Classical Bangers 🎹🎻

BO "Midnight In Paris"
Composé Par Jacques Offenbach
Interprété Par The Czech National Symphony Orchestra 
Réalisé Par Woody Allen

Midnight In Paris (Music From The Motion Picture)

Can-Can From "Orpheus In The Underworld"

alan walker & emma steinbakken - not you (piano)

Key Signature: Natural
Time Signature: 5/4 (from 4/4 to 6/4)
Tempo: Poco lento (for the opening theme), Allegretto (for the main motiffs)
Difficulty: Advanced

this piece beautifully encapsulates the chaos and harmony of fluttering butterflies.

Jean Coulthard (1908-2000) was a Canadian Composer. Through her mother she received her earliest musical training and was introduced at an early age to the work of French composers like Claude Debussy and Maurice Ravel, both of whom were lifelong influences.
A scholarship from the Vancouver Woman's Musical Club enabled her to pursue studies at the Royal College of Music in 1928-1929 where she was a pupil of Kathleen Long, R.O. Morris, and Ralph Vaughan Williams.
She studied in the 1930s and early 1940s with such composers as Béla Bartók, Aaron Copland, and Arnold Schoenberg.

In 1956-7, she spent a year in Paris and in Roquebrune, southern France, beginning an opera and completing several substantial chamber and vocal works. A later sabbatical in London permitted Coulthard to work in a sustained way with Gordon Jacob, the British composer and orchestrator.

She was one of a trio of women composers who dominated Western Canadian music in the twentieth century: Coulthard, Barbara Pentland, and Violet Archer. All three died within weeks of each other in 2000.

Coulthard's composition students included Canadian composers Chan Ka Nin, Michael Conway Baker, Sylvia Rickard, Ernst Schneider, Robert Knox, Jean Ethridge, Joan Hansen, David Gordon Duke, Lloyd Burritt and Frederick Schipizky.

Some of her well-known compositions include Cradle Song, Threnody, Canadian Fantasy, Ballade "A Winter's Tale" and her opera Return of the Native.
[thanks to @fyrexianoff on YT]

Check my profile description for more info about this piece or any other piece

Aegean Sketches, 1st mvt -The Valley of The Butterflies-

British Royal Wedding: Prince William & Kate Middleton (Traditional Wedding Classics)

Für Elise, Bagatelle No. 25 in A Minor (Ludwig van Beethoven)

A contemporary version Erik Satie's timeless Gymnopédie No.1 - Brought to you by Remixdj.

Satie Amazon
https://www.amazon.com/Erik-Satie-Essential-Collection/dp/B00J0LBFIG/

Satie iTunes
https://music.apple.com/gb/album/erik-satie-the-essential-collection/918615441

Best of Satie
https://play.google.com/store/music/album?id=Bditbkfgfdqvxx7hansrl6qhy4y

Satie Compilation
https://open.spotify.com/album/0vzKMInu4PzU2Qyi6NgmRK

Erik Satie Album
https://www.deezer.com/us/album/7540311

Best of Satie Playlist
https://www.youtube.com/watch?v=mk2SNcpTNbs&t=68s

Erik Satie The Essential Collection

Jazzopédie

🎥 VIDEO

Claude Debussy’s Clair de Lune is the third movement of his Suite Bergamasque, written for solo piano and completed in 1905. The title, meaning “Moonlight,” is inspired by Paul Verlaine’s poem, evoking a serene and reflective atmosphere. The piece epitomizes French Impressionism, focusing on mood and imagery over traditional form.
Structure and Atmosphere

The piece is in ternary form (ABA):

    Opening (A):
    A soft, flowing melody emerges over delicate arpeggios. The music feels weightless, like moonlight shimmering on water. Debussy uses rich harmonies and seventh chords to create a dreamlike quality, with a tender, introspective mood.

    Middle Section (B):
    The dynamics intensify, with fuller textures and soaring melodic lines. This section brings a sense of emotional depth and urgency, contrasting with the calm opening. Arpeggios cascade dramatically, giving the impression of moonlight suddenly brightening or revealing hidden beauty.

    Closing (A):
    The opening material returns, slightly varied, fading into a gentle, whisper-like conclusion. The piece ends as quietly as it began, leaving a sense of stillness and wonder.

Musical Features

    Harmonics: Debussy’s use of whole-tone scales, parallel chords, and non-functional harmony creates a suspended, ethereal soundscape.
    Melody: The lyrical melody floats effortlessly above the accompaniment, expressing both simplicity and emotional depth.
    Texture: Light, transparent textures alternate with moments of lush, resonant fullness, embodying the interplay of light and shadow.

Mood and Interpretation

Clair de Lune evokes the quiet magic of a moonlit night, combining serenity with subtle melancholy. Its poetic quality invites listeners to imagine moonlight reflecting on a calm lake, whispering through trees, or illuminating a tranquil landscape. The music feels timeless, blending stillness with fleeting moments of intensity.

Cultural Impact

This iconic piece has been widely used in films (Ocean’s Eleven, Twilight) and pop culture, often accompanying scenes of romance, nostalgia, or quiet reflection. Its universal appeal lies in its ability to evoke deep emotion while remaining understated.
Performance Notes

Expressive dynamics, fluid phrasing, and careful pedaling are essential to capturing its delicate atmosphere. A balance between freedom and control ensures its dreamlike flow remains intact.

Clair de Lune is a masterpiece of impressionistic music, celebrated for its ability to transport listeners into a realm of quiet beauty and introspection.

Für Elise, Bagatelle No. 25 in A Minor (Ludwig van Beethoven)

Solo Piano Classics

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