Name: Take Me Home by solvent in longing for something, I don't know what?
Duration: 3 min 52 s
Description: From Solvent's 2010 full-length "Subject to Shift" - available on 2x12" vinyl, CD, or digitally.

Thoughts of Snakefinger et al. Demonic Kraftwrerk, perhaps.

longing for something, I don't know what?

Legs

Lowfish Reel Electronics Volume 14 - October 17, 2013

Intro is a mangled Coil sample...

1. "Xylitolic" (Grapht Fatal Flowers Remix) - Zyxt
2. "When all is said and done" - Ancient Methods
3. " Moddax" - Perc & Modern Heads
4. "Least Inkling" - Front 242
5. "Babaks House" - Cloudface
6. "Dust" - Alex Smoke
7. "Elephant Generators" - Solvent
8. "Sleep Games" - Pye Corner Audio
9. "Prisms" - Clockwork
10. "Daylight for 15 seconds" - Manasyt
11. "Blackpool Late Eighties" - Holden


Lowfish Reel Electronics Vol. 14

Before I did stuff under the name Lowfish I recorded as Pest(e). "Wrinkle" is from the 1995 cassette release "Test(e)" by Pest(e). I thought I was pretty clever with all the brackets…I did the art to this as well - I was just starting in graphic design then...

This track and a few other Pest(e) tracks were re-released on Suction Records (which we started in 1997, the year after this cassette was produced).

Wrinkle - by Pest(e) - 1995

ARTIST: Skanfrom
TITLE: Postcards
LABEL/CAT#: Suction Records / suction027
RELEASE DATE: October 7, 2014
FORMAT: Vinyl/CD/digital

Suction Records is proud to present "Postcards," a new full-length by Skanfrom - his first album since 2002… Skanfrom is Roger Semsroth from Berlin, best known for his  purist minimal techno project Sleeparchive.

Before Sleeparchive, there was Skanfrom… Skanfrom first appeared in the late-90s, releasing limited edition 7"s on his own A.D.S.R. label, part of a small movement of DIY labels influenced by the melodic, experimental electronica output of labels like Rephlex, Skam, and Warp. Skanfrom's music displayed a particular affinity for the lush, melodic electro of Bochum Welt, an early signing to Aphex Twin's Rephlex label; you could practically call Bochum Welt the blueprint for Skanfrom's sound. But there was something a little different about Skanfrom…

Unlike Bochum Welt, who claimed influence from big shiny '80s producers like Trevor Horn and Thomas Dolby, Skanfrom was also listening to a lot of raw synthwave music - the influence of early Depeche Mode (Speak and Spell), Kraftwerk (Radioactivity), and obscure bands like Vice Versa and Ceramic Hello, clearly set Skanfrom apart from his IDM contemporaries.

Skanfrom found a likeminded home in Suction Records, who were releasing records by Solvent and Lowfish with many of the same musical references. In 2002, Skanfrom released his debut album on Suction Records, "Hand Picked Fragments." A lot has changed since 2002, but in Skanfrom world, 2014 is very much the same. "Postcards" is full of the same pure and melodic electro(pop) that made Skanfrom so special to us from the start. As it was in the beginning, Skanfrom produced "Postcards" using little more than his beloved Roland SH-101; this classic vintage monosynth, with it's minimal layout and pure analogue tone, remains the ideal instrument for Skanfrom's enduring, synthetic sound.

"Perseids Over Greenwich" by Skanfrom

Jason 'Solvent' Amm has been active since the late 90s, creating numerous indefinable mutations of dance, rich with the pulsing warmth and chaos of analogue circuitry. Recent years have seen Amm serving as producer, co-writer and interviewer for the independent documentary epic I Dream Of Wires exploring the history, demise and resurgence of the ultimate electronic music machine, the Modular Synthesizer. All the while Solvent has pursued the industrial, acidic sounds that have always lain dormant in his work, and this mix for R$N offers an emotional gut punch, with slow, stately machine music giving way to chunks of bristling techno and bursts of quivering, tentatively euphoric melody. We caught up with Amm to discuss just how a producer who doesn't "put a lot of stock into recording mixes" goes about making a mixtape...
Full interview here: http://www.theransomnote.co.uk/music/mixes/solvent-the-ransom-note-mixtape/

Alessandro Cortini - Stella 
Lowfish - Knives 
Alain Kepler - Radio Wave Tracker 
Clouds - Blood Skating 
Varg - Norrlandsbrigad 69R 
Cylob - Durftal 
Strider.B. - [Bradley's Robot A1] 
Gescom - Viral Rival (Rmxd By Ae) 
[UNKNOWN ARTIST] - [Papers001-B1] 
Cloudface - On None 
Blacknecks - Don't Dream It Be It 


Read Full Interview

Solvent - The Ransom Note Mixtape

A1. Tesco Bombers – Break The Ice At Parties
A2. Sara Goes Pop – Sexy Terrorist
A3. People In Control – When It’s War
A4. Nancy Sesay & The Melodaires – C’est Fab

B1. The Distributors – TV Me
B2. Dorothy – Softness
B3. Thomas Leer – Private Plane
B4. Visitors – Electric Heat

C1. The Murphy Federation – Fed Up Skank
C2. The Distributors – Never Never
C3. The Cro-tones – Tea Machine Dub
C4. Fatal Microbes – Violence Grows

D1. The Spunky Onions – How I Lost My Virginity
D2. The Fakes – Look Out
D3. The 012 – Meltdown Situation
D4. The Prats – Disco Pope

This is a compilation of 16 UK 7" singles recorded between 1978 and 1982, compiled by JD Twitch, that showcases the DIY spirit of those times. 

"If Punk was the nuclear detonation, the fallout that came after was where a lot of the most interesting music of that era was made. People who would never have thought to release a record before realised it was something they could do, and the end result was a DIY explosion. I've always loved music that doesn't try to fit in a particular genre, that is anti-canonical and doesn't care what else is going on in music at that time, that takes risks and is full of imagination and ideas that may or may not make any logical sense but that resulted in something unique, that ignores conventions about how a record SHOULD be produced and that was created simply because its creators felt the urge to express themselves and share the results with some other people. This compilation compiles 16 tracks that fulfil all those criteria. None of them had any success, most are (unjustly) obscure but every one of them has inspired me and would be in my ultimate 7" singles box." – JD Twitch.

This release has been a real labour of love involving tracing long-lost artists to far-flung corners of the globe, persuading them that the modern world needs to hear the music they made several decades ago, tracking down lost masters, lovingly restoring 7"s in the case of those where the masters were lost and then conceiving an elaborate package with detailed sleeve notes to house the double album package.

*NOTE - Due to legal problems with the original title a new version of the sleeve has had to be designed and manufactured. We still hope to make the original packaging available in a modified form but in the meantime this will be released in a gatefold sleeve with printed inner sleeves containing all the info and notes from the original.

The original 2 x LP vinyl edition was to come in a super deluxe package combining a double-sided black and white four x 12" panel sleeve, hand-folded into an LP sleeve with a colour insert containing colour photos of all the sleeves all inserted in a bespoke pvc wallet. The four x 12" panel sleeve contains sleeve notes and detailed overviews of each individual track by JD Twitch, and an introduction by New York's DIY expert Dan Selzer. Due to the huge amount of work involved putting the sleeve together, it would only ever exist in an edition of 500 copies. 

Release date October 30th 2015. Distribution by Kompakt.

Digital version contains 13 tracks.

Various - [Cease & Desist] DIY! (Cult classics from the Post-Punk era 1978 - 82)

Taken from 'New Ways: Music From The Documentary I Dream Of Wires' by Solvent, out August 14, 2015.

Purchase at The Ghostly Store: http://www.theghostlystore.com/collections/music-downloads/products/solvent-new-ways

Solvent - King Vincent (Wrangler Remix)

Digital Poodle "Work Terminal (Solvent revision)"
from "Revision! vol.1 - Work Terminal"
Suction Records / suction036
12"/digital - Nov 2015

Digital Poodle - Work Terminal (Solvent revision)

From the album 'Night Tides' (Unknown Pleasures Records) 
https://hausfraumusik.bandcamp.com/

Night Tides

Natalie Ann's Album

Dark Divine V.1

"Tunnel" -- from "EP 1"
BUY: rx-101.bandcamp.com/album/ep-1

Suction Records presents the first in a series of archival releases by RX-101 - previously unreleased material, originally recorded to cassette circa 1997-1999. Pure and authentic Aphex Twin-style techno/IDM/electronics.

“EP 1” (suction032)
12” vinyl EP - October 17, 2016

RX-101 - "Tunnel"

SOLVENT WISH BASSABYSS MIX

self-titledmag.com/2017/12/13/ne235-solvent-mix-idm-braindance/

NE235: Solvent

From Solvent's 2010 full-length "Subject to Shift" - available on 2x12" vinyl, CD, or digitally.

Take Me Home

FREE DOWNLOAD!

Lyrics by the mudda-fuckin' Ninja and the one and only Yo-landi Vi$$er.

Music by Johnny Prophet

No Samples or Loops Were Used. This is all me. (Well, this is mostly Ninja and Yolandi with about 0.0000005% of me.)

Please accept my humble submission. 

I'm no DJ HI-TEK.

Die Antwoord - Dis iZ Why I'm Hot - (Zef Remix by [Johnny Prophet]) *FREE DOWNLOAD*

http://solventcity.com

http://facebook.com/solvent

http://discogs.com/artist/Solvent

For over a decade, Jason Amm’s work as Solvent has neatly defied categorization. His music is too sweetly melodic for techno or acid, his compositions too fiendishly detailed for synth-pop. He was too steeped in the sounds of the ‘80s to participate in the incipient IDM scene; he was briefly lumped in with the short-lived electroclash movement, only to outlive it; he’s played “minimal wave” parties and goth clubs, indie-rock shows and techno all-nighters. But even as words fail in the face of Solvent’s music, its pleasures are anything but elusive.

Today, Zimbabwe-born Jason Amm lives in Toronto, ON, where he spends his time obsessively grappling with an outsized collection of vintage analog synthesizers, samplers, and sequencers. Solvent first materialized in 1997 with a string of singles and full-lengths (1998’s Solvent, 1999’s Solvently One Listens) on Amm’s own Suction Records, the Toronto-based label he founded with Lowfish’s Gregory DeRocher. The watershed release Solvent City (2001) on Berlin-based Morr Music introduced Amm’s sound to a wider audience, and Apples &amp; Synthesizers (2004) marked Solvent’s move to Ghostly International. Along with notable remixes of artists including Soft Cell, Alter Ego, and Adult., Solvent tracks have appeared on high-profile DJ mixes and seminal compilations.

Solvent’s most recent record on Ghostly International, 2010?s Subject to Shift, marks a turn for the darker as Amm embraces his love of the abrasive sounds of acid and industrial. And while a sinister tone or two now dances among Solvent’s sparkling hooks and bright streaks of synthesizer, and while Amm’s music drifts even further from accepted genre-specific reference points, Solvent’s sound has only deepened. After more than ten years of composing love songs for robots, Amm sounds like nothing more than himself.



Synthesizers, loops and abstract beats.  These are a few of my favorite things?  I am a strange breed, other worldly, and a super freak.   Cold wave, minimal techno, electro abstract, avant- hard, hardcore techno, break core, IDM, EBM, Death Rock, punk Rock, New Wave,Dark Wave, Ambient, MiamiBootyBase, SpeedBase, Dub, RagaMuffin, Dubstep, Industrial, Noise, Experimental, world beat...did I forget anything?  Neophyte, for sure, and these are all my newly found treasures, that I have dug up from around the world.  One day I will produce some tracks again, until then, I will spend every minute listening to all the newly found gems!

Take Me Home

solvent

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