The Delta' released 30th October worldwide www.iambrolin.com

Purchase 'Nightdriving' or pre-order 'The Delta' via http://musicglue.com/iambrolin/shop/ 


Nightdriving

If you like my stuff and you want to help with a donation to continue creating sounds like this.Paypal;
https://www.paypal.me/vlosferrecords?fbclid=IwAR0QgZWn174KLtpjKHCFpKl4puEiPk7FQDFnlKRCmaD4pNCKpdVK0DLuZE0
Download link. https://ivangarci.bandcamp.com/album/ivan-garci-edits
Also like my page on Facebook ;)
https://www.facebook.com/IvanGarciofficial/

(Bandcamp) The Spoils ft.Hope Sandoval-Massive Attack (Ivan Garci edit)

Haelos - Ethyr (Buddha Version)

'they came along for the ride'

http://smarturl.it/haulm.tca

They Came Along

Spotify

"Music For Picture: Vol. I (Parallels)" out NOW: https://orcd.co/musicforpicture

Contact:
Management: hamish@bluetopmusic.com
Live: naomi@earth-agency.com

Biog:
London-based duo Tom Kingston and Joe Wilson are simultaneously lauded for their commercial releases and composition for TV and film. Working on both side-by-side, they combine contemporary production and classical composition to create a unique and distinctive sound.
 
Tastemaker labels Black Butter, Kitsuné and the illustrious Decca have helped push Solomon Grey’s commercial releases to the masses, whilst their work for picture across television, movies, trailers and commercials includes original soundtracks for BBC TV series The Casual Vacancy (adapted from the J.K. Rowling novel), The Last Post and Back To Life.
 
“We’re incredibly fortunate to create music for picture without compromising our sound as artists. We get to be in a band and also write for orchestras, arrange strings and work with opera singers. As musicians, we feel like we’ve come full circle,” says Tom.
 
Joe adds: “Creating soundtracks made us more experimental and aware of what we are capable of. The music we’ve always made has lots of elements that ‘shouldn’t’ go together.” With that in mind, while you’re listening you might hear the sounds of the car ‘The Weight’ was originally recorded in, spot the on-location recordings used in The Casual Vacancy score including rivers, lawnmowers and Morris dancers, and appreciate the juxtaposition of an operatic vocal over synth recordings on ‘The Drowning’.
 
Classically trained musicians and long-time friends from Oxford, Tom and Joe originally met as performers in a local covers band. The journey of Solomon Grey has seen the duo up sticks on more than one occasion, progressing from Oxford to London, finding and cementing their sound of the time with the first track they wrote ‘Last Century Man’. Musical bases took in the Australian outback and a lighthouse in the south west of Ireland, before returning to their current studio in South East London.
 
Solomon Grey’s debut release ‘Gen V’ via Black Butter Records in 2013 carved a path for a debut ‘pop’ album, but the serendipitous opportunity for score work gave them another outlet for their music. Next up was Decca-issued mini-album Selected Works, a mixture of original music and songs which featured parts of their score for The Casual Vacancy. Solomon Grey’s eponymous full-length debut followed in 2016.
 
Album two, Human Music (Mercury KX, 2018) is a poignant collection of intricate and transcendent songs, encompassing the themes of choice, love and loss following the death at Swiss clinic Dignitas of Joe’s mother Sandy. The album features the same luscious sounds provided by the 22-piece Hungarian orchestra and vintage CS-80 synth which feature on the soundtrack to the BBC/Amazon production The Last Post.
 
2019 was another abundant year for Solomon Grey’s sync and soundtrack work with the song ‘Home’ featuring in multiple hit US TV shows, and BBC/Showtime critically acclaimed series Back To Life - which topped end of year polls in Vogue, The Times, The Guardian, Digital Spy, TIME, USA Today and more - bolstered by their original soundtrack. “Carefully crafted soundtracks enhance the connections you make with the characters and overall emotive quality,” says Joe. “We’re delighted Back To Life has resonated with so many people across the UK & US.”
 
For 2020, Music For Picture: Vol. I (Parallels) EP serves as the first of a series of new works, written for & inspired by moving images. This first instalment showcases the duo’s more euphoric cinematic side, with featured track ‘The Return’ (composed for Sony PlayStation’s 2019 dystopian advert for PSVR), similar to 'The Rift' which has become synonymous with Vue Cinemas ident. Each volume in the Music For Picture series promises to explore a different part of Solomon Grey's sonic landscape, giving glimpses of the rich visual world their music evokes.

Solomon Grey - Glas/Green

Solomon Grey

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