Past the point of no return

Vocal from James Blake - Retrograde

Engineer James Croy
Master Kells

Twitter @loston_

James Blake - Retrograde (Loston Rework)

reLeased on käfTen 
200 copies
mixed yeLLow & red vinyL 
www.kaften.nu

EGYPTIAN EYELINER - MALADJUSTED (käfTen003 B2)

Edit of Henry Green's cover of MGMT's Electric Feel.
Photo provided by Katie Jones and edited by Greg Markou
Original Cover: https://soundcloud.com/henrygreenmusic/electric-feel-mgmt-cover

Electric Feel - Henry Green (Shagabond Edit)

&lt;3 Renz&#13;
https://soundcloud.com/renz-beats&#13;
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Artwork&#13;
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Mastering&#13;
Morgan Then&#13;
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DIEHIGH&#13;
https://www.facebook.com/D1E.HIGH

<a href="https://theartistunion.com/tracks/ee043b?soundcloud_ref=description" rel="nofollow" target="_blank">Download for free on The Artist Union</a>

Download

Renz - Slow Burn

lots of arps and awesome synth melodies!

THANK YOU FOR YOUR SUPPORT!!

drugs n happiness

extended version of Odesza - How Did I Get Here, by tehvenT (youtube.com/user/tehvenT). He's open to downloads so I've enabled it too :) 

To put it on loop, click anywhere on the soundwaves and hit Shift-L. Awesome background music.

How Did I Get Here (Extended Version)

This tape documents two short live performances of the piece Halfslaap ll, both recorded Sunday afternoon June 25 2014 at UCK, Utrecht, as part of Cultural Zondagen, organised by Gaudeamus Muziekweek. On side B, a distorted part of the recording was edited out.
http://bastakiyatapes.com/album/halfslaap-ii-live

Machinefabriek feat. Anne Bakker - Halfslaap II Live (Side A)

Just A Thought ft. Cashmere Cat

Pretty girls don't.

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M@GNETS

IMPORTANT: Please listen at a LOUD comfortable volume that makes your ear parts move a little. You should hear a lot of air shifting. (Ideally headphones or biggish bass-friendly speakers.) 


Written in close collaboration with Distractfold Ensemble, featuring: 


Rocío Bolaños - bass clarinet (w transposition pedals)
Daniel Brew - electric guitar
Linda Jankowska -  bowed kick + snare drums (drums outfitted with bridges + strings)
Christian Smith - bowed kick drum (as above)+ other percussion
Alice Purton - cello (w transposition pedals)
Sabrina Schroeder - transducers (playing bass drum, floor tom, and plywood cubes via live-manipulated sound waves through transducers).

Transducer performance interface developed with programming and design support from Josiah Oberholtzer, and from Michael Acker of the Experimentalstudio de SWR Freiburg. 

This live-performance recording was made at the 48th Internationale Ferienkurse in Darmstadt (Aug. 7th, 2016)

BONE GAMES (2016) for amplified ensemble

Mrs Dink (Double Income No Kids?) is the half of the Dinks and runs the Degenerate Trifecta label. Her house & techno hybrid is deep, highly experimental and slow. According to her, she 'travels the wasteland with her family, scavenging food and making funky beats to share with any survivors that will listen...' 

In New York Haunted land everybody will listen, Mrs Dink, because you have seem to crafted something that is lacking from most electronic music today: a personal, recognizable style and sound that sets you apart from everybody else. Check out these four amazing tracks that we are proud to share with the world!

NYH72 01 Mrs. Dink - Geiger

RAZEN - THE XVOTO REELS
First extract.
Out on sept. 15th, 2017
PREORDER: https://wearethreefour.bandcamp.com/album/the-xvoto-reels

The Xvoto Reels provides additional proof (if necessary) that Razen is an audacious group. If the Belgian band led by the duo Brecht Ameel and Kim Delcour has explored different musical worlds with changing formations, the involuntary irruption of a sixth “member” has upset the content of this new album. Through these brutal and unpredictable interventions, it made an ambitious album - recording live improvisations in a church with an organ and a tabla - unique.

“When we listened to the tape reels months after the recording sessions at the St Martin’s Church, we were forced into noticing that a presence had placed itself on all of the recordings. A presence playing tricks with the dynamics and the church acoustics, leaving inexplainable sound prints and cuts on the reels, turning our music into stray phantoms, as if what was left on the tapes was only a vague recollection of the sessions, reducing the slowed down ragas we had had in mind into a version so different and frayed yet at the same time so layered and eternal, that at first we had a hard time recognizing our original ideas, 
let alone deciding whether this was not too personal, intimate and obscure at all to let it out into the world, because what we had in our hands now, was the sound of a deeply private dream, a message from the subconscious, rather than a collection of tracks by five improvising musicians.

It did not take us long before we observed that what was lost in terms of our original expectations of these recordings (the precision of our tunings and interplay, proper endings and beginnings, clearer definition of sound) we had suddenly gained on other and far more worthier levels; the levels of randomness, unexpectedness and irrationality, precisely the sort of qualities our improvised music had always embraced, which were now put to the fore in a manner we had not yet encountered.

So here it is. More than the sum of tabla + hurdy gurdy + recorders + double bass + church organ. More than the sum of 5 musicians + tape engineer + church acoustics. 
The Xvoto Reels – a prayer in the halflight, a comforting sermon out of St Martin’s Church - is a version of Razen where the music played itself, and chance dictated what essence of this was allowed to be captured. We look back on those days in August as a moment in time where in fact, we ourselves and all those involved had become the instruments, in a way such as described by Inayat Khan: “I played the vina until my heart had changed into the same instrument. Ever since I have become His instrument, and whenever He wishes, He plays me with His music”.

Brecht Ameel & Kim Delcour / Razen

The xvoto reels

Reversal Dub

https://www.facebook.com/pages/Shlohmo/215424843565?ref=br_tf
https://www.twitter.com/shlohmo

https://soundcloud.com/wedidit-collective

Past the point of no return

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