Recorded back in 2022, this mix still holds a special place in my heart.  It kicks off with heavy hitters like Macromism, Fhkaen, and Lock Proyect before taking an 'Upshift' at the 65-minute mark with German Slend's "Yingyang", 

Finding quality Tech House tracks to craft a mix like this is a real challenge these days, so I hope you enjoy the journey. 

Stay tuned for a return to Deep Tech Minimal vibes in the next upload. Thanks always for listening!

Upshift

DJ/PRODUCER

Monthly independent house music podcast "Kalanda Tapes" covering the months best releases from the underground house scene, mainly covering the minimal / deep / tech subgenres, will also post original tunes from time to time.  

KALANDA TAPES PLAYLIST ALL EPS HERE!  - https://soundcloud.com/hifilowlife/sets/kalanda-tapes/s-OvhJp3vE9XB?si=e96cb31afed34cdcaaaddb60ddd2056b&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Promoting underground music culture. 

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Hailing from Wakefield, England, Earl's journey into dance music began at an early age. Thanks to his father's passion as a soul DJ, Earl grew up surrounded by the sounds of Motown and Soul, developing a deep-rooted love for the genre. These early influences continue to shape his musical style and selections today.

Earl's passion for DJing ignited in 1990 amidst the thriving UK rave scene. Captivated by Italian House music, he began honing his skills at 17 in his hometown. Exploring the vibrant club scene in Northern England, he discovered his true musical calling: Deep and Tech House at the legendary Back to Basics in Leeds.

"I vividly remember hearing those deep, emotive sounds on the top floor of Basics," Earl recalls. "It was a stark contrast to the music I was playing then, and from that moment on, I was completely hooked." 

The DJ behind those captivating sounds was Ralph Lawson (20:20 Vision Records), a Deep House maestro and longtime resident at the club. Earl spent his formative years at Back to Basics, soaking up the sounds and techniques of Lawson and other influential guest DJs like Jamie Anderson, Derrick Carter, Peace Division, and Kevin Yost. He fondly reflects on the 90s as the "golden era of House music," a time that profoundly shaped his musical identity.

He quickly secured residencies across Northern England, notably at the acclaimed Hedonism events at the Think Tank & Café Mex. Earl has always prioritised sharing his music over seeking fame, a refreshing contrast to today's DJ landscape, where social media presence often takes precedence.

As the Tech House sound emerged from the West Coast of America on labels like Tango, Siesta, and Doubledown, Earl's style evolved alongside it. His sets became increasingly drum-driven, often starting deep and building to a Tech House or Techno climax. This dynamic approach remains a hallmark of his style, evident in his recently released Rebirth Sessions.

In 2004, with the rise of CDJs, Earl relocated to Thailand, leaving his cherished vinyl collection behind in the UK. Initially resistant to the shift towards digital mixing, he took a hiatus from DJing. However, his love for music endured, and he began building a digital collection. A visit to the GLOW club in Bangkok, with its impressive Funktion One sound system, reawakened his passion for DJing.

Encouraged by friends in the industry, he embraced the digital era, acquiring a Pioneer controller and reigniting his DJ career. This seasoned veteran, with roots in the influential 90s rave scene of Leeds, UK, has an exciting future ahead, with upcoming collaborations with longtime friend Jamie Anderson (Artform Records) and Greek deep house producer Ilias Katelanos (i-records).

Earl's DJ sets are immersive experiences, seamlessly blending Deep, Minimal, and Tech House, often culminating in electrifying Techno as the night unfolds. He thrives in intimate settings, where he can connect with the crowd and channel their energy to create unforgettable nights on the dance floor.

Upshift

Some Guy Called Earl