Delightful set, incredible listening, thank you 🙏🙏

@secondcousins

For the extended  Q&A plus OG pi pi pi track game... please visit our website -------> pipipi.life <---------

Introduce yourself? Pronouns? Where do you currently reside? 

Ello, I’m Jackson. Pronouns are He/Him. Residing in Eora/Sydney

Who/what currently inspires you music-wise that has nothing to do with music?

Water and light mostly 

What is your favorite party/collective where you reside and why?

Too many faves. Some heavy hitters off the top are Umami/Echo Flats/Heavenly/Community Chest. They are %100 in it for the experience. Community Chest is a joint force crew of about 7 great crews from Sydney – It’s kinda like when the power rangers come together to make that big robot fighter guy

What was your best moment at the supermarket?

They were playing Bill Withers in a Woollies once and it got me

What is your most recent favorite DJ mix and why?

Max D – Indie Rock on C- was maybe the last one that got me good. Max D only plays by Max D’s rules

Any advice to upcoming DJs/producers? 

Enjoy your life & be kind to others

What would you like to see in the future for the dance community?

More love and respect, always

Cousin - 8˚

IBU 600 from Imaginary Friend crew - very special guest mix and refuge debut. check out more bits here: https://soundcloud.com/user-785368649

PLO_radio // drizle.FM - Ep:003 PLO man, IBU 600 - 13.12.23

Live recording of Dj set - opening back up the grove stage 8pm-10pm on the 2nd night. Thank u SR team x

https://soundcloud.com/secondcousins

Cousin @ Sustain Release Year 10

The third offering in our mix series is a live recording of Priori and Cousin's dj set at Sustain Release 2024. Recorded on the last morning between 6am and 1pm on what was meant to be an ambient stage, it featured everything a 3 day festival closing set should. Eclectic picks, strange and emotional sounds, dubious transitions and a few feigned endings. Massive thanks to all the dancers, the Sustain staff (Aurora, Ash and everybody else who put their blood, sweat and tears into this), the music makers, the birds, the stars. 

Much love,

P & C

@secondcousins x @priori-ties

.'⁠ '.' ⁠'.
.''.⁠ .  :  . ⁠.''.
'.    '. .'    .'
.⁠   .' '.   ⁠.
'..',`  :  `,'..'
     ⁠ -' ⁠'-`))
            ((    
             \|

naffcast003 ⦾ Cousin & Priori ༻ Sustain Release 2024 Bossa Nova Stage closing set ༺ ❁

Command D summons the gods of the deep to have us completely submerged in a world of interdimensional dub techno, traversing us through an hour and a half of infinitely looped reflections and subaquatic soundscapes. 

@commandd

Q. This certainly feels like one of your most immersive mixes to date, deeply contemplative and full of dreamy dub techno atmospherics. What inspiration did you draw upon, and what type of setting or situation could you imagine it being enjoyed in? 

A. I started to get into this sound when I was putting together my mix for the Moonshoe mix series. I didn’t know what to call it at the time but I found all of those tunes and tied them together with a certain feeling that was really inspiring me then, it was very organic and that is still one of my favourite mixes. You can hear dub elements scattered throughout that whole mix.

As I started incorporating more dub elements into my productions I discovered artists like Stephen Hitchell and Rhythm & Sound that had created a kind of music that was really extremely satisfying for me to listen to, especially considering my developing love for hi-fi and larger sound systems. I incorporated those artists into my FHUO mix which was a much more considered exploration of the style. Looking back on the process of making the mixes and how much I enjoyed them really assures me that the deep and contemplative sound is a big part of who I am.

For this mix I’ve taken inspiration from the MDC series itself which I’ve been listening to for years. I wanted to add little hints of deep house sounds as a nod to the mixes of the past. I personally think mixes like this are the best to listen to when you’re travelling and looking out a window, otherwise maybe sitting at a desk on a rainy day doing some work. I’d like people to listen to this in a time where they won't be distracted by something else or feel the need to skip forward, I’d want people to just throw it on and let it play, drifting in and out of the tracks and their own thoughts.

Q. Are there any songs in the mix that are especially close to your heart, and what is it about these tracks that resonate with you so much?

A. My favourite tracks in the mix are Saftig Komposition by Rasmus Hedlund and Sedlec Ossuary by Persuasion. At a base level I love these tracks because they take a more modern approach to a dub techno track with tight production. Going deeper, the thing that really resonates with me is hard to put into words and best left unsaid. I think this kind of music (along with many other kinds) allows the listener to feel emotions that aren't able to be put into words, part of why I love it so much. I find that dub techno specifically can feel sad and happy at the same time like lots of jazz ballads. That to me is a really beautiful sound that kind of encapsulates life in general.

Q. Tell us about the development of your live set, and where things are currently at with it? Do you feel like you’re able to explore different shades of your sound when playing in a live setting?

A. Putting together my first live set was an awesome experience. I got to play it all around Australia from clubs to rainforests. I’ve put the current live set to bed for now and am starting to work on a new one with a slightly different setup. Although it was a challenging experience, I loved making a live set because often when I would dig for tunes to play out I’d think ‘I wish I had a song like this’ and writing a live set meant that I could bring those ideas to life and curate a set exactly how I wanted. I think I’m really starting to settle into ‘my sound’ in production and DJing, but there are creative limitations in both like finding new music or learning new skills. Overcoming technical barriers in production allows me to get closer to my most true form of expression when it comes to what’s coming out the speakers so I’ve been really working on that recently. Hoping the next live set will be bigger and better : )

MDC.302 Command D

Recorded live on Wiradjuri land, NSW
@mgmldrm

~
Photo credit: Rhys Davis @sonwhu

Miscmeg at Soma Festival 2024

Recording of PLO Man's set at Dekmantel Selectors 2024.

Dekmantel Selectors 2024

PLO Man at Dekmantel Selectors 2024

One of Those Nights - Oversized (Original Mix)

A mix from extended naff family members Command D and Peanut

In the words of Command D :

Carrying on from some legendary parties before it, the next generation of ravers held 'plur' true to it's og meaning. Young Harry (Peanut) and I had been mixing together and talking about tunes we loved for months leading up to the event. We played in the side room while the morning light slowly poured in, all the homies in the front and gun fingers to the back. Big party mode with some blissy ones, freedom while it lasted, and a fun one to listen back to. Big thanks to everyone who hosted and the dancers!

Recorded on Wangal land.

@commandd @harrisonross

Art by Jesse Osborne-Lanthier as always

naffcast006 ⦾ Command D and Peanut at plur ⋆｡˚ ☁︎ ˚｡⋆｡˚☽˚｡⋆ ⋆｡˚ ☽ ˚｡⋆｡˚☁︎˚｡⋆

MAINSTREAM.EXE IS CORRUPT – Sechs Tracks, die jede Spur von Pop und Harmonie löschen. Analoge Kicks, rollender Subbass, zersetzende Glitch-FX und industrielle Noise-Texturen. Monoton, kompromisslos, finster und hypnotisch. Jeder Titel dekonstruiert Mainstream-Sounds zu rohem, untergründigem Techno.
Für alle, die Clubmusik nicht in Watte packen.
Kopfhörer auf, System abschalten.
BACHi – pure Underground Power.

Loop of Disobedience

Afraid of the Light

Music with friends 🌱
Wiradjuri Country
November 7-9, 2025

Miscmeg at Soma Festival 2024

Soma Festival

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