that's the kind of voice that makes this track tick

ritme goed te veel zingen steeds het zelfde kan anders dan is de song oke

Left Blank return from a long hiatus with their first and only release of 2014, from Portland's Best Available Technology.

Kevin Palmer is someone the label has been in touch with and an admirer of for a long time now, and after acclaimed releases for Opal Tapes and Astro:Dynamics amongst others, we're thrilled to finally be able to put out some of his most uncompromising music yet. Headed up by the relentless metallic post punk of title track 'Neon Razer Chain', this EP moves effortlessly through experiments in billowing ambience, dubbed out machine jams and buzz saw techno, to make one of his most diverse releases to date. 

Released on vinyl & digital 17th November 2015.

LB009: Best Available Technology - Neon Razor Chain

HTRK – Body Lotion

Body Lotion is a collaboration between Belgium's Sleeperhold Publications, Australian duo HTRK and London-based artist David Ferrando Giraut. The three tracks on the record—"Sugar," "Punch" and the title track, "Body Lotion"—date back to the sessions that led to the band's 2011 album, Work (Work Work). For any HTRK fan, the opportunity to hear three unheard Work (Work Work)-era tracks is reason for both celebration and reflection. Two of the songs feature the unmistakable basslines of Sean Stewart, who died in 2010, before Work (Work Work) was released. 

Both "Sugar" and "Punch" were recorded live in HTRK's London rehearsal room, the then trio of Jonnine Standish, Nigel Lee-Yang and Sean Stewart. On "Sugar," Jonnine's voice smolders through smeared drums and Sean's bassline. "Punch" is spare and confessionary; "Body Lotion" is suggestive, winking and bruised, a trademark HTRK hook submerged beneath the murk. All three tracks mutated from the recording sessions that ultimately led to Work (Work Work) track "Slo Glo." While they all stand as striking individual songs, they share subtle elements in common—a lyrical idea here, some guitar parts there. 

David Ferrando Giraut's distinctive artwork adorns Body Lotion's sleeve and one side of the wax. (All three tracks feature on the record's A-side.) The Spanish artist has a deep and intimate connection to HTRK—he was living with Nigel in London at a time when Sean would visit to sketch out songs in Nigel's tiny room. They've collaborated before, too: Jonnine has narrated and appeared in some of his films, while Nigel has provided the music. Giraut's previous installations have often carried a musical lean—he's used LP covers and turntables in the past—and he's found a rich stream of creative inspiration in music's ability to create meaning and change in memory and behaviour.

This year has seen HTRK return with Psychic 9-5 Club, a bold and triumphant album, one that marked the beginning of a new era for Nigel and Jonnine. Body Lotion presents a beautiful, bittersweet glimpse into the recent past. 

About Sleeperhold Publications:

Sleeperhold is a Belgian-based publication platform. It's aim: to produce ten outputs, spanning different realms of the arts, and then cease to exist. Its current project is a run of ten vinyl records—HTRK's 12-inch follow previous efforts from Tropic Of Cancer, Moon Duo and Disappears. Before the vinyl series, Sleeperhold put out a photobook, a poster set, a deck of cards and short stories. They say: "There is no recurring theme, there is no recurring format, there is no recurring audience."

SHP #5.4: HTRK - Body Lotion

Aïsha Devi’s “Of Matter and Spirit” LP is due for release on 2nd October via Houndstooth.
Pre-Order 2xLP / CD: http://store.houndstoothlabel.com/of-matter-and-spirit.html
Pre-Order on iTunes / Google Play: http://found.ee/AD-OMAS-DL 

PR: Kathryne Chalker - kathryne@insideslashout.com

Continuing from her Conscious Cunt EP released on London’s Houndstooth label, Aïsha Devi’s debut album Of Matter and Spirit sees the Swiss-Nepalese producer and vocalist further her highly personal project.

Here, the conceptual musician and label owner resumes her dark and intricate self-journey, described as both an identity search and spiritual quest challenging our perception of reality and the possibility of alter-invisible dimensions, ‘the disconnection between matter and spirit in our society’.

‘Mazdâ’ is “an ‘R’n’B incantation. It’s about burning the ego and finding inner peace. It's a meta love song.” 

Of Matter And Spirit

Mazdâ

Buy album

Aïsha Devi - Mazdâ

These remixes are exclusively available to purchase at Bleep::: http://bleep.com/index.php?page=release_details&releaseid=33954

Original songs taken from Holy Other's debut EP 'With U' available everywhere that sells good music. 

Holy Other - Know Where (Andy Stott Remix)

Physical: geographic-north.com/#/GN40-detail
Digital: https://geographicnorth.bandcamp.com/album/love-is-the-capital
Catalog #: GN40
Limited to 300 LPs on clear vinyl
Mastered by Paul Gold at Salt Mastering

'Love is the Capital' the debut LP by Hiro Kone, the recording alias of Nicky Mao. The album is a follow-up to the incredibly well received 'Fallen Angels' cassette, bringing with it some of Mao's most emotionally and politically driven work yet. It is Hiro Kone’s long coming opus, examining a number of all-too-relevant themes: capital, the state, egoism, anxiety, and steadfast optimism. 

The eight songs on 'Love is the Capital' highlight Mao’s austere, politicized techno battling for the greater good. Songs are visceral meditations of rhythm, noise, and melody in the vein of Pan Sonic, Chris & Cosey, Muslimgauze, and Kangding Ray.

The sounds were often recorded in scenes of isolation, whether physically or emotionally. “Infinite Regress” was during a trek with Roxy Farman (Wetware) up to the sleepy, upstate NY town of Palenville. There, frozen in a cabin with the most DIY of recording booths, Mao recorded Roxy’s vocals and what would be the track that would put into motion the entire album.“Less Than Two Seconds” was written in a single afternoon in late December 2015 when it was revealed that the grand jury had declined to indict the police officer who shot to death 12-year old Tamir Rice.

The taut techno, industrial minimalism, and aural upheaval is embedded in tracks “Rukhsana” (featuring Drew McDowall, formerly of Coil & Psychic TV, on modular synthesizer), “The Place Where Spirits Get Eaten,” and “Less Than Two Seconds,” an emotionally wrought blitz of serrated Monomachine tones flanked by timeless recordings of essayist, poet, and social writer James Baldwin. Mao ventures deep into heady, prismatic runs of hypnotic techno, on “Don’t Drink the Water” and “The Declared Enemy.” On opener “Being Earnest” and “Love is the Capital,” foreboding motifs brood their way back into the narrative.

Still, the album maintains a sense transformation, burdened with an alien tension– the awareness of an impending and necessary collapse. And what may come next.

Hiro Kone - Rukhsana (Feat. Drew McDowall)

Faten Kanaan & Pye Corner Audio - The Darkest Wave

Music composed and produced by Caterina Barbieri between September 2015 and January 2016. Mixed at Elektronmusikstudion in
Stockholm (SE). Composed with an ER-101 Indexed Quad 
Sequencer and a Verbos Harmonic Oscillator. 
Images by Giovanni Brunetto 
Photography by Angelo Jaroszuk Bogasz 
Mastered by Giuseppe Ielasi 
First edition pressing of 500 double LPs packaged in a gatefold jacket. An edition of 200 sets on transparent blue vinyl is available for Important mailorder customers: http://importantrecords.com/imprec/imprec449
Bandcamp: https://caterinabarbieri.bandcamp.com/album/patterns-of-consciousness
"...has an imperial, exacting beauty." (The Wire)
“…few albums have hit us as hard as Caterina Barbieri’s 70-minute opus, Patterns Of Consciousness. On her debut full-length, Barbieri commands tsunami-height waves of arpeggiated analog synths." (Fact Mag)
"Patterns Of Consciousness finds Caterina Barbieri at her best, elegantly moving between melodically pleasant yet twisted sequences and comforting, reassuring sonic spaces. Every piece, while given a singular identity, is part of the bigger picture: a work of art that will push you, pull you, and then eventually leave you with your back against the wall once you get to the last track. " Alessandro Cortini (Nine Inch Nails)

Gravity that Binds

‘Providence Reworks: Part II’ Out Now -
Ninjashop / Stream / Download: https://nathanfake.lnk.to/prp2SO

Released 11th September 2017 via Ninja Tune.

Follow Nathan Fake  -
Spotify: http://found.ee/nfake-sp
Facebook: http://found.ee/nfake-fb
Twitter: http://found.ee/nfake-tw
Soundcloud: http://found.ee/nfake-sc

Providence Reworks: Part II

Nathan Fake - 'DEGREELESSNESS (feat. Prurient)' (Konx-Om-Pax Remix)

premiere: dormir, in pursuit

Cheishvili - Sampling (homework file)

Farah - Into Eternity

Album: Various Artists After Dark 2, 2013 (compilation)

Farah - Into Eternity

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