Very interesting composition, I like the abrupt halt of the whole music, just so that the piano can have a word of his own

wonderful theme and inspiration _ good job ! [via https://sc.repostexchange.com]

soooo beautiful ❤️❤️❤️❤️❤️❤️❤️🔝🔝👊

Moonlight

https://musescore.com/user/54582801/scores/15465820?share=copy_link

Reflections - Moon

...too catchy, therefore worthless...

Sometimes we lose

Sometimes We Lose

Cover Art By Leraynne S.

Mike Noegraf - Lead and Rhythm Guitars
Rafael Freitas - Bass Guitar
Zamm Kenoby - Drums
Steve Hillier - Piano, Synthesizers, Lead Vocals
Pre-mix audio engineering by Jordan Stoffel
Mixed and Mastered by Zamm Kenoby

Lyrics:

I sensed you made contact
You touched me then you turned back

Somebody calls to you, angers you too.

Our love is on a lifeline
I’m looking at it unwind.

Then you had come to me, simple and free.

And then you say your love will die
Yet you say don’t kiss goodbye
Then you say our love will die
And you say, don’t kiss goodbye

I heard you had a comeback
I feel hurt but I’m alright

Then you come back to me, simple and free

And then you say your love will die
Yes you say don’t kiss goodbye
Then you say our love will die
And you say, don’t kiss goodbye

Come back home, think of all the love we made
Picture all the times we played
All our love gone by

From now on, hold on to our sanity
Cling to our humanity
Let our love survive

Then you would come to me, simple and free

Then you would say our love will die
Yes you’d say don’t kiss goodbye
And you’d say, our love will die
Then you’d say, don’t kiss goodbye

Then you say don’t kiss goodbye
Then you say our love will die
And you say our love will die
Then you say don’t kiss goodbye

Then you say don’t kiss goodbye
Then you say our love will die
And you say our love will die
Then you say don’t kiss goodbye

Moving Star

Come Back Home

Buy Track

Air Transcendence 5

HE'S COMING BACK

This song is about those things in your life that you cannot change. Those times when something breaks in a way that simply can't be fixed. Great personal loss. The loss of a loved one. If I were to put a finger on it, we can simply call it separation anxiety.

I wrote this upon seeing the pain that my mother-in-law's loss of her pet dog caused her. That coupled with the horrors of Alzheimer's caused her to relive the loss, freshly. But, in truth, such loss is experienced a thousand times, even without Alzheimer's... in covers on a dog bed that are now empty, in one fewer dog bowl set out to be filled, in a fleeting sound that sounds might have been your beloved dog, but then you remember that time has past.

And, with my dog going into sudden congestive heart failure, now I'm feeling this song deeper. I think it's beautiful, but it's also very sad.

The Winds Of Change

Lyrics~ 

Found you in the suburbs 
Broken inside out 
Thought that I could love her
Full of semen doubt 

Found you in the suburbs 
Thought you would take me in
Crawl beneath the covers 
Where I bury my sin

I was unknown 
From heaven I've flown
Come in I'm home  

A million peoples dreams, so it seems
You're sellin' em for fun 
Yes, a million peoples dreams, so it seems 
You're stealin' em for fun 

A million peoples dreams
so it seams your turn em into none 
A million peoples knees
Are crawlin just for one 

Found you in the suburbs 
Broken inside out

Found me out 




Somewhere in the suburbs

Keep Marching

In this mini album I wanted to explore building intensity and emotion with strings and piano. I feel both pieces are very unapologetically me, with endless layers of melodies that build throughout, grounded by the always reliable and consistent piano

Solstice was written after Equinox. I wanted to balance the vibrancy of Equinox with a piece that was more brooding and solemn, heralding the start of the colder season and longer nights.

I wanted to compose a piece that emotive, vibrant and full of colour - so Equinox was born. For both pieces I wanted to keep the focus on acoustic instruments with minimal support from electronic synths and beats. As I wrote this piece it made sense to me to call it Equinox as it felt like the start of something new, something to celebrate

The ideal way to listen would in their order (Solstice first then Equinox), but they can also be enjoyed as stand alone pieces

A huge thank you to Emma Greenhill who have brought these pieces to life with her beautiful string playing!

I hope you enjoy the album

SOLSTICE

A Girl On A Stool

Whitman's America - VIII. A Prairie Sunset (Soprano Solo)
Duration: ca. 24'
for soprano and baritone soloists, chorus and orchestra

Performed by American Modern Orchestra and Albany Pro Musica, Kent Tritle, conductor, Larry Pine, narrator, Caitlin Lynch, Soprano Soloist, Chad Sloan, Baritone Soloist, José Daniel Flores-Caraballo, Albany Pro Music Artistic Director, Mostly Modern Festival, Arthur Zankel Music Center, Filene Concert Hall, Skidmore College, Saratoga Springs, NY, June 15, 2018.
Publisher: Bill Holab Music: www.billholabmusic.com/store/index.p…n%27s+america
For More Information: robertpaterson.com/whitmans-america
View Score Online: issuu.com/robertpaterson/docs/…n_s_america__score-p
Formerly titled Walt's America for world premiere.

NOTE: Instrumentation is designed to be identical to the Brahms Requiem, but with additional percussion.

PROGRAM NOTE
I have always been very fond of Walt Whitman and his poetry, not only for the inherent beauty and sense of optimism he illustrates in many of his works, but also for his intimacy, directness, colorful descriptions, and the way in which he sings the praises of nature and our role in it as individuals.

Whitman’s America is a setting of six poems from Whitman’s final version of Leaves of Grass, often called the Death Bed Edition, since he compiled this version the year he died. My work is constructed in an arch form as a sort of quasi-fantasia. I view each connected movement or section as a scene or vision, perhaps from an imagined Whitman as he lay on his deathbed. My goal was to capture and highlight a variety of themes that permeate Whitman’s poems, and in particular, themes that have to do with his love of America and the American people.

The work begins with Gliding o’er all, a poem in which Whitman portrays a positive attitude toward death; he is prepared for it and ready to embrace it. He presents a tone of acceptance through the irony of singing of many deaths, for the positive act of singing, in the way he imagines, does not typically correlate with death. Next is I Dream’d in a Dream, sung by a solo baritone, a poem that describes a utopic vision of peace and harmony. Following that is I Hear America Singing, about American pride and having pride in one’s work. Next is America, describing the destiny of America as a nation, his love of the masses, his devotion to Democracy and America fulfilling the spiritual needs of its people. Second to last is A Prairie Sunset, sung by a solo soprano, a poem that captures the beauty of the American prairie, an aspect of the American landscape that Whitman was very passionate about. Finally, I end with After the Dazzle of Day, a beautiful poem describing the starry night sky, an evening filled with music and his own internal symphony during the silence that follows.

Whitman’s America was commissioned by the Gulf Coast Symphony (Fort Myers, FL) as part of their 2020 Commissioning Project, Andrew M. Kurtz, Music Director and Conductor.

Movement Titles:
I. Gliding o'er all
II. I Dream’d in a Dream
III. I Hear America Singing
IV. America
V. A Prairie Sunset
VI. After the Dazzle of Day

Whitman's America - VIII. A Prairie Sunset (Soprano Solo)

YouTube: https://youtube.com/channel/UCmyAuUi25BCFGl6Hnskk4Kw

Keep Marching

SomeGuy

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