Verde de bruja

Billie Eilish - Chihiro (I Am Me Remix)

Vatican

Don't You Think I'm Funny Anymore? - Dougie Poole

Demonstration Tape (1997-2007)

When The Sun Hits

preview of 11-track LP by Peine Perdue // 300 copies, hand-numbered // released on 3 September 2018 // https://electronicemergencies.bandcamp.com/album/tokyo-en-morceaux or https://clone.nl/item51605.html // digital release 17 September 2018
A1. Sad Oh! / A2. Glasgow  / A3. Ombre Trouble  / A4. Pics d'Acétone / A5. Ciel Démesuré / A6. Pastorale  / B1. Cocktail Mortel / B2. Tokyo (recto) / B3. Tokyo (verso) / B4. Coeur Arrogant / B5. Le Vent

After their ‘Histoire d’une Âme’ EP in 2017, Peine Perdue returns to Electronic Emergencies with a full album. ‘Tokyo en Morceaux’ contains 11 new tracks by the avant-garde acid wave duo residing in Paris and Berlin.
'Tokyo en Morceaux' takes you on a dazzling joyride through the streets of the metropolis, high on devotion, deception, delirium and many other intense emotions that echo between the skyscrapers, trying not to get lost in translation.

Tokyo en Morceaux

Peine Perdue - Tokyo en Morceaux / EE023 / PREVIEW

DIIV // Oshin (Subsume)

from the album 'sequitur' available 11/12

steve hauschildt 'constant reminders'

for the zit on my brain

written and recorded by Mark Morones

2020

Yea We Kissed All Night

Jennifer Touch - Behind The Wall

Equally at home on and off the dancefloor, its cold sensuality is both vibrant and brooding. Showcasing her unique sound in the saturated world of electronica, Touch successfully draws from electropop and disco influences, combining 80’s vintage synths with industrial soundscapes, delivered with a visceral post-punk snarl.

Pre-Order

Jennifer Touch - Daria

The Serfs - The Willows

http://solventcity.com

http://facebook.com/solvent

http://discogs.com/artist/Solvent

For over a decade, Jason Amm’s work as Solvent has neatly defied categorization. His music is too sweetly melodic for techno or acid, his compositions too fiendishly detailed for synth-pop. He was too steeped in the sounds of the ‘80s to participate in the incipient IDM scene; he was briefly lumped in with the short-lived electroclash movement, only to outlive it; he’s played “minimal wave” parties and goth clubs, indie-rock shows and techno all-nighters. But even as words fail in the face of Solvent’s music, its pleasures are anything but elusive.

Today, Zimbabwe-born Jason Amm lives in Toronto, ON, where he spends his time obsessively grappling with an outsized collection of vintage analog synthesizers, samplers, and sequencers. Solvent first materialized in 1997 with a string of singles and full-lengths (1998’s Solvent, 1999’s Solvently One Listens) on Amm’s own Suction Records, the Toronto-based label he founded with Lowfish’s Gregory DeRocher. The watershed release Solvent City (2001) on Berlin-based Morr Music introduced Amm’s sound to a wider audience, and Apples &amp; Synthesizers (2004) marked Solvent’s move to Ghostly International. Along with notable remixes of artists including Soft Cell, Alter Ego, and Adult., Solvent tracks have appeared on high-profile DJ mixes and seminal compilations.

Solvent’s most recent record on Ghostly International, 2010?s Subject to Shift, marks a turn for the darker as Amm embraces his love of the abrasive sounds of acid and industrial. And while a sinister tone or two now dances among Solvent’s sparkling hooks and bright streaks of synthesizer, and while Amm’s music drifts even further from accepted genre-specific reference points, Solvent’s sound has only deepened. After more than ten years of composing love songs for robots, Amm sounds like nothing more than himself.



When The Sun Hits

solvent

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